In:The Power of Satire
Edited by Marijke Meijer Drees and Sonja de Leeuw
[Topics in Humor Research 2] 2015
► pp. 235–246
On the power of Money and the King of Spain's son-in- law
Spanish Golden Age satire models on the internet
Published online: 22 October 2015
https://doi.org/10.1075/thr.2.17rod
https://doi.org/10.1075/thr.2.17rod
The greatest Spanish satirist lived in the Golden Age: Francisco de Quevedo y
Villegas (1580–1645). His satirical poetry has become national common
knowledge for most Spaniards. The power of his satire is such that it has been
able to cross temporal borders and still serves in the 21st century as a model of
inspiration for popular contemporary satire. A telling example is related to the
recent scandal around the King of Spain’s son-in-law, who was involved in a
shameful corruption case. Through new medial forms like the internet, satirical
non-canonical poems spread with the Royal son-in-law as a target. Some of the
poems, written with a Golden-Age flair, are also accompanied by visual satirical
images that also go back to well-known Golden Age paintings, for example
by El Greco. This particular case shows how far the reach of satire as a social
phenomenon can be. Although the strong and specific referentiality of satire
is frequently mentioned as its weak point, it is interesting to see how certain
“timeless” examples of satire can function as source of inspiration in another
period. Is there an explanation for this attraction to the Golden Age period?
References (19)
Boccardi, Mariadele. 2009. The Contemporary British Historical Novel: Representation, Nation and Empire. London: Palgrave/Macmillan.
De Patricio, Germán. 2008. “Letradomédicos brujijudíos; ideología, antisemitismo y realidad social en algunas sátiras de Quevedo.” Calíope 14(2): 45–68.
García-Bryce, Adriana. 2005. “All the Court’s a Stage: Performing piety in Quevedo’s Política de Dios
.” Journal of Spanish Cultural Studies 6(3): 271–285.
Meijer Drees, Marijke and Ivo Nieuwenhuis. 2010. “De macht van satire: grenzen testen, grenzen stellen.” Nederlandse letterkunde 15: 193–220.
Rodríguez Pérez, Yolanda. 2008. The Dutch Revolt through Spanish Eyes.Self and Other in historical and literary texts of Golden Age Spain (ca.1548–1673). Bern: Peter Lang.
Schreckenberg, Stefan. 2011. “El sitio de Breda de Calderón y Las lanzas de Velázquez en El sol de Breda de Arturo Pérez-Reverte. Transformaciones de un lugar de memoria.” In El Siglo de Oro en la España Contemporánea, ed. by Hanno Ehrlicher and Stefan Schreckenberg, 213–232. Madrid/ Frankfurt am Main: Iberoaméricana/ Vervuert.
Simpson, Paul. 2003. On the Discourse of Satire: Towards a Stylistic Model of Satirical humour. Amsterdam: John Benjamins.
Torpey, John. 2004. “The Pursuit of the Past: A Polemical Perspective.” In Theorizing Historical Consciousness, ed. by Peter Seixas, 240–255. Toronto: University of Toronto Press.
Walsh, Thomas (ed.). 1920. Hispanic Anthology: Poems Translated from the Spanish by English and North American Poets. New York: G.P. Putnam’s Sons.
Web pages
“En los colegios de España debería haber una asignatura de Quevedo.” Europa Sur, 26 November 2011. [URL]
http://elpais.com/tag/inaki_urdangarin/a/
http://www.elperiodico.com/es/ocio-y-cultura/familia-irreal.shtml
http://carlosgaleon.blogspot.nl/2012/02/la-audiencia-no-investigara-urdangarin.html
http://siglodeorosiglodeahora.blogspot.nl/p/ficha-tecnica.html
http://www.arshtcenter.org/en/Tickets/Calendar/season/International-Hispanic-Theatre-Festival/SIGLO-DE-ORO-SIGLO-DE-AHORA/
http://goudeneeuw.ntr.nl/krant/afleveringen/#/overzicht/
http://www.theguardian.com/world/2013/nov/08/spanish-royals-emails-inaki-urdangarin-corruption