Kaindl, Klaus. 1995. Die Oper als Textgestalt: Perspektiven einer interdisziplinären Übersetzungswissenschaft

Gorlée, Dinda L.; van Baest, Arjan

doi:10.1075/target.9.2.14gor

Review published In: Target
Vol. 9:2 (1997) ► pp.374–378

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Book review

Kaindl, Klaus. 1995. Die Oper als Textgestalt: Perspektiven einer interdisziplinären Übersetzungswissenschaft

Reviewed by

Dinda L. Gorlée | Den Haag & Innsbruck

Arjan van Baest | Tilburg

Published online: 1 January 1997

https://doi.org/10.1075/target.9.2.14gor

References (7)

References

Baest, Arjan van. 1995. The Semiotics of C.S Peirce Applied to Music: A Matter of Belief. Tilburg: Tilburg University Press, [co-authored by Hans van Driel.]

Dougherty, William. 1994. "The Quest for Interpretants: Towards a Peircean Paradigm for Musical Semiotics". Semiotica 99:1-2. 163-184.

Gorlée, Dinda L. 1992. "Symbolic Argument and Beyond: A Peircean View on Structuralist Reasoning". Poetics Today 13:3. 407-423.

. 1996. "Opera Translation: Charles Peirce Translating Richard Wagner". Eero Tarasti, ed. Musical Semiotics in Growth. Bloomington: Indiana University Press & Imatra: International Semiotics Institute, 1996.407–35. [Acta Semiotica Fennica, 4.]

Gorlée, Dinda L. 1997. "Intercode Translation: Words and Music in Opera". Target 9:2. 235–270.

Jakobson, Roman. 1960. "Concluding Statement: Linguistics and Poetics". Thomas A. Sebeok, ed. Style in Language. Cambridge, MA: MIT Press, 1960. 350–377.

Sebeok, Thomas A. gen.ed.. 1986. Encyclopedic Dictionary of Semiotics. Berlin: Mouton de Gruyter 1. [Approaches to Semiotics, 73.]

Cited by (1)

Cited by one other publication

Gorlée, Dinda L.

2002. Griegs swan songs. Semiotica 2002:142

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