Article published In: Scientific Study of Literature
Vol. 9:1 (2019) ► pp.53–71
Some experimental evidence for sound–emotion interaction
Published online: 4 February 2020
https://doi.org/10.1075/ssol.19002.gaf
https://doi.org/10.1075/ssol.19002.gaf
Abstract
This paper describes a structural account of phonetic symbolism
and submits it to empirical investigation. To enable testing for possible iconic
sound–emotion relations, participants compared pairs of syllables (e.g.,
ma – ba) as well as pairs of emotional
states (e.g., joyful – sad) on various perceptual scales (e.g., softness). In
addition, we replicated the classic ‘bouba/kiki’ experiment to investigate
sound-shape symbolism. In accordance with the theoretical model, the results of
the experimental tasks suggest that participants can detect abstract
similarities between speech sounds and emotions as well as geometrical shapes.
We discuss the theoretical model and the experimental results in relation to
previous empirical findings and conflicting evidence from the study of affective
iconicity in poetry.
Article outline
- A structural theory of phonetic symbolism
- Rationale and hypotheses
- Methods
- Participants
- Stimuli and procedure
- Data analysis
- Results
- Discussion
- Conclusions
- Notes
References
References (25)
Aryani, A., Conrad, M., Schmidtke, D., & Jacobs, A. (2018). Why “piss” is ruder than “pee”? The role of sound in affective
meaning making. Plos One, 13(6).
Aryani, A., Hsu, C. T., & Jacobs, A. M. (2018). The sound of words evokes affective brain
responses. Brain Sciences, 8(6).
Aryani, A., & Jacobs, A. (2018). Affective congruence between sound and meaning of words
facilitates semantic decision. Behavioral Sciences, 8(6), 56.
Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological
saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts, 10(2), 191–204.
Auracher, J., Albers, S., Zhai, Y., Gareeva, G., & Stavniychuk, T. (2011). P is for happiness, N is for sadness: Universals in sound
iconicity to detect emotions in poetry. Discourse Processes, 48(1), 1–25.
Bachorowski, J.-A. (1999). Vocal expression and perception of emotion. Current Directions in Psychological Science, 8(2), 53–57.
Bänziger, T., & Scherer, K. R. (2005). The role of intonation in emotional expressions. Speech Communication, 461, 252–267.
Benjamini, Y., & Hochberg, Y. (1995). Controlling the false discovery rate: A practical and powerful
approach to multiple testing. Journal of the Royal Statistical Society. Series B
(Methodological), 57(1), 289–300.
Fónagy, I. (1961). Communication in poetry. Word – Journal of the International Linguistic Association, 17(2), 194–218.
Johnson-Laird, P. N., & Oatley, K. (1989). The language of emotions: An analysis of a semantic
field. Cognition & Emotion, 3(2), 81–123.
Knoeferle, K., Li, J., Maggioni, E., & Spence, C. (2017). What drives sound symbolism? Different acoustic cues underlie
sound-size and sound-shape mappings. Scientific Reports, 7(1), 1–11.
Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of
phono-emotional iconicity in poetry. Frontiers in Psychology, 71, 1–9.
Pallant, J. (2007). One-way analysis of variance. SPSS Survival Manual: A step by step guide
to data analysis using SPSS for Windows (3rd ed.). Maidenhead, United Kingdom: Open University Press.
Ramachandran, S., & Hubbard, E. M. (2001). Synaesthesia – A window into perception, thought and
language. Journal of Consciousness Studies, 8(12), 3–34.
Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161–1178.
Sauter, D. A., Eisner, F., Calder, A. J., & Scott, S. K. (2010). Perceptual cues in nonverbal vocal expressions of
emotion. Quarterly Journal of Experimental Psychology, 63(11), 2251–2272.
Tsur, R. (2012). Playing by ear and the tip of the tongue: Precategorial information in
poetry. Amsterdam, The Netherlands: John Benjamins.
Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the
basic sublexical, lexical, and inter-lexical features of poetic texts-a case
study using 57 Poems of H. M. Enzensberger. Frontiers in Psychology, 71, 1–19.
Ullrich, S., Kotz, S. A., Schmidtke, D. S., Aryani, A., & Conrad, M. (2016). Phonological iconicity electrifies: An ERP study on affective
sound-to-meaning correspondences in German. Frontiers in Psychology, 71(AUG).
Cited by (6)
Cited by six other publications
Calvillo-Torres, Rocío, Juan Haro, Pilar Ferré, Claudia Poch & José A. Hinojosa
Schmidtke, David & Markus Conrad
Alonso González, Mario
Gafni, Chen & Reuven Tsur
Tsur, Reuven & Chen Gafni
2019. Methodological issues in the study of phonetic symbolism. Scientific Study of Literature 9:2 ► pp. 195 ff.
[no author supplied]
This list is based on CrossRef data as of 4 december 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
