In:Storytelling, Identity Formation, and Resistance in Indigenous Cultures in Canada and the United States
Edited by Kamelia Talebian Sedehi
[Studies in Narrative 28] 2025
► pp. 229–247
Chapter 12The common plot
Transient characters in Indigenous storytelling
Published online: 2 September 2025
https://doi.org/10.1075/sin.28.12wei
https://doi.org/10.1075/sin.28.12wei
Abstract
This manuscript investigates key differences between Indigenous and non-Indigenous perspectives to
highlight the ways Western beliefs are pernicious. Working out of the Dish with One Spoon concept, a
long-held belief of Indigenous peoples in the St. Lawrance valley and Great Lakes region in Canada, it considers
storytelling as an act of diplomacy and sharing. The first section compares an Indigenous history, “A Squamish Legend
of Napoleon” to the official Western historical narrative on Bonaparte. Extending this historical analysis to a
literature review of Katherine Vermette’s The Break and Armand Ruffo’s Treaty#, it
examines how the transient character’s journey generates new perspectives that reveal our interconnectedness and
shared histories. A case is made that there is an urgent need for renewal narratives, acts of storytelling based on a
common plot capable of sustaining wider human communities.
Article outline
- Decolonizing the past: Narratives of interconnectedness
- Our shared histories in “A Squamish Legend of Napoleon”
- Transient characters and diplomacy in Treaty# and The Break
Notes References
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