Cover not available

In:The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax: The Golden Age of Medieval Galician Poetry / O esplendor da poesía galega medieval
Edited by Alexandre Rodríguez Guerra and Xosé Bieito Arias Freixedo
[Not in series 218] 2018
► pp. 137–165

Get fulltext from our e-platform
JBE logo with link
PDF logo with download linkDownload Book PDF
authorization required

Chapter 9
Il Pergamiño Vindel

Stato codicologico e paleografico

 | Universidade de Santiago de Compostela
 | Università degli Studi di Perugia

Article language: Italian

Published online: 1 November 2018
DOI logo with link
https://doi.org/10.1075/z.218.09ald
Abstract
This article contains a description of the codicological and paleographic state of the Vindel Parchment at the present moment, taking into consideration all previous publications on the subject and a (partial) consultation of the original MS.: measurements, folds, holes, decoration, use as part of the binding of another MS., restoration, book morphology, hands and writing.
Article outline
  • 1.Premessa
  • 2.Il Pergamiño Vindel : Descrizione codicologica
  • 3.Il Pergamiño Vindel : Uso come rilegatura
  • 4.Il Pergamiño Vindel : Restauro
  • 5.Il Pergamiño Vindel : Morfologia libraria
  • 6.Il Pergamiño Vindel : Assetto grafico
  • 7.Sull’educazione grafica dei copisti di N
  • 8.Osservazioni aggiuntive sulla composizione di N
  • 9.Contro ogni pre-giudizio
  • 10.Per una datazione di N
  • Ringraziamenti
  • Gli appunti
  • Bibliografia
References (58)
Bibliografia
Álvarez Márquez, María del Carmen. 1986. “Escritura latina en la Plena y Baja Edad Media: La llamada ‘gótica libraria’ en España.” Historia. Instituciones. Documentos 12: 377–410.Google Scholar logo with link to Google Scholar
. 2010. “Manuscritos de copistas hispanos (siglo XIV y primer tercio del XVI).” In Paleografía II: Las escrituras góticas desde 1250 hasta la imprenta, a cura di M. Calleja Puerta e M. J. Sanz Fuentes, 51–106. Oviedo: Universidad de Oviedo.Google Scholar logo with link to Google Scholar
Arbor Aldea, Mariña (a cura di). 2016. Pergamino Vindel. Barcelona: M. Moleiro Editor.Google Scholar logo with link to Google Scholar
Beltran, Vincenç. 1995. “Dos liederblätter probablemente autógrafos de Juan del Encina y una posible atribución.” Revista de Literatura Medieval 7: 41–71.Google Scholar logo with link to Google Scholar
Bloch, Marc. 1957. L’étrange défaite. Témoignage écrit en 1940, suivi de Écrits clandestins, 1942–1944, avant propos de G. Altman. Paris: A. Colin.Google Scholar logo with link to Google Scholar
Calvia, Antonio. 2016. “La música del Pergamino Vindel.” In Pergamino Vindel, a cura di Mariña Arbor Aldea, 57–78. Barcelona: M. Moleiro Editor.Google Scholar logo with link to Google Scholar
Casamassima, Emanuele. 1966. Trattati di scrittura del Cinquecento italiano. Milano: Il Polifilo.Google Scholar logo with link to Google Scholar
Ciaralli, Antonio. 2016. “Descripción paleográfica.” In Pergamino Vindel, a cura di Mariña Arbor Aldea, 41–55. Barcelona: M. Moleiro Editor.Google Scholar logo with link to Google Scholar
Cohen, Rip. 2016. “The Cantigas of Martin Codax, edited with commentary and prolegomena.” In Pergamino Vindel, a cura di Mariña Arbor Aldea, 285–305. Barcelona: M. Moleiro Editor.Google Scholar logo with link to Google Scholar
Cunha, Celso Ferreira da. 1956. O Cancioneiro de Martin Codax. Rio de Janeiro: [s.n.].Google Scholar logo with link to Google Scholar
D’Orvenipe, D. L. [anagramma di Pedro Vindel]. 1914. “Las siete canciones de la enamorada. Poema musical por Martín Codax, juglar del siglo XIII.” Arte español 3 (1): 27–31.Google Scholar logo with link to Google Scholar
Derolez, Albert. 2003. The Palaeography of Gothic Manuscript Books. From the Twelfth to the Early Sixteenth Century. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Egido, Aurora. 1995. “Los manuales de escribientes desde el Siglo de Oro. Apuntes para la teoría de la escritura.” Bulletin Hispanique 97/1: 67–94.Google Scholar logo with link to Google Scholar
Fanti, Sigismondo. 2013. Trattato di scrittura. Ristampa anastatica della Theorica et pratica de modo scribendi (venezia 1514), a cura di A. Ciaralli e P. Procaccioli, nota al testo di P. Lucchi. Roma: Salerno Editore.Google Scholar logo with link to Google Scholar
Fernández de la Cuesta, Ismael. 1982. “Les cantigas de amigo de Martín Codax.” Cahiers de Civilisation Médiévale 25 (99–100): 179–185 (trad. B. Leplant).Google Scholar logo with link to Google Scholar
Fernández Fernández, Laura. 2012–2013. “Los manuscritos de las Cantigas de Santa Maria: definición material de un proyecto regio.” Alcanate 8: 81–117.Google Scholar logo with link to Google Scholar
Ferreira, Manuel Pedro. 1986. O Som de Martin Codax. Sobre a dimensão musical da lírica galego-portuguesa (séculos XII-XIV). Lisboa: UNISYS, Imprensa Nacional – Casa da Moeda.Google Scholar logo with link to Google Scholar
. 1998. “Codax revisitado.” Anuario de Estudos Literarios Galegos: 157–168.Google Scholar logo with link to Google Scholar
. 2010. “Novas observações sobre o Pergaminho Vindel.” In Aspectos da Música Medieval no Ocidente Peninsular. Vol. 2: Música eclesiástica, 255. Lisboa: Imprensa Nacional-Fundação Calouste Gulbenkian.Google Scholar logo with link to Google Scholar
. 2016. “Ler o Pergaminho Vindel: suporte; textos; autor.” In Do canto à escrita: Novas questões em torno da Lírica Galego-Portuguesa – Nos cem anos do pergaminho Vindel, a cura di G. Videira Lopes e M. P. Ferreira, 19–28. Lisboa: IEM – CESEM.Google Scholar logo with link to Google Scholar
. 2017. “Pergaminhos em releitura.” In Actas del XVII Congreso Internacional de la Asociación Hispánica de Literatura Medieval (Roma, 26–30 de septiembre de 2017) [in stampa].Google Scholar logo with link to Google Scholar
Formentin, Vittorio. 2007. Poesia italiana delle origini. Roma: Carocci.Google Scholar logo with link to Google Scholar
Frank, Barbara e Jörg Hartmann (avec la collaboration de Heike Kürschner). 1997. Inventaire systématique des premiers documents des langues romanes. Tübingen: Gunter Narr.Google Scholar logo with link to Google Scholar
Gimeno Blay, Fancisco M. 1985. La escritura gótica en el País Valenciano después de la conquista del siglo XIII. Universitat de València: Departamento de Paleografia y Diplomática.Google Scholar logo with link to Google Scholar
Gimeno Blay, Francisco M. 1993. “De scriptura gothica. Algunos ejemplos a propósito de sus inicios en la Península Ibérica.” Scriptorium 47: 115–126.Google Scholar logo with link to Google Scholar
Gimeno Blay, Francisco M. e Josè Trenchs Odena. 1991. “La escritura medieval de la Corona de Aragón, 1137–1474.” Anuario de Estudios Medievales 21: 493–511.Google Scholar logo with link to Google Scholar
Lucas Álvarez, Manuel. 1950. “Características paleográficas de la escritura gótica gallega, escritorios notariales compostelanos.” Cuadernos de Estudios Gallegos 15: 55–85.Google Scholar logo with link to Google Scholar
Lutz, Eckart Conrad. 1994. Das Dießenhofener Liederblatt. Ein Zeugnis späthöfischer Kultur . Mit einem Facsimile, mit einem Beitrag zur Musik von René Pfammatter und mit einer Einspielung der Lieder durch das Salzburger Ensemble Dulamans Vröudenton. Freiburg im Breisgau: Schillinger.Google Scholar logo with link to Google Scholar
Marcenaro, Simone. 2015. “Nuove acquisizioni sul Pergaminho Vindel (New York, Pierpont Morgan Library ms. 879).” Critica del Testo 18 (1): 33–53.Google Scholar logo with link to Google Scholar
. 2016. “Descripción codicológica.” In Pergamino Vindel, a cura di Mariña Arbor Aldea, 31–40. Barcelona: M. Moleiro Editor.Google Scholar logo with link to Google Scholar
Menhardt, Hermann. 1927. Handschriftenverzeichnis der Kärntner Bibliotheken . Bd. 1: Klagenfurt, Maria Saal, Friesach. Wien: Druck und Verlag der Österreichischen Staatsdruckerei.Google Scholar logo with link to Google Scholar
Monteagudo, Henrique. 2008. “Ortografia alfonsí? Para a análise grafemática dos testemuños poéticos en galego da segunda metade do século XIII.” In A edición da Poesia Trobadoresca en Galiza, a cura di Manuel Ferreiro et al., 141–160. A Coruña: Baía Edicións.Google Scholar logo with link to Google Scholar
Morison, Stanley. 1990. Early Italian Writin-Books Renaissance to Baroque , a cura di Nicolas Barker. Verona: Edizioni Valdonega – London: The British Library.Google Scholar logo with link to Google Scholar
Ostolaza Elizondo, María Isabel. 2010. “La escritura gótica en el reino de Navarra en la plena y baja Edad Media.” In Paleografía II: Las escrituras góticas desde 1250 hasta la imprenta, a cura di M. Calleja Puerta e M. J. Sanz Fuentes, 183–224. Oviedo: Universidad de Oviedo.Google Scholar logo with link to Google Scholar
Ostos Salcedo, Pilar. 2010. “Las escrituras góticas hispanas. Su bibliografía.” In Paleografía II: Las escrituras góticas desde 1250 hasta la imprenta, a cura di M. Calleja Puerta e M. J. Sanz Fuentes, 17–49. Oviedo: Universidad de Oviedo.Google Scholar logo with link to Google Scholar
Oviedo y Arce, Eladio. 1916–1917. “El genuino “Martín Codax” trovador gallego del siglo XIII. Texto literario y musical.” Boletín de la Real Academia Gallega 109: 1–16, 111: 57–73, 112: 89–104 (1916); 113: 121–135, 114: 153–162, 117: 233–257 (1917).Google Scholar logo with link to Google Scholar
Paden, William D. 2015. “On the Music of Galician-Portuguese Secular Lyric: Sources, Genres, Performance.” In Culture and Society in Medieval Galicia: A Cultural Crossroads at the Edge of Europe, a cura di James D’Emilio, 862–893. Leiden: Brill.Google Scholar logo with link to Google Scholar
Parkes, Malcolm B. 1992. Pause and Effect. An Introduction to the History of Punctuation in the West. London: Scolar Press.Google Scholar logo with link to Google Scholar
Parkinson, Stephen. 2000. “Phonology and metrics. Aspects of Rhyme in the Cantigas de Santa Maria .” In Proceedings of the Tenth Colloquium. Papers of the Medieval Hispanic Research Seminar (30), a cura di Alan Deyermond, 131–144. London: Queen Mary and Westfield College.
. 2007. “The Evolution of Cantiga 113. Composition, Recomposition, and Emendation in the Cantigas de Santa Maria .” La Corónica 35/2: 227–272.Google Scholar logo with link to Google Scholar
Parkinson, Stephen e Jackson, Deirdre. 2006. “Collection, Composition, and Compilation in the Cantigas de Santa Maria .” Portuguese Studies 22/2: 159–172.Google Scholar logo with link to Google Scholar
Petrucci, Armando. 1993. “Insegnare a scrivere imparare a scrivere.” Annali della Scuola Normale Superiore di Pisa. Classe di lettere e filosofia, s. 3, 23/2: 611–630.Google Scholar logo with link to Google Scholar
. 2017. Letteratura italiana: una storia attraverso la scrittura. Roma: Carocci.Google Scholar logo with link to Google Scholar
Piñol Albart, Daniel. 2010. “La escritura gótica en Cataluña: Grafías, usos y difusión social.” In Paleografía II: Las escrituras góticas desde 1250 hasta la imprenta, a cura di M. Calleja Puerta e M. J. Sanz Fuentes, 159–182. Oviedo: Universidad de Oviedo.Google Scholar logo with link to Google Scholar
Ruiz García, Elisa. 2011. “Escribir para el rey. Estudio paleográfico del MS T-I-1 de la RBME.” In Las Cantigas de Santa Maria. Códice rico, MS T-I-1, Real Biblioteca Monasterio de El Escorial. II. Studies, a cura di Laura Fernández Fernández e Juan Carlos Ruiz Souza, 145–186. Madrid: Patrimonio Nacional-Testimonio Compañía Editorial.Google Scholar logo with link to Google Scholar
Sanz Fuentes, María Josefa. 1991. “Paleografía en la Baja Edad Media castellana.” Anuario de Estudios Medievales 21: 520–545.Google Scholar logo with link to Google Scholar
Schaap, Barbara. 2005. “ Scribere pulchre potes, si posteriore notes. On Writing Masters, sheets and Tracts.” Scriptorium 59: 51–73.Google Scholar logo with link to Google Scholar
Schaffer, Martha E. 1999. “Los códices de las ‘Cantigas de Santa Maria’: su problemática.” In El Scriptorium Alfonsí: de los Libros de Astrología a las “Cantigas de Santa Maria”, a cura di Jesús Montoya Martínez e Ana Domínguez Rodríguez, 127–148. Madrid: Editorial Complutense.Google Scholar logo with link to Google Scholar
Steinmann, Martin. 2004. “Aus der Forschung zur gotischen Scrift in den letzten fünfzig Jharen. Ergebnisse und offene Fragen.” Archiv für Diplomatik 50: 399–415.Google Scholar logo with link to Google Scholar
Stussi, Alfredo. 2001. Tracce. Roma: Bulzoni.Google Scholar logo with link to Google Scholar
Supino Martini, Paola. 2000. “Orientamenti per la datazione e la localizzazione delle cosiddette litterae textuales italiane ed iberiche nei secoli XII-XIV.” Scriptorium 54: 20–34.Google Scholar logo with link to Google Scholar
Tavani, Giuseppe. 1967. “La tradizione manoscritta della lirica galego-portoghese.” Cultura Neolatina 28: 41–94.Google Scholar logo with link to Google Scholar
. 1969. Poesia del Duecento nella Penisola Iberica. Problemi della lirica galego-portoghese. Roma: Edizioni dell’Ateneo.Google Scholar logo with link to Google Scholar
. 2011. “Para unha lectura das cantigas de Martín Codax.” Grial 49/189: 112–117.Google Scholar logo with link to Google Scholar
Vasconcelos, Carolina Michaëlis de. 1915. “A propósito de Martim Codax e das suas cantigas de amor.” Revista de Filología Española 2: 258–273.Google Scholar logo with link to Google Scholar
Vela, Claudio. 2005. “Nuovi versi d’amore delle Origini con notazione musicale in un frammento piacentino.” In Tracce di una tradizione sommersa. I primi testi lirici italiani tra poesia e musica, a cura di Maria Sofia Lannutti e Massimiliano Locanto, 3–29. Firenze: Edizioni del Galluzzo.Google Scholar logo with link to Google Scholar
Vindel, Pedro. 1911. Catálogo de libros preciosos. Impresos y manuscritos. Madrid: Imprenta de la Sucesora de M. Minuesa de los Ríos.Google Scholar logo with link to Google Scholar
. 1915. Martin Codax. Las siete canciones de amor, poema musical del siglo XII, publícase en facsímil, ahora por primera vez, con algunas notas recopiladas por Pedro Vindel. Madrid: Imprenta de la Sucesora de M. Minuesa de los Ríos.Google Scholar logo with link to Google Scholar
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue