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Style as Motivated Choice
In memory of Peter Verdonk (1934–2021)
This volume of stylistic scholarship is dedicated to the memory of one of the most inspirational and kindest stylistics scholars of the late 20th and early 21st centuries, Peter Verdonk (1934-2021). Verdonk was Professor of Stylistics at the University of Amsterdam and one of the founding members of the Poetics and Linguistics Association (PALA). Many of his colleagues from PALA have contributed chapters to this volume. Each author has chosen as their starting point one of Verdonk’s ideas on literary and linguistic style. Through his many nuanced and illuminating stylistic analyses, Verdonk’s works explore questions pertaining to: How can we recognise styles and stylistic features? How is style used in literary and non-literary contexts? What is the relationship between text and discourse and between production and reception? And, centrally, how can we consider ‘style’ as ‘motivated choice’. The chapters in this volume are erudite and inspirational. Reflecting Verdonk's own influence on the discipline of stylistics and his career-long support of younger scholars, they will motivate new stylistics researchers and students for decades to come.
[Linguistic Approaches to Literature, 44] 2025. vi, 190 pp.
Publishing status: Available
Published online on 8 May 2025
Published online on 8 May 2025
© John Benjamins
Table of Contents
- Introduction. Marking the stylist from the style: The influential scholarly work of Peter VerdonkMichael Burke | pp. 1–5
- Chapter 1. Style in its contexts: The case of John DonnePeter Stockwell | pp. 6–20
- Chapter 2. Reconstructing Kath: Memory, bereaved mind styles and plot manipulation in Penelope Lively’s The PhotographCatherine Emmott | pp. 21–44
- Chapter 3. Motivation and textual meaning in the stylistics of poetry: “Dulce et Decorum Est”Lesley Jeffries | pp. 45–67
- Chapter 4. Stylistics and motivated choice in Seamus Heaney’s “Orange Drums”Mick Short | pp. 68–79
- Chapter 5. “Truth is ugly”: Style, structure and tone in “Swansong”Dan McIntyre | pp. 80–92
- Chapter 6. Where owls nest in beards: Making sense of Edward Lear’s Books of NonsenseKatie Wales | pp. 93–113
- Chapter 7. Mechanical inelasticity in discourse: A Bergsonian perspective on dialogue, humour and stylePaul Simpson | pp. 114–129
- Chapter 8. Cognition and the creative interplay of word and image in Apollinaire’s “Il Pleut”Joanna Gavins | pp. 130–147
- Chapter 9. Verbal pickles and pickling: A stylistic engagement with Sinéad Morrissey’s “Through the Square Window”, with help from Philip Larkin and Peter VerdonkMichael Toolan | pp. 148–158
- Chapter 10. Bob Dylan’s world of words: Beginning to map the linguistic terrainGerard Steen | pp. 159–180
- AfterwordSonia Zyngier | pp. 181–188
- Index | pp. 189–190