In:Othello in European Culture
Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz
[Shakespeare in European Culture 3] 2022
► pp. v–vi
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Published online: 25 May 2022
https://doi.org/10.1075/sec.3.toc
https://doi.org/10.1075/sec.3.toc
Table of contents
List of contributorsVII
Introduction: “I would my [European] pilgrimage dilate”: Othello in European culture1
Francesca Rayner
Elena Bandín
Laura Campillo
Part 1.Trans(national) subjects
Chapter 1.Charles Mathews’s Othello, the Moor of Fleet Street (1833) and Maurice Dowling’s Othello Travestie (1834): Nineteenth-century Shakespeare burlesques and the question of political correctness29
Manfred Draudt
Chapter 2.Othello in Spain (1802–1844): From theatrical performance to political utilisation49
Ángel-Luis Pujante
Chapter 3.Traditions of playing and spectating: The nineteenth-century reception of Othello in London and Pest-Buda63
Gabriella Reuss
Chapter 4.Othello on the German stage: From ‘The Moor of Venice’ to ‘Chocco’, from Schlegel-Tieck to ‘Kanak Sprak’81
Lawrence Guntner
Part 2.Othello and European constructions of alterity
Chapter 5.Othello’s race and slavery: Shakespeare, Ducis and Barbaz99
Paul Franssen
Chapter 6.From black to white, from man to beast, from tragical to comical: Representations of Othello on the modern Greek stage113
Xenia Georgopoulou
Chapter 7.Let it be hid? UK Othellos, multiracial casting, hostile environments133
Paul Prescott
Chapter 8.“It is all about passion”: Reception of Othello amidst an emerging multicultural society153
Coen Heijes
Part 3.Adapting Othello: The audience is listening
Chapter 9.Adapting Othello for television in late Francoist Spain: It’s all about the ‘Moor’173
Lauraw Campillo
Elena Bandín
Chapter 10.Pulling the strings: Othello, puppet and object theatre191
Isabel Guerrero
Chapter 11.The Circumcised Dog and the Subtle Whore: Race and Gender in Shakespeare’s Othello and its Musical Adaptations205
Alina Bottez
Chapter 12.“It is not words that shakes me thus”: Ballet adaptations of Othello225
Iris Julia Bührle
Chapter 13.A selective timeline of Othello in European culture247
Jennifer Ruiz-Morgan
Index261
