Cover not available

In:Practising Stylistics: Essays in Honour of Paul Simpson
Edited by Clara Neary, Simon Statham and Peter Stockwell
[Linguistic Approaches to Literature 45] 2026
► pp. 253268

References (26)
References
Adams, T. (2024). ‘I’m writing a memoir. It’s a pack of lies’: John Banville on a lifetime of books, bereavement and the Irish love of words. Guardian, 30 November.Google Scholar logo with link to Google Scholar
Black, B. (2006). Christine Falls. Picador.Google Scholar logo with link to Google Scholar
Clark, D. (2014). Emerald noir?: Contemporary Irish crime fiction. In R. Aiura, J. U. Jacobs, & J. D. McClure (Eds.), East Meets West (pp. 144–156). Cambridge Scholars.Google Scholar logo with link to Google Scholar
Culpeper, J. (2001). Language and characterisation: People in plays and other texts. Longman.Google Scholar logo with link to Google Scholar
Furlong, A. (2012). ‘It’s not quite what I had in mind’: Adaptation, faithfulness and interpretation. Journal of Literary Semantics 41(2), 175–191.Google Scholar logo with link to Google Scholar
Genette, G. (1980). Narrative discourse. Cornell University Press.Google Scholar logo with link to Google Scholar
Gregoriou, C. (2017). Crime fiction migration: Crossing languages, cultures, media. Bloomsbury.Google Scholar logo with link to Google Scholar
Halliday, M. A. K. (1994). An introduction to functional grammar. Longman.Google Scholar logo with link to Google Scholar
Langacker, R. (2008). Cognitive grammar: A basic introduction. Oxford University Press. Google Scholar logo with link to Google Scholar
McCaw, N. (2020). Adaptations. In J. Allan, J. Guddal, S. King, & A. Pepper (Eds.), The Routledge companion to crime fiction (pp. 48–58). Routledge. Google Scholar logo with link to Google Scholar
McIntyre, D. (2008). Integrating multimodal analysis and the stylistics of drama: A multimodal perspective on Ian McKellen’s Richard III. Language and Literature, 17(4), 265–577. Google Scholar logo with link to Google Scholar
(2014). Characterisation. In P. Stockwell, & S. Whiteley (Eds.), The Cambridge handbook of stylistics (pp. 149–164). Cambridge University Press. Google Scholar logo with link to Google Scholar
Nolan, P. (2024). John Banville: It’s like a child playing with insects — you have absolute power over the characters. Hot Press, 22 October.Google Scholar logo with link to Google Scholar
Pascal, R. (1977). The dual voice. Manchester University Press.Google Scholar logo with link to Google Scholar
Powell, K. T. (2007). ‘A wholly other world of things, hidden’: Benjamin Black’s and Tana French’s criminal worlds. CLUES. A Journal of Detection, 35(2), 40–47.Google Scholar logo with link to Google Scholar
Pérez-Vides, A. (2020). The noir landscape of Dublin in Benjamin Black’s Quirke series. Estudios Irlandeses, 15(2), 90–101. Google Scholar logo with link to Google Scholar
Rundquist, E. (2020). The cognitive grammar of drunkenness: Consciousness representation in Under the Volcano. Language and Literature, 29(1), 39–56. Google Scholar logo with link to Google Scholar
Ryan, J. (1975). Remembering how we stood. Gill and Macmillan.Google Scholar logo with link to Google Scholar
Simpson, P. (1992). Teaching stylistics: Cohesion and narrative structure in a short story by Ernest Hemingway. Language and Literature, 1(1), 47–67. Google Scholar logo with link to Google Scholar
(1993). Language, ideology and point of view. Routledge. Google Scholar logo with link to Google Scholar
Simpson, P., & Montgomery, M. (1995). Language, literature and film: The stylistics of Bernard MacLaverty’s Cal. In P. Verdonk, & J. J. Weber (Eds.), Twentieth century fiction: From text to context (pp. 138–164). Routledge.Google Scholar logo with link to Google Scholar
Simpson, P. (2014). Stylistics. Routledge.Google Scholar logo with link to Google Scholar
Statham, S. (2019). ‘He just isn’t my Frost’: The television adaptation of R.D. Wingfield’s Jack Frost. Literary Linguistics, 8(1), 1–29. Google Scholar logo with link to Google Scholar
(2024). Realising betrayal: A multimodal stylistic analysis of a scene from the TV series The Sopranos. In J. Douthwaite, & U. Tabbert (Eds.), The linguistics of crime (pp. 194–214). Cambridge University Press.Google Scholar logo with link to Google Scholar
Toolan, M. (1988). Narrative: A critical linguistic introduction. Routledge.Google Scholar logo with link to Google Scholar
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue