In:Storytelling, Identity Formation, and Resistance in Indigenous Cultures in Canada and the United States
Edited by Kamelia Talebian Sedehi
[Studies in Narrative 28] 2025
► pp. 74–91
Chapter 4Louise Erdrich’s The Plague of Doves
Stories that hurt, stories that heal
Published online: 2 September 2025
https://doi.org/10.1075/sin.28.04bou
https://doi.org/10.1075/sin.28.04bou
Abstract
In a Native American context, the act of passing stories and Native orality is a crucial thematic element
that is subtly included in almost all Indigenous works of literature. This “sacred” act of carrying on teachings and
rituals in the form of oral expressions, stories, and myths does not only highlight the Native determination to thrive
but also the Native authors’ attempts at maintaining this tradition as a potential means of survival and restoration.
Such literary attempts are representative of the Native American peoples’ individual and collective traumatic
experiences as well as their healing journeys. In Louise Erdrich’s The Plague of Doves (2008), we can spot the author’s efforts to incorporate into her narrative a
multiplicity of stories. Indeed, her peoples’ heritage is transmitted from one generation to the next.
This chapter, thus, endeavors to underscore the role of Anishinaabe orality and storytelling in conserving
and restoring a Chippewa sense of identity. It identifies these elements on two major levels of analysis: first, the
study of storytelling through storytellers in Erdrich’s novel. Second, the novel’ attempts at sustaining an
Anishinaabe sense of belonging and existence through the keeping of an Ojibwe memory across the generations. By virtue
of this continuous transmission through storytelling, the Anishinaabe legacy is preserved and voiced. As such, this
paper draws attention to the significance of storytelling in the building of the trauma and healing experiences as
represented in Erdrich’s book.
Keywords: identity, metanarration, narratology, orality, storytelling, trauma studies
Article outline
- Introduction
- Storytelling: Text and context
- Mapping multigenerational stories
- Acts of re-telling: Re-producing history, memory, and mythology
- Conclusion
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