In:The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax: The Golden Age of Medieval Galician Poetry / O esplendor da poesía galega medieval
Edited by Alexandre Rodríguez Guerra and Xosé Bieito Arias Freixedo
[Not in series 218] 2018
► pp. 257–270
Chapter 14Martim Codax, Dom Dinis, e a democracia burguesa capitalista
Aspectos da prática interpretativa
Article language: Portuguese
Published online: 1 November 2018
https://doi.org/10.1075/z.218.14gon
https://doi.org/10.1075/z.218.14gon
Abstract
The performance of Galician troubadour lyrical poetry poses many problematic issues, some of which have already been addressed by modern musicology. In this paper, we proceed to a rethinking of some of them with the idea of focusing on performance practice. We emphasize the need to question the conditions under which this specific repertoire is produced and reproduced in bourgeois societies with a market economy.
Article outline
- 1.A musicologia e a interpretação
- 2.O repertório trovadoresco como problema
- 3.A participação dos instrumentos
- 4.A notação musical
Notas Bibliografia
References (6)
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Bowles, Edmund A. 1954. “
Haut and bas. The Grouping of Musical Instruments in the Middle Ages.” Musica Disciplina 8. 115–140.
Ferreira, Manuel Pedro. 2005. Cantus Coronatus. 7 Cantigas d’El-Rei Dom Dinis. Kassel: Reichenberger.