In:Style as Motivated Choice: In memory of Peter Verdonk (1934–2021)
Edited by Michael Burke and Joanna Gavins
[Linguistic Approaches to Literature 44] 2025
► pp. 189–190
Index
Published online: 8 May 2025
https://doi.org/10.1075/lal.44.index
https://doi.org/10.1075/lal.44.index
A
- absurdity93–5, 99, 101–02, 104, 108, 110–11
- addressivity8, 17–18
- allegory9
- Apollinaire, Guillame130–45, 183
- Armitage, Simon153
- asymmetry of affect121
B
- backgrounding21, 24, 25
- bereavement16, 21–26, 32–35, 42, 182–3
- Bible10–11, 18
- Big Bang Theory114, 124–126
- BNCWeb71, 72, 74, 75
- “Born Yesterday”148–50, 153–4, 156
- burying22, 35
C
- calligrams130–45
- co-textual49, 50, 58, 64
- cognition4, 17, 130, 133, 137, 144–5, 157, 183, 186
- cognitive poetics6, 7, 18, 48
- collective voice106–9
- collocation63, 71–80
- conceptual blending137–8, 143–5
- concrete poetry130, 132, 139, 143
- consensus45, 50, 64, 107
- content50, 52, 80, 83, 85, 88–91, 133–4, 161, 162, 168, 173, 177, 179
- context3, 6–7, 11–14, 16–19, 27, 46–8, 52, 56–9, 63–5, 70, 71, 85, 90, 110, 114–5, 124, 130, 148, 150, 153–4, 157, 182, 185–6
- contextualized stylistics6–7, 115
- Critical Stylistics51–2
D
- deixis17–18, 27, 52–3, 56, 60, 72, 142, 148
- detective23, 33, 35, 40, 42
- detective story22, 35, 38, 40
- discourse48, 71, 93, 114–6, 118, 120, 121, 123–4, 126–7, 150, 159, 161–2, 165, 168, 178–9
- discourse-world69,
- discovery procedure64
- Donne, John6–20
- “Dulce et Decorum Est”45–66
- Dylan, Bob159–79, 183
E
- eclecticism65
- embodiment17–18, 145
- equating53, 62–3
- evidence-based practice185
- evoking52, 54, 60–64
- extended mind144–5
F
- Father Ted114–5, 120–124, 127
- foregrounding21, 24, 25, 31, 38–9, 41, 46, 48, 57, 59, 60, 62, 72–3, 75–8, 80, 85–8, 99, 101, 110, 139, 143, 153
G
- genre18, 42, 45, 47, 50–52, 65, 90, 94–5, 100, 104, 111, 118, 127, 153, 165, 166, 172, 178, 179
- grammetrics80, 86–7, 93, 95, 99, 111
H
- Heaney, Seamus2, 3, 68–80, 148, 151, 183
- historicism12–14
- Hopkins, Gerard Manley74
- humour4, 80–91, 106, 115–127, 183
I
- iconicity9, 11, 15, 61, 63, 64, 130–45, 183
- ideology15, 18, 45, 46, 64, 183
- “Il Pleut”130–45
- in medias res71
- inelasticity, mechanical114–121, 123–127
- intertextuality6, 11, 16, 63, 74, 153
- irony24, 85, 89, 114, 117, 122
L
- Larkin, Philip2, 4, 148–150, 153–157, 183
- Lear, Edward
- limerick93, 94, 96, 100, 110, 111, 183
- literary criticism12, 15, 46–8
- literary education185
- Lively, Penelope21–42
M
- manipulation21, 26, 37
- memory3, 12, 21–34, 37, 41, 42, 61, 137, 172,
- metadiscoursal facilitator123–4, 126
- metalepsis21, 22, 26
- metaphor8–9, 11, 15, 18, 21–2, 28, 32, 34, 63, 72, 74–8, 139–42, 155, 160–61, 170
- mind style2, 21, 23–27, 32–34, 39, 40, 42
- mind-modelling16–18
- modal-world141–2
- Morrissey, Sinéad149–157, 183
- motivated choice3, 4, 7, 24, 66, 68, 142, 143, 159, 161, 178, 183–4
- multiple selves21, 22, 28–30
- mutual information value71, 72, 74, 77
- mystery21–23, 33, 35, 38, 42
N
- naming52, 56–57, 60
- narrator57, 59, 61–2, 71–2, 88, 89, 97, 98, 107, 108, 118
- negation8, 15
- nonsense4, 93–111, 183
O
- oppositional meaning49, 53
- “Orange Drums”68–80
P
- parallelism8–9, 11, 60, 78–9, 87–8
- pedagogical stylistics184–6
- personification57, 63, 155
- Photograph, The21–42
- plot21, 22, 26, 31, 33, 35, 38, 42, 99, 104, 118, 127
- poetic voice68, 70
- Poetics and Linguistics Association (PALA)1–4, 68, 184
- presupposition16, 53, 62, 71
- prioritising53, 60–61, 64
R
- register19, 159, 165, 166, 168, 172, 178
- rigidity (in discourse)114, 116–120, 123–4, 126–7
S
- sarcasm120–123, 125–6
- schema14, 35, 74, 95, 102
- semantic field86–7, 159–79
- sentence fragment21, 22, 26, 31, 35, 39, 41
- sexism149–153
- sitcom114–6, 120, 126
- song lyrics65, 80–91, 159–79, 183, 185
- steam stylistics69, 71
- stylistics1–4, 7, 19, 46–8, 50, 64–6, 69, 71, 80, 91, 114–5, 120, 130, 148, 153, 157, 159, 181–6
- subversion93, 94, 106, 110
- surrealism93, 94, 104, 105, 106, 110, 111, 122, 132, 183
- “Swansong”80–91, 183
T
- text-world49, 69, 71, 73, 77, 86, 93, 94, 95, 97, 98, 99, 100–106, 110, 111, 136, 140, 142
- Text World Theory49, 68, 71, 93, 95, 106, 136, 140, 142
- Textual Conceptual Functions (TCFs)52–55, 56, 63–5
- textual meaning46, 48–50, 65
- “The Windhover”75
- “Through the Square Window”151–6
- token/type164, 168, 169, 170
- transitivity53, 56, 58–60, 155
- verbal artistry185
V
- visuo-verbal simultaneity135–8, 144
W
- Wmatrix159–79
- word class162, 163, 164
