In:The Power of Satire
Edited by Marijke Meijer Drees and Sonja de Leeuw
[Topics in Humor Research 2] 2015
► pp. 33–46
The Authenticity of Play
Satiric Television's Challenge to Authorative Discourses
Published online: 22 October 2015
https://doi.org/10.1075/thr.2.03jon
https://doi.org/10.1075/thr.2.03jon
Employing the heuristic of space, target, media, rhetoric, and time, this chapter
reexamines US scholarship on contemporary television satire. What we see
repeatedly are struggles over what constitutes legitimate and illegitimate forms
of public speech, language, and actions within televisual and non-televisual
spaces. Satire has emerged, employing various forms of fakery and a rhetoric of
play, to challenge the representative roles that politicians and news media have
claimed for themselves, including the language of authority that undergirds
their positions of power. Play and fakery invite popular participation and direct
forms of representation, including across media forms. Finally, satire, parody
and irony are seen as more authentic forms of public language and critique
in an age dominated by the professionally packaged and managed discourses
employed by politicians and commercial forces.
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