In:The Power of Satire
Edited by Marijke Meijer Drees and Sonja de Leeuw
[Topics in Humor Research 2] 2015
► pp. 197–206
Absolutely Fabulous
Satire, the Body, and the Female Grotesque
Published online: 22 October 2015
https://doi.org/10.1075/thr.2.14bri
https://doi.org/10.1075/thr.2.14bri
In this chapter I trace the concept of the satirical grotesque in Absolutely
Fabulous. I show how the female body as a materialization of the grotesque in
Absolutely Fabulous relates to the power of satire as an instrument of defacement
and attack. Absolutely Fabulous is a comically revised sitcom, in its almost
women-only cast and its subversion of gender roles. As ridicule of glamour,
fashion, and design, one of the main issues in the series is consumption and
dieting, incontinence and discipline. I analyze how the satirical grotesque manifests
itself in the two protagonists of the show, Edina and Patsy, in between these
somatic extremes of incontinence and discipline. More specifically, I show how
the satirical grotesque works in Absolutely Fabulous as a disruption of carefully
designed images of smooth and firm bodiliness in our culture: a disruption of
the real.
References (17)
Bakhtin, Mikhail M. 1984. Rabelais and His World. Translated by Hélène Iswolsky. Bloomington: Indiana University Press.
Brillenburg Wurth, C.W. 2011. “Spitting Image and Pre-Televisual Political Satire.” Image [&] Narrative: Online Magazine of the Visual Narrative 12(3): 13–36.
Hall, Stuart. 1997. Representation: Cultural Representations and Signifying Practices. Culture Media and Identities Series. London: Sage.
Keating, Kelly. 2010. “Notes on the Grotesque: Kiki Herb and Absolutely Fabulous.” Weblog The Great Within, March 25. [URL]. [Date accessed 21 December 2013].
Kirkham, Pat and Beverly Skeggs. 1998. “Absolutely Fabulous: Absolutely Feminist?” In The Television Studies Book, ed. by Christine Geraghty and David Lusted, 287–292. London, UK: Arnold.
Rabelais, François. 1999. Gargantua et Pantagruel, in: The Complete Works of François Rabelais. Translated by Donald M. Frame. Berkeley: University of California Press.
Rhodes, Carl and Robert Westwood. 2008. Critical Representations of Work and Organization in Popular Culture. London & New York: Routledge.
Robinson, Douglas. 2008. Estrangement and the Somatics of Literature: Tolstoy, Shklovsky, Brecht. Baltimore: Johns Hopkins University Press.
Shklovsky, Viktor. 1990. “Art as Device [1925].” In Theory of Prose. Translated by Benjamin Sher, 1–14. Champaign & London: Dalkey Archive Press.
Stuart, Jeffries. “Interview with Joanna Lumley, December 11, 2011.” In the Guardian: [URL]. [Date accessed 21 December 2013].
Thomson, Philip. 1972. “‘The Grotesque and Related Modes’ from The Grotesque
.” In Major Artists and Theorists of the Grotesque, ed. by David Lavery. [URL]. [Date accessed December 21 2013].
