In:Practising Stylistics: Essays in Honour of Paul Simpson
Edited by Clara Neary, Simon Statham and Peter Stockwell
[Linguistic Approaches to Literature 45] 2026
► pp. 1–11
Introduction
Practising Stylistics
This content is being prepared for publication; it may be subject to changes.
Article outline
- Stylistics as practice
- Key principles of stylistics
- Structure and rationale of the book
References Select chronological bibliography of key works by Paul Simpson
References (63)
Brumfit, C. (1983). Teaching
Literature Overseas: Language-Based Approaches. Pergamon Press/British Council.
Fish, S. (1973). What
is stylistics and why are they saying such terrible things about
it? In S. Chatman (Ed.), Approaches
to
poetics, (pp. 109–52). Columbia University Press.
Fowler, R. (1968). Argument
II (continued): language and literature, Essays in
Criticism, 18(2), 164–82.
Simpson, P., & Carter, R. A. (1982). The
sociolinguistic analysis of narrative. Belfast Working Papers in Language and
Linguistics, 6, 123–52.
Simpson, P. (1986). Phatic
communion in Flann O’Brien’s The Third
Policeman. In J. Harris, D. Little, & D. Singleton (Eds.), Perspectives
on the English Language in
Ireland, (pp. 231–42). Trinity College.
(1987). The
narrative structure of Hemingway’s ‘The old man and the sea’: A multilayered stylistic
analysis. Belfast Working Papers in Language and
Linguistics, 9, 167–227.
Carter, R., & Simpson, P. (1989). Language,
discourse and literature: An introductory reader in discourse stylistics. Psychology Press.
Simpson, P. (1989). Politeness
phenomena in Ionesco’s ‘The lesson’. In R. Carter, & P. Simpson (Eds.), Language,
discourse and literature: An introductory reader in discourse
stylistics, (pp. 170–93). Unwin-Hyman.
(1990). Modality
in literary-critical discourse. In W. Nash (Ed.), The
writing scholar: Studies in academic
discourse (pp. 63–94). SAGE.
(1990). Towards
a modal grammar of point of view in fiction. Liverpool papers in language and
discourse, 3, 38–73.
(1992). Teaching
stylistics: Analysing cohesion and narrative structure in a short story by Ernest
Hemingway. Language and
literature, 1(1), 47–67.
(1992). The
pragmatics of nonsense: Towards a stylistics of Private Eye’s
‘Colemanballs’. In M. Toolan (Ed.). Language,
text and content: Essays in
stylistics, (pp. 281–305). Routledge.
(1994). Discourse
analysis and literature. In R. E. Asher, & J. M. Y. Simpson (Eds.), The
encyclopedia of language and
linguistics, (pp. 952–6), Pergamon.
(1994). The
recovery of rhetoric: Persuasive discourse and disciplinarity in the human
sciences. Notes and
queries, 41(2), 237–9.
Simpson, P., & Montgomery, M. (1995). Language,
literature and film: The stylistics of Bernard MacLaverty’s
Cal. In P. Verdonk, & J. J. Weber (Eds.), Twentieth-century
fiction: From text to
context (pp. 138–64). Psychology Press.
Simpson, P. (1997). A
quadrant model for the study of speech and thought presentation. Journal of literary
semantics, 26(3), 211–18.
(1997). The
interactive world of The third
policeman. In A. Clune, & T. Hurson (Eds.), Conjuring
complexities: Essays on Flann
O’Brien, (pp. 73–81). Dufour Editions.
(1997). Language,
power and the media: The critical linguistic analysis of British newspaper
discourse. ANAIS, XII encontro
nacional, 184–99.
(1998). Odd
talk: Studying discourses of incongruity. In J. Culpeper, M. Short, & P. Verdonk (Eds.), Exploring
the language of drama: From text to
context, (pp. 34–53). Routledge.
(1998). Discourse
analysis and literature. In J. L. Mey (Ed.), Concise
encyclopedia of
pragmatics, (pp. 236–42). Elsevier.
Short, M., Freeman, D. C., van Peer, W., & Simpson, P. (1998). Stylistics,
criticism and mythrepresentation again: squaring the circle with Ray Mackay’s subjective solution for all
problems. Language and
literature, 7(1), 39–50.
Simpson, P. (1999). Language,
culture and identity: With (another) look at accents in pop and rock
singing. Multilingua — Journal of cross-cultural and interlanguage
communication, 18(4), 343–68.
(1999). Pedagogical
stylistics and literary evaluation. Journal of literary
studies, 15(3–4), 510–28.
(2000). Satirical
humour and cultural context; with a note on the curious case of Father Todd
Unctuous. In A. Bex, M. Burke, & P. Stockwell (Eds.), Contextualized
stylistics: In honour of Peter
Verdonk (pp. 243–66). Rodopi.
(2001). ‘Reason’
and ‘tickle’ as pragmatic constructs in the discourse of advertising. Journal of
pragmatics, 33(4), 589–607.
(2001). ‘Deciphering
otter prints’: Language, form and memory in the poetry of Michael Longley. The honest
Ulsterman, 110, 17–31.
Simpson, P., & Hall, G. (2002). Discourse
analysis and stylistics. Annual review of applied
linguistics, 22, 136–49.
Simpson, P. (2003). On
the discourse of satire: Towards a stylistic model of satirical
humour. Benjamins.
Fowler, R., & Simpson, P. (2003). Language
and power. In W. Frawley (Ed.), International
encylopedia of
linguistics, (pp. 30548–351). Oxford University Press.
(2005). Modality
and narrative. In D. Herman, M. Jahn, & M.-L. Ryan (Eds.), The
Routledge encyclopedia of narrative
theory, (pp. 313–15). Routledge.
(2006). Non-standard
grammar in the teaching of language and style. In G. Watson, & S. Zyngier (Eds.), Literature
and stylistics for language
learners, (pp. 140–54). Palgrave Macmillan.
(2006). Humor:
Stylistic approaches. In K. Brown (Ed.). The
encylopedia of language and linguistics, (2nd
Edn), (pp. 426–9). Elsevier.
(2007). From
ritual to art: The aesthetics and cultural relevance of Igbo satire. Journal of
linguistic
anthropology, 17(1), 154–6.
Simpson, P., & Hardy, D. (2007). American
sentences: Terms, topics and techniques in stylistic
analysis. In P. Stoneley, & C. Weinstein (Eds.). A
concise companion to American fiction
1900–1950, (pp. 113–31). Wiley-Blackwell.
Simpson, P. (2010). Verbal
humor. In P. Hogan (Ed.), The
Cambridge encyclopedia of the language sciences, vol.
10, (pp. 897–9). Pergamon.
(2010). Ideology
and language. In P. Hogan (Ed.), The
Cambridge encyclopedia of the language sciences, vol.
10, (pp. 952–56). Pergamon.
(2010). Point
of view. In D. McIntyre and B. Busse (Eds.), Language
and
style, (pp. 293–310). Palgrave Macmillan.
(2011). ‘That’s
not ironic, that’s just stupid!’: Towards an eclectic account of the discourse of
irony. In M. Dynel (Ed.), The
pragmatics of humour across discourse
domains, (pp. 33–50). Benjamins.
(2012). A
stylistic analysis of modern Irish poetry. In F. Brearton, & A. Gillis (Eds.), The
Oxford handbook of modern Irish
poetry (pp. 366–70). Oxford.
Simpson, P., & Canning, P. (2012). Chicken
and egg stylistics: From lexical semantics to conceptual integration
theory. In M. Burke, S. Csabi, L. Week, & J. Zerkowitz (Eds.), Pedagogical
stylistics: Current trends in language, literature and
ELT, (pp. 24–44). Continuum.
Simpson, P. (2012). Twenty
years of Language and literature: A reflection, Language and
literature, 21(1), 12–17.
Simpson, P. W., & Canning, P. (2014). Action
and event. In P. Stockwell, & S. Whiteley (Eds.), The
Cambridge handbook of
stylistics (pp. 281–99). Cambridge University Press.
Gavins, J., & Simpson, P. (2015). Regina
v John Terry: The discursive construction of an alleged racist event. Discourse and
society, 26(6), 712–32.
Simpson, P. (2019). “Americans
don’t do irony”: Cross-cultural perspectives on the pragmatics of
irony. In P. Simpson (Ed.), Style,
rhetoric and creativity in
language (pp. 171–92). Benjamins.
(ed.) (2019). Style,
rhetoric and creativity in language: In memory of Walter (Bill) Nash
(1926–2015). Benjamins.
