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Article published In: Scientific Study of Literature
Vol. 11:1 (2021) ► pp.35–73

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Drawing Kafka’s Castle

An experimental expansion of the theory of cognitive realism

ORCiD logo with link | University of Oxford
ORCiD logo with link | London Interdisciplinary School
Published online: 17 December 2021
DOI logo with link
https://doi.org/10.1075/ssol.21002.tro
Abstract
We investigated the effects of narrative perspective on mental imagery by comparing responses to an English translation of Franz Kafka’s Das Schloß (The Castle) in the published version (narrated in the third person) versus an earlier (first-person) draft. We analysed participants’ pencil drawings of their imaginative experience for presence/absence of specific features (K. and the castle) and for image entropy (a proxy for image unpredictability). We also used word embeddings to perform cluster analysis of participants’ verbal free-response testimony, generating thematic clusters independently of experimenter expectations. We found no effects of text version on feature presence or overall entropy, but an effect on entropy variance, which was higher in the third-person condition. There was also an effect of text version on free responses: Readers of the third-person version were more likely to use words associated with mood and atmosphere. We offer conclusions on “Kafkaesque” aesthetics, cognitive realism, and the future of experimental literary studies.
Article outline
  • Introduction: Descriptive style, cognitive realism, and narrative perspective
  • Hypotheses, methods, measures
    • Hypotheses and research questions
    • Participants
    • Procedure
    • Test material and independent variable
    • Dependent variables
      • Dependent variable 1: Local drawing features
      • Dependent variable 2: Global image entropy
      • Dependent variable 3: Qualitative drawing analysis
      • Dependent variable 4: Word embedding clusters for free text responses
  • Results
    • Drawing measures: The castle and K
    • Image entropy
    • Cluster analysis of free verbal responses
  • Discussion
    • The drawings
    • The verbal descriptions of differences between drawing and imagining
    • Reader versus text variables, and cognitive realism
    • Statement on code
  • Acknowledgements
  • References
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