SUBJECT AND ONOMASTIC INDEX / ÍNDICE TEMÁTICO E ONOMÁSTICO*

doi:10.1075/z.218.si

In:The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax: The Golden Age of Medieval Galician Poetry / O esplendor da poesía galega medieval
Edited by Alexandre Rodríguez Guerra and Xosé Bieito Arias Freixedo
[Not in series 218] 2018
► pp. 335–343

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SUBJECT AND ONOMASTIC INDEX / ÍNDICE TEMÁTICO E ONOMÁSTICO*

Published online: 1 November 2018

https://doi.org/10.1075/z.218.si

A

A vid. Cancioneiro da Ajuda

aaB (forma estrófica) 2, 39–45, 48–49, 123

Aboim-Portel, Os110

Abril Perez107

acento, acentual 244, 247–248, 250, 252

achado (do Pergamiño Vindel) 25, 71, 79, 289–291, 296–297, 300, 313, 316, 325, 332

Afonso I de Portugal (Afonso Henríquez) 276, 279

Afonso III de Portugal 106, 230

Afonso VI (de Castela)107

Afonso VII 105, 275–276

Afonso VIII de Castela106

Afonso IX de Galicia e León 104–105, 107

Afonso X (o Sabio) 8–9, 44, 55, 72, 75, 84, 93, 106–107, 153–154, 160, 232, 302, 304, 306–307

Afonso Eanes do Coton 106, 186, 191, 207, 223

Afonso Gomez, jograr de Sarria223

Afonso Lopez de Baian 92, 106, 186, 192

Afonso Paez de Braga186

Afonso Sanchez 186, 189, 313

Airas Carpancho 49, 92, 126, 129, 186, 211, 229

Airas Nunez 18, 49, 92, 106, 186, 192

Airas Paez 46, 49, 86, 89, 98, 127, 192, 233

Airas Perez Vuitoron226

alcume 85, 229–230, 234, 239

Alfonso XI (de Castela) 111, 307

Alfonso XIII 319, 323

Alleluia 266–267

alternancia (vocabular) 131, 133–134

Álvarez Blázquez, Xosé María 25, 228, 234, 292, 296, 307–310

Alvaro Gomez vid. Afonso Gomez

amigo vid. Cantiga de amigo

amor vid. Cantiga de amor

Andrade, Os 108, 110–111

animación (parámetro semántico) 201–202, 204, 214

anomalía (no texto) 127–128; (no ms.) 147–148, 150, 158, 161

Antonio da Ribeira114

antropoloxía 7, 11–13

apógrafos italianos (B, V) 26, 122, 167–168, 175, 222, 233, 312

arcaísmo (literatura) 11, 14, 16, 18, 75, 160, 252; (lingua) 152, 154, 160, 168–170, 172

Areal, O vid. Vigo

argumentação (retórica)33

Arte Español 25, 290, 299, 313, 324

Asensio, Eugenio 1, 28, 132

autónomo -a (caderno) 147; (cantigas) 31; (palabra) 61; (tradição) 61

autoría (autor – atribución autorial –) 3, 5, 9, 31, 34, 53, 55, 69, 71, 74, 77–79, 84, 89 112–113, 128, 133–134, 142, 156, 167, 222, 229, 231, 245

B vid. Cancioneiro da Biblioteca Nacional

bailada (primaveril) 73–75, 171

baile (motivo literario) 4, 6, 33, 70, 213–214

Berbés, O vid. Vigo

Bernal de Bonaval 49, 79, 92, 108, 129, 133, 192

bifolio 146–148, 258, 327, 331

Boccaccio13

burguesía 282, 327

cadence (do verso) 40–42, 44–46, 48

caderno 54, 58, 76, 111, 147, 222

caligrafía (do Pergamiño Vindel) 149–150, 158, 161

canción 19, 28, 52, 70, 138, 161, 240, 252, 265, 268; (de Estilo Elevado) 264–265; (de muller) 9, 16, 18, 73, 80, 252; vid. cantiga

cancioneiro 6, 26, 28, 30, 32–33, 35–36, 51–63, 69, 72–73, 75, 77, 85, 91, 98, 106, 108, 120–121, 123, 130, 132, 134, 143–146, 148, 154, 169, 222, 224, 229–230, 233–234, 266, 289, 292, 296, 298, 300, 307–308, 312; (de cabaleiros) 57, 229; (de xograres galegos) 57, 59–63, 83–86, 91, 95, 97, 229, 231

Cancioneiro da Ajuda (A) 52, 54–58, 60, 63, 73–75, 77, 121, 123, 128, 142, 159, 161, 175, 222, 265, 311–312

Cancioneiro da Bancroft Library (K)313

Cancioneiro da Biblioteca Nacional (B) 53–57, 59, 61–62, 77, 85, 121–122, 124–128, 134, 146, 169, 175, 179, 222–224, 233, 312, 325

Cancioneiro da Vaticana (V) 53–57, 59, 61, 78, 85, 122, 124–128, 169, 175, 179, 222, 233, 290, 296–299, 304, 312, 325

Cancioneiro de Uppsala328

canon, canónico -a 10, 18, 30, 35, 124–126, 128–131, 153, 157, 167

cantadeira, cantador -a 70–73, 76, 79–81

cantiga, cantar 7–8, 11, 18, 25–35, 40, 42–44, 51–53, 57–60, 69–93, 95–96, 98, 119–134, 142–143, 148–149, 153–156, 158, 160, 167–172, 178, 181, 183, 185–188, 190, 192–193, 196, 210–212, 216–217, 223–224, 231, 233–235, 240–247, 249–252, 258–259, 262–263, 265, 267, 269, 290–292, 295–298, 300–301, 305–310, 315, 325; (de amigo) 7–8, 10–11, 13, 15, 18, 28, 31, 34, 39, 41–42, 45–46, 48–49, 52–53, 56–57, 59, 69–79, 86–87, 91, 95–96, 119, 123, 160, 167–170, 172–173, 176–179, 183, 185–186, 191–195, 197–209, 211, 213–214, 216, 233, 240–241, 250–251, 258, 313; (de amor) 28, 52–53, 56, 69, 71, 73–74, 77, 91–92, 96, 98, 178, 186, 194, 211, 213–214, 240, 251–252, 258, 265; (de santuario) 33, 83, 86, 89, 91–92, 95, 97–98, 185–186, 191–195, 197–209, 213–216; (de escarnio) 53, 56, 77, 95, 173, 179, 186, 194, 213–214; (dialogada) 34–35, 70, 72–73, 75–77

Cantigas de Santa María / CSM 9, 72–73, 75, 104, 106, 153, 155–156, 158–159, 168, 171, 173, 177, 179, 240, 242–243, 246, 249

cantor -a (poeta) 26, 28, 304–305, 310; (intérprete) 262, 290

cantoria73

cantus coronatus251

Carolina Rediviva (Biblioteca da Univ. de Uppsala) 328, 330

Castro, O vid. Vigo

Castro, Rosalía de 125, 302

Celanova-Toroño, Os 107, 225

Cerverí de Girona 8–9, 19

Cesura 247, 250

chanson de toile 5, 8–9

chunk (unit of information)40

clérigo / clericus 56, 60, 108, 111, 113, 161, 177, 227–228, 231, 239, 265, 280

climacus247

clíticos 189, 198–200, 207, 215–216 (énclise, posposición) 189; (mesóclise) 206; (próclise, posposición) 188–189

cobra 126, 130, 188, 210–211 (cobras alternantes) 42–44, 48–49, 128; (capfinidas) 130

codaciano / codaxiano -a 26–27, 29, 31–35, 133, 168. 172, 178, 180, 186–188, 190–195, 198, 201–204, 206, 208–210, 212, 214–217, 240, 263, 289–290, 304, 307, 309

Codax vid. Martin Codax

códice 59, 63, 109–113, 144, 146, 161, 249, 312, 314, 326

codicolóxico -a 137–138, 146, 159, 234, 243, 315

cognition 39, 44

Colocci, Angelo 53–55, 59, 126, 222–225, 312

colon 40, 42, 44, 46, 48–49, 123, 132

compilação 51, 56–57, 60, 63, 85, 104, 112, 159; (compilação geral) 57, 59, 61

Compostelano, El303

Concordia, La 297, 301

Conde D. Pedro vid. Pedro de Barcelos

contacto (intercultural) 11, 13–14, 17–18, 106

contexto (cultural) 12, 44–45, 70–71, 77, 103, 110, 113, 115, 151

contrafacta 75–76

copista (amanuense, escriba) 26–27, 35, 78, 111–112, 121, 124–128, 149–150, 152–156, 161, 179, 228, 244–245, 248, 234, 321

Correo Gallego, El305

corte (literaria) 8–9, 13, 46, 55, 70, 72–73, 75–76, 81, 84, 90, 93, 95, 98, 106–108, 112, 115

cortés / cortesán 7–8, 13, 52, 84, 98; (música) 242, 244, 249, 260

criação textual73

cultura antiga (acadia) 14, 18; (chinesa) 11–12, 14; (exipcia) 11, 15, 17; (grega) 11–12, 14, 16–18; (sumeria) 11, 17

Cunha, Celso Ferreira da 27, 59, 74, 120, 123–124, 131–133, 154, 159, 170, 247–248, 309, 332

Curros Enríquez297

D’Orvenipe, D. L. (pseudónimo) 25, 138, 290, 313, 324; vid. Pedro Vindel

dança 28, 31, 35, 80, 252, 264

De officiis 140–143, 148, 320, 325–326

demonstração (probatio)33

Denis, D. 9, 18, 34–35, 41, 43–44, 46, 48–49, 52, 57–58, 69–70, 72–73, 106, 108, 126–127, 129, 172, 234, 242–243, 251–252, 257–258, 265, 269, 307

desvío / desviación 26, 128–129, 133, 212, 214

diálogo, dialogado -a vid. cantiga dialogada

Diario de Galicia 298, 301

Diario de Pontevedra, El305

Diego Sarmiento de Acuña115

Dinis vid. Denis

dispositio 26, 33, 196

dístico 2, 6–9, 26, 29, 34–35, 43, 48, 79–80, 124, 127, 133, 247, 249, 251

ecdótico -a 124, 167, 180, 315

Eco de Galicia 298–299

edición (crítica) 119, 120–121, 123–124, 131–134, 138, 168, 170, 179, 185, 225, 230, 232, 298, 312–313, 315, 325; (dixital) 119; (facsimilar) 123, 274, 296, 298, 325; (paleográfica) 297, 325

encadeamento (de estrofas – concatenación –) 96, 124, 126, 128–130, 133–134, 169, 243

encadernación, rilegatura 143, 148, 161, 315, 323, 325–326

encontro (cita amorosa) 15, 20, 27, 32, 71, 75, 79–80, 86–87, 123

encontro vocálico 120–122; vid. sinalefa

energy saving operators 44–45

Enrique II de Trastámara111

Enriquez, Os (da Casa de Lemos)112

epílogo / epilogus33

ergas 176–177

ermida vid. santuario

erro (de copia) 26, 35, 73, 84, 123–128, 133–134, 142, 228, 232

escansión 41–42, 48, 155–156, 158, 247

escola galego-castelá 106, 114

escrever (concepto medieval) 70, 73, 76–77

escriptocentrismo 69, 74, 78

escrita / escritura (manuscritura, escrito -a) 3, 12–13, 18, 51–52, 72–76, 78–79, 104, 115, 120, 124–125, 134, 138, 141, 146–160, 175, 202, 244, 249, 315, 325–326

escritor (concepto medieval) 69, 71–72, 74, 77–78, 104

espaço meridional galego (ámbito de produción poética) vid. sudoeste

espera (motivo literario) 12, 15, 31–32, 63, 70, 72, 79, 88, 304

esquema (formal, retórico) 8, 15, 25, 29, 33, 35, 158; (sintáctico) 187–211, 214–216; (stemma) 53–55, 57–62

Estafeta Literaria, La 315–317, 319, 320

Estevan Coelho 10, 41, 46, 49, 261

Estevan da Guarda 57, 108, 130

Estevan Faian230

estribillo vid. refrán

estrofa 9, 28–29, 34–35, 38–44, 46, 48–49, 70, 86–87, 92, 96, 121–131, 133, 138, 185, 217, 243, 248, 250, 252, 304, 308; estrófico -a (forma, estrutura) 2, 5, 7–9, 17, 39–48, 130, 249; vid. cobra

evolución (fonética) 167, 169; (semántica) 175

exórdio (proemium)33

familia vid. liñaxe, parentela

feminino -a 70, 80, 105; (cadencia) 48; (personaxes) 69–71, 78, 80–81; (tradición) 72, 80, 239, 252

Fernan do Lago 46, 48, 86, 89–91, 97–98, 192, 233

Fernan Fernandez Cogominho49

Fernan Perez de Andrade 110, 112

Fernan Rodriguez de Calheiros 49, 107, 130

Fernan Velho106

Fernand’Esquio41

Fernández de la Cuesta, Ismael 137–138, 141, 145, 148, 243, 245, 313, 325

Fernando I de Portugal 111, 282

Fernando II de Galicia e León 104–105, 275

Fernando III (o Santo) 95, 106–107, 153, 304, 307

Fernando IV (de Castela) 109, 279

Fernando Rodriguez de Leira113

fiinda / finda 32–33, 92, 96, 130

folclore, folclórico -a 2–3, 6–7, 13, 16–18, 240

folio 62, 109, 111, 138, 142, 145, 147, 158, 160, 222, 225, 311–312, 315, 330; (volante) 147–148

folla 52–53, 71, 81, 145, 325; (solta, volante) 51, 55, 59, 62, 72, 146–148

fonte (documental, orixe) 51, 62–63, 72, 221, 258, 260, 264–265, 274–278

forma (poética) 2, 7–9, 14, 25–29, 32–36, 39–40, 42, 44–48, 77, 124, 128, 252; formal 28–29, 34–36, 45–46, 186, 252

formalismo (teoría) 28, 31; (da escritura) 151, 154, 159

foro (aforamento) 278–286

freguesía 84, 87–93, 95–96, 98–99, 234, 275–277, 279–282 (cf. parroquia)

función (poética) 29–30, 33, 40, 46

función (sintáctica) (complemento circunstancial) 187, 192, 197; (complemento directo) 187–188, 191, 196–202, 206–208, 210, 214–216; (complemento indirecto) 187–188, 191, 197–198, 206–208, 215; (complemento oblicuo) 187, 194–198, 202–204, 206–208, 214–215; (predicativo) 187, 195–197, 204–208, 214–215; (suxeito) 187–188, 191–199, 201–208, 214, 215

galego-portugués -esa / galaico-portugués (territorio) 54, 168, 267, 269; vid. lingua, poesía, prosa

Galicia302

Galisteu Fernandiz 96–97

García Lorca, Federico 19, 290, 292

Geoffrey de Vinsauf33

gnose, gnoseológico 258–260, 263

Golparro 86–87, 97–98, 231–233

gótica 62, 111, 151–154, 159–160; vid. littera textualis

grafía, gráfico -a 62, 84–85, 120–123, 131, 149–154, 159–160, 169–170, 175, 223, 246, 267

Heraldo Gallego, El (Buenos Aires)302

Heraldo Gallego, El (Ourense) 296–297

historia da literatura 71–72, 74, 78–79, 81

Historia de una librería 315, 320, 324

iconografía, iconográfico 73, 154, 261, 264; vid. iluminura

Idade do Bronce272

Idade do Ferro272

Idade Media 12, 15, 18, 33, 71, 80, 103–105, 108–109, 114–115, 144, 168, 177, 227, 264–265, 273, 275–277, 279, 281, 291, 298–299, 305

Idade Moderna 18, 277

Ideal Gallego, El305

identidade (autor, personaxes) 72, 80–81

igrexa (templo) vid. santuario

iluminura 73, 275

imaginário (masculino) 71, 77

impaginazione 142, 153, 158

improvisação 73–74, 76

indo-europeu -eia (cultura, poesía) 73, 75–77, 80

inovação (sobre a tradición), novidade 26, 35, 45, 76, 252

instrumento, instrumental (música) 73, 258–259, 263–265, 268–269; instrumentarium 264

interpretación (execución musical) 243, 257–267, 269, 292, 295, 306; vid. performance

intertextualidade 35, 83, 95, 98, 178

inversión (da orde) 42–43, 124–128, 189

irmana169

irregularidade (métrica / estrutural) 41, 129, 132–134

Jakobson, Roman (jakobsoniano -a) 28–31, 35, 70, 81

Joan Airas de Santiago 57, 180

Joan Baveca 227–228

Joan de Cangas 75, 86–87, 97–98, 186, 192, 211, 233, 277, 299, 309

Joan de Gaia 108, 171

Joan de Requeixo 75, 86, 89, 91, 98, 178, 192, 206, 233

Joan Garcia de Guilhade 107, 172

Joan Lopez d’Ulhoa 176, 230

Joan Meendiz de Briteiros189

Joan Servando 49, 75, 92–93, 186, 192, 304

Joan Soarez Coelho 44, 46, 48–49, 106, 130

Joan Soarez de Pavia189

Joan Soarez Somesso107

Joan Zorro 4, 18, 42, 44, 49, 106, 127, 168, 172, 178, 186–187

Joana Vasquez das Seixas 109, 112

Juan Gil de Zamora106

Juano, D.224

Juião, D.224

Juião Bolseiro 46, 48, 108, 173, 225

-l- (intervocálico) 167–169

Laxe, A vid. Vigo

legatura vid. encadernación

leixa-pren / leixaprén 2, 7–8, 13, 19, 42–47, 124–133, 168, 187; (embryonic leixa-pren) 43–44

ler (concepto medieval) 73, 77

letra (grafía) 111, 153–154, 159

letra (vs. son) 71–77, 250, 301

libraría 314, 316, 318–322, 324, 327, 331

librario -a 110, 112; (morfoloxía, uso) 138, 141, 144, 147, 151, 154, 157–159

libreiro 313, 315, 317–319, 321–325, 327, 329, 331

Lima, Os 109–110, 112, 225

Lima-Batissela, Os107

lingua 7, 9–10, 12, 14, 114 (d’oc / provenzal) 105, 157; (d’oil) 157; (del sì) 157; (galega) 297, 302; (galega medieval) 104, 106–107, 114–115, 304; (galego-portuguesa) 72, 170, 172, 177, 179; (poética) 106; (románicas) 6; (séculos escuros) 115; (tedesca / teotisca) 151, 157; (trobadoresca) 167, 170, 178, 308

linguaxe 28–30

liñaxe (familia) 56, 85, 91, 98, 105, 107–110, 112, 226–229, 234 (cf. parentela)

lírica vid. poesía

literatura 2–3, 10, 13, 17–18, 29, 70, 76, 78, 80–81, 183, 299, 307, 328 (medieval) 10, 69, 71–72, 74, 103–104, 113, 158, 298–299

littera textualis 151, 153

Livro das Cantigas (do Conde D. Pedro) 53–55, 57, 59–61, 108, 167, 269

Livros de Linhagens 36, 108, 230

lo / la 168–169

Lopo jograr 44, 92, 94–97

Lopo Lias 178, 233

Macias o Namorado 97, 224, 302

magia (magic) 28, 45–47

manifestação cultural 61, 63

manuscrito 5, 8, 52–53, 62, 71, 73, 77–78, 86, 108–112, 114, 121–125, 128, 131–134, 137, 141–149, 152, 154, 158–161, 167, 179, 221–222, 243, 245–248, 263, 267, 311–315, 319–320, 322, 324–327, 330, 332; vid. tradición (manuscrita)

mar (motivo literario) 2, 4–6, 13, 15–16, 19, 26, 29, 34–36, 70, 73, 75, 89, 122, 272, 299, 303–305, 307–310, 332

mareante 280, 283

Martin Codax (Codax) 2–4, 7–10, 15–16, 18, 25–28, 30–31, 33, 35–36, 39, 41–49, 52, 57–60, 62–63, 72, 74, 76, 81, 83–87, 89–91, 96–99, 119, 121–122, 124–128, 131–134, 145, 148, 152, 156, 161, 167–170, 172, 177–178, 180, 183, 185–186, 188, 190–199, 201–202, 204–214, 217, 233–235, 239–243, 246–247, 250–251, 258–259, 262, 277, 281, 289–292, 295–310, 313, 325–326, 332

Martin Codax. Las siete canciones de amor. Poema musical del siglo XII 290, 300, 313

Martin de Caldas 95, 97, 231

Martin de Ginzo 34, 42, 46, 75, 85–86, 88, 97–98, 126–127, 192, 233

Martin de Padrozelos 92–93, 97, 192

Martin Moxa 108, 189

Martin Soarez 95, 96, 106, 261

Martinus iograr clericus161

masculino -a 88, 99, 179; (autor, autoría) 71, 79, 239; (cadencia) 42, 46, 48; (imaxinario) 72

mecenado 46, 103–111, 113–115; vid. padroado

mecenas, promotor 55, 104, 106, 110, 112, 114–115, 263, 297

Meen Rodriguez Tenoiro93

Meendinho 12, 46, 49, 75, 86, 88–89, 91, 97–98, 129, 186, 206, 211, 272, 277, 308–309

melodía, melódico -a 40, 142, 240–245, 248, 251–252, 259–260, 262, 266–267, 291, 306, 325, 330

memoria 44, 74, 76, 78; (colectiva) 2, 244, 251; (=lembranza) 113, 235, 275, 286, 298, 306 (working memory) 40, 44–45

mensagem poética 30, 72–74, 76, 80

métrica, métrico -a 17, 39–42, 45–47, 78, 120–123, 142, 149–150, 160, 172, 239, 247–248, 250, 303, 305

Michaëlis, Carolina 1, 26, 36, 51, 54, 58, 80, 96, 104, 122, 124–125, 137, 145, 159, 170, 222, 234, 291, 312–313

mirar 179–183, 196, 212–214, 240

mise en page 153, 158

mise en texte 153–154, 158

Mitjana y Gordon, Rafael 291–292, 301, 313–314, 316, 327–331

mito, mitología 15–18, 78

modelo (actancial) 70–; vid. patrón

morfologia (do Pergamiño Vindel) 138, 142, 144, 146, 157

Morgan Library 52, 138, 144, 148, 289, 301, 311, 313–314, 331–332

mote32

motivo (literario) 4–6, 9–11, 13, 15–17, 19, 29, 31, 35; (musical) 245, 252

muller vid. canción de muller

música 44, 80, 138, 234, 240, 243, 246, 248, 249, 250, 252, 257–265, 267–269, 305, 309, 314, 327–331; (eclesiástica) 242; (cortês) 242; (popular) 240–241, 244; (trobadoresca) 263, 265

musical 7, 32, 40, 51, 74, 239–240, 244–245, 247, 251–252; 258, 267, 269, 315, 325, 329, 331; (frase musical) 241–246, 248, 268; (notación musical) 51–52, 59, 62, 128, 138, 150, 156–157, 159, 244, 248, 252, 258, 265–266, 315, 326; (poesía musical) 5–8, 13, 18, 26, 28, 40, 59, 62, 71, 74, 77, 138, 142, 154–155, 157–159, 217, 222, 246, 289–291, 295, 299, 301, 324, 332

musicoloxía 132, 140, 147, 158, 243, 245, 257, 259–260, 263–264, 269, 291, 301, 313–314

N vid. Pergamiño Vindel

-n- (intervocálico) 167–170

narração (narratio)33

narrador -a 70–71, 80

narrativo -a 15–16, 33–34; (unidade narrativa) vid. serie

narratologia, narratológico -a 70–71

neuma vid. nota (musical)

nome 26, 74, 76–78, 84–86, 89, 91–92, 95, 97, 108, 156, 161, 221–225, 228, 231, 233, 235, 275, 283; vid. onomástica

nota (marxinal, anotación) 108–112, 125–126, 128, 232–233

nota (musical) 138, 156, 242, 245–248, 251, 259, 262–263, 266–268, 291, 326

notación (musical) 51–52, 59, 62, 128, 150, 156–157, 159, 242, 244–245, 248–250, 252, 258–259, 262, 265–267, 315, 330

Nuno Fernandez de Mirapeixe 108, 232

Nuno Fernandez Torneol 18, 41, 43, 46, 49, 95, 126, 130, 232–233

Nuno Porco 44, 46, 48, 168

Nuno Treez 75, 86, 89, 91, 95, 97–98, 192, 225–226, 277, 309

occidental 18, 69, 77–78, 259–260, 273

occitano -a (lirismo, tradición) 9, 19, 105, 264

oitocentista (discurso, historiografia)72

ondas (motivo literario) vid. mar

onomástica, onomástico -a 85, 89, 96, 222, 283; vid. patronímico, toponimia

oración (adverbial) 208–209; (bipolar) 208–211; (completiva) 193–194, 200–201, 207–211, 214; (coordinada) 197, 208–211; (independente) 208–209; (relativa) 188, 192–193, 195–197, 199–200, 204, 208–210, 214

oral, oralidade 3, 69–70, 73, 75, 77, 124–125, 128, 133–134, 239, 243–244, 251

orde (das cantigas) 27, 31–33, 45–46, 57, 59–60, 159, 292, 304; (das estrofas) 26, 35, 124, 126–128; (de constituíntes sintácticos) 196–202, 204–205; (preverbal) 194–195, 198, 200, 202–203, 205; (posverbal) 192, 194–196, 198–200, 202–203, 205; (relixiosa, militar) 113–114, 225, 232–233; (retórica) 33; (vocabular) 132–133, 189

organización (dos cancioneiros) 33, 51, 56, 60, 62, 75, 77

Oriente, oriental 11–12, 14, 16–17

Orvenipe, D. L. vid. D’Orvenipe

Osoir’Anes177

Oviedo y Arce, Eladio 25–27, 122, 132, 137, 145, 159, 289–292, 294, 296, 298–302, 304, 310, 313, 325

Paai Gomez Charinho 35, 42, 88, 92, 98–99, 106, 180, 189, 230, 304, 307

Paai Soarez de Taveiroos 46, 49, 108, 190

padroado, patron 46, 108, 110; vid. mecenado

Pae de Cana108

paleografía, paleográfico -a 78, 110, 123, 137, 146, 158–159, 225, 244–245, 312, 315, 325

paradigma, paradigmático -a (modelo) 128, 134, 183

paralelismo, paralelístico -a (cantiga / composición) 7, 31–32, 35, 70, 79, 124–125, 131, 134, 186, 191–195, 197–209, 211, 213–216, 239, 251–252; (estrofas, estrutura) 8–9, 28, 31, 35, 70, 120, 122, 128, 130, 186, 194 197, 210, 249, 251, 308; (versos) 129, 132–134, 245, 250

paraliterario -a 13, 174–175

paratestuale154

Pardo Bazán, Emilia 291, 303, 319, 327

parentela, parentesco 84–85, 95, 107, 110, 222, 230–231, 233, 235

parroquia 87, 92, 95, 226, 233, 235, 272, 275–276, 282–283 (cf. freguesía)

patrón (modelo) 7, 30, 134, 180, 244, 249; (padronização) 28, 244

patronímico -a 84, 222, 226, 229–230, 232, 234

Pedr’Amigo de Sevilha 227–228

Pedro I (de Castela) 110–112

Pedro de Barcelos 53–55, 57, 59–61, 108–109, 167, 269

Pedro Eanes Solaz 99, 180

Pedro Vindel vid. Vindel

pentagrama 138, 142, 155–156, 160

performance 73–74, 76, 81, 223, 257

pergamiño 52, 72–73, 81, 127, 138, 140–145, 148–150, 156–157, 225, 231, 249, 295, 301

Pergamiño Sharrer (T) 52, 58, 71–74, 77, 144, 155, 242–243, 258, 268, 313

Pergamiño Vindel (N) 25–26, 35, 40, 52, 55, 57–62, 70–76, 79, 81, 99, 112, 122–128, 132, 137–151, 154, 156–157, 159–161, 167, 175, 179, 233–234, 239–240, 242–248, 250, 258, 263, 265, 268, 282, 289, 291–292, 295–296, 299, 309, 313–316, 324, 330–332

periódico vid. prensa

Pero Amigo de Sevilha vid. Pedr’Amigo de Sevilha

Pero d’Ambroa 227–228

Pero d’Armea 189–190, 224, 227–228

Pero da Ponte 88, 95, 104, 106, 179, 223, 304

Pero de Berdia92

Pero de Veer 46, 49, 92

Pero Garcia Burgales261

Pero Garcia d’Ambroa 108, 228

Pero Gonçalvez de Portocarreiro126

Pero Mafaldo107

Pero Meogo 11, 18, 34, 41–44, 46, 49, 75, 108, 125–126, 129–130

Pero Rodriguez de Palmeira107

Pero Velho de Taveiroos108

Pero Viviaez 92, 226

personaxes femininas vid. feminino -a

Pierpont Morgan Library vid. Morgan Library

plano (da vila de Vigo) 274, 277–279, 284–285

pleasure (aesthetic / cognitive) 44–45

plica 121–124, 134, 150, 245

poema / poesía (musical) vid. musical

poesía (arcaica / antiga) 11, 16, 18, 252; (de autor) 3, 55; (galego-portuguesa) 2–3, 8–10, 18–19, 28, 33, 36, 51–54, 58, 63, 83, 85, 105–108, 113–114, 168, 249, 265, 268, 296, 298–299, 307–309, 311, 313, 332; (mariana) 75, 104, 106, 161, 172; (medieval) 71, 189, 212, 226, 298, 304, 307–308; (popular) 2–5, 7, 9–10, 13, 80, 125, 300; (profana) 104, 106, 109, 144–145, 160–161, 168–170, 172–173, 176, 178–179, 186, 188–189, 191–195, 197–211, 213–214, 216, 249, 258, 300–311, 313, 332; (relixiosa) 176; (trobadoresca) 2, 13, 51–53, 55, 57, 60, 62–63, 69, 72, 78–79, 105, 119, 128, 134, 168–170, 172–173, 176, 186, 191, 203, 208, 212, 222, 242, 245, 252–253, 257–259, 261–262, 265–266; (paratrobadoresca) 18; (postrobadoresca) 18, 55, 181; (pretrobadoresca) 13, 18

Poetria Nova33

poligénesis, poligenésico -a 13–17

popular, popularizante 2–4, 7, 9–10, 13, 80, 125, 300

porrectus246

preconcepto 74, 77–78, 81, 148, 180

pré-cristão -ã 18, 75–76

prensa 295–303, 305–306, 308–310

prerrománico -a (arquitectura)276

préstamo (literario) 9–10, 17

probatio vid. demonstração

proceso (a Pedro Vindel) 315, 318, 320–321, 327

procesos (verbais) (existencial) 212–213; (material) 212–214; (modulación) 212–214; (mental) 212–213; (relacional) 212–213; (verbal) 212–214

proemium vid. exórdio

progressão narrativa vid. serie

promotor vid. mecenas

prosa (galego-portuguesa)176

público (audiencia) 40, 44–47, 74, 260–261

Pueblo Gallego, El302

pulsação (música) 242–243, 249–252

punctum 245–246, 262–263

Raimbaut de Vaqueiras 9, 19

rapsódico (ritmo) 245, 251–252

recolhas 55; (individuais) 57, 63; vid. tradición (manuscrita)

refrán (estribillo) 2, 6–9, 12, 35–36, 39–44, 48–49, 79–80, 95, 99, 121, 129–130, 138, 142, 154–155, 158, 169, 171, 176, 180, 185, 187, 196, 207, 211, 232, 241, 243, 245, 249, 251

refutação (refutatio)33

Registrum (pec[c]atorum) 291, 315, 317, 319, 325, 327

regra (norma) 26, 35–36, 62, 249 (cf. desvío)

Renacemento, renacentista 7, 13, 16, 72, 179, 273

renda (pagamento) 278–279

re-oralização73

repertorio (musical) 76, 243–245, 257–260, 262–266, 268–269; (poético) 9, 28, 33, 76, 178

repetición (recurso formal) 15, 36, 39, 42–45, 79, 83, 127–129, 131–132, 169; (música) 241, 245, 252

restauración / restauro (de libros) 111, 323–324; (do Pergamiño Vindel) 137, 143–144; (de vogal elidida) 122–123

retórica, retórico -a 25, 28, 33–34, 39, 41–45, 47, 160, 170, 252

Riba de Vizela, Os 107, 109–110

rilegatura vid. encadernación

rima, rimante 2, 7, 26, 29, 34–35, 39–44, 48, 78, 88, 124, 126, 132, 189, 194, 203, 249, 252

ritmo, rítmico -a 29–31, 73–74, 78, 80, 217, 242, 244–246, 249, 251–252, 307

rixidez (do canon) 126, 128–129, 131, 133–134

Rodrigo Gomez de Trastámara107

Rodríguez Elías, Avelino 296, 300–302, 304–305, 309–310

Roi Diaz dos Cameiros 105, 107

Roi Fernandiz de Santiago 6, 13, 178

Roi Martiinz do Casal 41, 127

Roi Queimado 186, 230

rolo, rótulo 55, 58, 144–148, 157

Roman de Guillaume de Dole 3–4, 10

romance (lingua) 8, 105, 107; (poesía) 7, 8; (cantar) 77

románico -a (lingua) 6, 12, 167; (poesía) 7, 18; (arquitectura) 90, 281

romano -a (cultura) 16, 226; (época) 272–273, 275, 286

Rosenthal, Albi 144, 311, 314, 322, 331–332

rúbrica 62, 63 (atributiva) 52, 62, 85, 142, 222–225, 227, 229

Said Armesto, Víctor 26, 290, 299–300, 307, 324–325

salido 35, 124, 127, 168, 203

salmodia 242–243

Sancho II de Portugal106

Sancho IV (de Castela) 90, 93, 98, 106

Sancho Sanchez92

Sandbergs Bokhandel 314, 331

sano169

Santa María (Vigo) 83, 275–277, 279–281, 283, 285, 304

Santa María de Melón 230, 274–275

Santiago de Compostela 226, 292, 299, 303, 305; (Camiño) 75; (catedral / diocese / sé) 98, 110, 113, 224, 229, 232, 279–280

santuario 35, 75, 83, 87–89, 91–95, 113, 226, 232; (ermida) 73, 75–76, 87–91, 93–94, 97, 129, 226, 275, 278, 280, 282, 286; (igrexa) 31–32, 70, 73, 75, 83, 92–94, 108, 112–114, 122, 229, 259, 261, 273, 275–277, 279, 281, 284–285, 304–305; (templo) 83, 87–88, 90, 92, 94–95, 273, 276

Sarmiento, Fr. Martín 80, 115

scriptorium 72–73, 75, 156, 158

secuencia (orde estrófica) 124, 126, 128–130, 132–134

secuencia (serie unitaria) vid. serie

senneiro -a 172–175

serie (narrativa unitaria) 31–33, 217; (secuencia) 16, 27, 30, 32–33, 39–40, 42, 45–47, 60, 159, 216; (unidade) 25–27, 31–35, 70–71, 216, 291–292

Sharrer, Harvey vid. Pergamiño Sharrer / Fragmento Sharrer / T

sílaba, silábico -a 7, 40, 42, 48–49, 120–121, 123, 240, 245, 247–248, 250, 252, 268

símbolo, simbólico -a 2–4, 6, 9, 13–14, 16, 18–19, 30, 35, 111, 201, 304

simetría, simétrico -a 7, 28, 131, 133

sinalefa 120–121, 123, 246–248

som (vs. letra) 71–78, 261–262, 264; (som restaurado) 269; (bom som) 261

song vid. cantiga

Sousa, Os107

Soverosa, Os 90, 107

sudoeste (de Galicia / meridional -localización xeográfica dos xograres-) 83, 85–86, 88, 91–92, 95, 97, 240

T vid. Pergamiño Sharrer

Tafall y Abad, Santiago 240, 291

Tavola Colocciana (C) 53, 55–56, 62, 222–225, 233

technology (estrófica) 44–45, 47

templo vid. santuario

temporalidade (música) 244–245, 248–249, 252

Tetrardus242

textual (criação) 73–74

textus quadratus151

textus rotundus 151, 153

textus semiquadratus152

toponimia, toponímico -a 32, 35, 83–84, 87–89, 93, 96, 99, 272, 281, 285

Toroño (Terra de) 85, 107, 110, 232

Traba, Os 107, 109, 224–225

tradición (indo-europeia) 73, 75–77, 80; (manuscrita) 27, 51, 54–62, 90–92, 94, 98, 124, 132, 222–223, 227, 259, 265, 312 (cf. oral)

transmisión (cultural) 16–17; manuscrita vid. tradición

Trastámara, Os 106–107, 111

trato (tractatus)33

treides 90, 170–172, 248

trístico2

Tritus242

trobador 1–2, 7–9, 13, 19, 27, 31, 51, 53, 57–58, 60, 69–73, 78–79, 88, 91, 93, 95–96, 98, 105–108, 114, 129–130, 167–168, 170, 177–178, 181, 186, 217, 221–222, 227–228, 230, 232–233, 264, 267, 269, 296–307, 309; trobadoresco -a vid. poesía

unidade (narrativa) vid. serie

Uppsala 291, 301, 314, 328–330

V vid. Cancioneiro da Vaticana

Vaasco Fernandez Praga de Sandin 107, 121

Vaasco Gil90

variante, variación 9, 27, 35–36, 40, 42–44, 84–85, 89, 108–111, 120–122, 124–125, 128–134, 152, 168–169, 173, 176–177, 179, 243, 246, 249, 312

Vélaz, Os 107, 225

velido -a 178–179

vento (motivo literario) 9, 19

Vesteiro Torres, Teodosio 25–26, 296–299, 301, 303, 310

viadeyra8

Vicus272

Vida Gallega301

Vigo (historia de) 88, 95, 181, 240, 271–286, 298, 302–303, 305–306, 308–310; (O Areal) 83, 272–273, 275–276, 280–281, 284–286; (O Berbés) 275, 278, 280–281, 285–286; (burgo) 271, 276–277, 280, 284; (O Castro) 272, 277, 285, 308–310; (cerca – construción –) 280, 284–286; (A Laxe) 277, 281, 284–286; (motivo literario) 26, 31–32, 34–36, 63, 70–76, 79–81, 83, 85, 89, 235, 297, 301, 304–305, 307–310; (Portas...) 281, 285; (urbano) 84, 271–278, 281–284, 286; (vila medieval) 275–278, 280–282, 284–286

vilancete32

Vindel, Pedro 25–26, 52, 137–138, 140–141, 143, 145, 159, 234, 290, 299–301, 306, 310, 313–327, 329, 331–332

Vindel Angulo, Francisco (Paco Vindel) 291, 315, 320–321

virga 245–246, 262–263

Voto de Santiago 110, 114

voz (alta, efeminada)76

Xelmírez (Diego) 229, 276

xénero (poético) 7–10, 13, 18, 35, 56, 63, 69, 71–73, 75, 77, 80, 124, 167–170, 173, 176, 178, 183, 194, 240, 264–265

xograr -esa 31, 51, 53, 58–61, 63, 70, 75–76, 78–79, 81, 84–85, 88–91, 94–98, 106, 108, 114, 128, 131, 133, 168, 170, 176, 183, 223–224, 226–229, 231, 233–235, 239, 252, 264, 269, 274, 281