Volume 28, Issue 2 (2016)Audiovisual TranslationTheoretical and methodological challenges
Edited by Yves Gambier & Sara Ramos Pinto
University of Turku | University of Leeds
- IntroductionYves Gambier and Sara Ramos Pinto | pp. 185–191
- Descriptive translation studies of audiovisual translation: 21st-century issues, challenges and opportunitiesAlexandra Assis Rosa | pp. 192–205
- Machine translation quality in an audiovisual contextAljoscha Burchardt, Arle Lommel, Lindsay Bywood, Kim Harris and Maja Popović | pp. 206–221
- The multimodal approach in audiovisual translationChristopher Taylor | pp. 222–236
- Action research: So much to account forJosélia Neves | pp. 237–247
- From Translation Studies and audiovisual translation to media accessibility: Some research trendsAline Remael, Nina Reviers and Reinhild Vandekerckhove | pp. 248–260
- Imagined spectators: The importance of policy for audiovisual translation researchCarol O’Sullivan | pp. 261–275
- Psycholinguistics and audiovisual translationJan-Louis Kruger | pp. 276–287
- Cross-cultural pragmatics and audiovisual translationMarie-Noëlle Guillot | pp. 288–301
- The importance of being relevant? A cognitive-pragmatic framework for conceptualising audiovisual translationSabine Braun | pp. 302–313
- The ‘engendering’ approach in audiovisual translationMarcella De Marco | pp. 314–325
- Serenella Massidda. AVT in the digital era. The Italian fansubbing phenomenonReviewed by José Luis Martí Ferriol | pp. 326–329
- Anna Maszerowska, Anna Matamala & Pilar Orero, eds. Audio description. New perspectives illustratedReviewed by Irene Ranzato | pp. 330–332
- Rosa Agost, Pilar Orero & Elena di Giovanni. MonTiReviewed by Dror Abend-David | pp. 333–336
- Pablo Romero-Fresco. Subtitling through speech recognition: RespeakingReviewed by Anna Matamala | pp. 337–340
- Luis Pérez-González. Audiovisual translation: Theories, methods and issuesReviewed by Julie McDonough Dolmaya | pp. 341–345
- Claire Ellender. Dealing with difference in audiovisual translation. Subtitling linguistic variation in filmsReviewed by Jenny Brumme | pp. 346–350
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