
Practising Stylistics
Essays in Honour of Paul Simpson
Editor
e-Book – Ordering information
ISBN 9789027243706 | EUR 130.00 | USD 169.00
Practising Stylistics marks the career of Professor Paul Simpson, a leading figure in the discipline of stylistics, and one who embodies the practical and rigorous linguistic analysis of literary works and social discourse. A prominent figure in the Poetics and Linguistics Association (PALA) since its earliest days and Baines Professor of English Language at the University of Liverpool, Simpson has been a leading light and a steady hand on the stylistics tiller across his career. In this volume his friends, colleagues, co-authors and former students offer a series of essays that speak to the range and importance of Simpson’s influence.
In its contribution and design, this book reflects the artisanal ethos of stylistics itself. Each contribution includes a detailed illustrative example of stylistics practice, with argument and method open to examination, replication and constructive critical discussion. In this volume full-length stylistics essays are interspersed with shorter ‘vignettes’ that demonstrate practical applications of stylistics which are anchored by strong theoretical awareness. As such, each chapter is representative of the rigorous stylistic analysis championed by Simpson.
Demonstrating the value of stylistic approaches to literary criticism and discourse analysis by illustrating its workings is the most accessible way of reaffirming the discipline and so this book will likely be a key resource for scholars seeking the sort of exemplary stylistic practice inspired by Paul Simpson.
In its contribution and design, this book reflects the artisanal ethos of stylistics itself. Each contribution includes a detailed illustrative example of stylistics practice, with argument and method open to examination, replication and constructive critical discussion. In this volume full-length stylistics essays are interspersed with shorter ‘vignettes’ that demonstrate practical applications of stylistics which are anchored by strong theoretical awareness. As such, each chapter is representative of the rigorous stylistic analysis championed by Simpson.
Demonstrating the value of stylistic approaches to literary criticism and discourse analysis by illustrating its workings is the most accessible way of reaffirming the discipline and so this book will likely be a key resource for scholars seeking the sort of exemplary stylistic practice inspired by Paul Simpson.
[Linguistic Approaches to Literature, 45] Expected May 2026. xv, 285 pp. + index
Publishing status: In production
© John Benjamins
Table of Contents
- List of contributors | pp. vii–xii
- List of figures | pp. xiii–xiv
- List of tables | pp. xv–xvi
- Introduction: Practising StylisticsClara Neary, Simon Statham and Peter Stockwell | pp. 1–11
- Chapter 1: Vignette. Charles Dickens, teacher: Satire and metaphorKatie Wales | pp. 12–23
- Chapter 2. Trump’s superlatives, his discursive absolutism, and the changing character of the public sphereMartin Montgomery | pp. 24–35
- Chapter 3: Vignette. Textual momentumPeter Stockwell | pp. 36–44
- Chapter 4. Reading Covid poetry: A cognitive modal grammar accountMarcello Giovanelli | pp. 45–60
- Chapter 5: Vignette. Non-events in stylistics: An analysis of a passage from Zadie Smith’s NWJoe Bray | pp. 61–69
- Chapter 6. On satire and The Third PolicemanMichael Toolan | pp. 70–85
- Chapter 7: Vignette. A cross-cultural study of cohesion and narrative schema in a short story entitled ‘The Stranger’Marina Lambrou | pp. 86–96
- Chapter 8. ‘And I was silent’: A pragmatic stylistic reading of John McGahern’s ‘Korea’Siobhan Chapman | pp. 97–111
- Chapter 9: Vignette. Suspension in pedagogical stylisticsSonia Zyngier | pp. 112–120
- Chapter 10. Space oddities: Comparing function and style in two types of talkDan McIntyre | pp. 121–137
- Chapter 11: Vignette. Ghost worlds: Irony and indeterminacyBilly Clark | pp. 138–147
- Chapter 12. The Trump–Harris 2024 presidential debate: Polarised regimes of language, emotions and truthSandrine Sorlin | pp. 148–164
- Chapter 13: Vignette. Verbal and visual markers of discontent in Don’t Worry DarlingHelen Ringrow | pp. 165–174
- Chapter 14. The rhetoric of denunciation in Julie Otsuka’s Japanese trilogyManuel Jobert | pp. 175–189
- Chapter 15: Vignette. Point of view and modality in Brian Friel’s ‘The Diviner’Clara Neary | pp. 190–199
- Chapter 16. Towards a local grammar of speech presentation in narrative fictionMichaela Mahlberg | pp. 200–215
- Chapter 17: Vignette. Sharp wit, northern grit and verbal sparring in Happy ValleyChristiana Gregoriou | pp. 216–225
- Chapter 18. Narrative viewpoint, Free Indirect Discourse and irony in a ‘garden-path’ chapter of All Names Have Been ChangedJane Lugea | pp. 226–242
- Chapter 19: Vignette. The rhythm of the humdrum and the clamour of the lambeg: Narratives, style, and Irish identitiesJeremy Scott | pp. 243–252
- Chapter 20. Characterisation and adaptation of the drunken Dr QuirkeSimon Statham | pp. 253–268
- Chapter 21: Vignette. Alternating focalisation in Paul Lynch’s Prophet SongNaomi Adam | pp. 269–278
- Index | pp. 279–281