In:Othello in European Culture
Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz
[Shakespeare in European Culture 3] 2022
► pp. 261–270
Index
Published online: 25 May 2022
https://doi.org/10.1075/sec.3.index
https://doi.org/10.1075/sec.3.index
A
- abolition 18, 99–100, 102, 106–110, 137, 139
- abolitionist 10, 18, 101, 106, 108
- Absolutist monarchy50
- acting edition 63–64, 67–68, 74
- acting tradition63
- adaptation
4–5, 11–13, 24, 49–50, 53–55, 58, 60, 78, 87, 92, 99–100, 102–103, 105, 110, 125, 149, 153, 165, 173, 175–176, 178, 183–187, 191, 193, 195, 197, 202, 205, 207, 219–221, 225, 227, 239, 242–243, 248–251, 253, 255
- Adaptation Studies 11–12, 24
- adultery 167, 183, 185–186, 211, 214, 228
- Afghanistan 140, 149, 161
- Africa
20, 81, 83–84, 88, 92, 105, 109, 124, 129, 137, 153, 162, 178, 180, 210–211, 247
- African 10, 13, 18–19, 44, 52, 59, 76, 78, 84–85, 92–93, 100–101, 105, 107, 109, 113–115, 117–120, 124–127, 129, 131, 143, 157, 159, 178, 183, 210, 219, 240
- Ailey, Alvin241
- Alcón, Alfredo 176, 183–186
- Aldridge, Ira 6, 10, 24, 63, 75–78, 85, 95, 125, 137–138, 250
- Algiers109
- alterity 5, 8–9, 11, 21, 210, 217
- amelioration 110–111
- America
9, 19, 25, 108, 122, 128, 150, 176, 197–199, 203, 240, 256
- American 10, 13, 19, 73, 85, 89–90, 114, 122, 124–125, 135, 143, 146–147, 177, 214, 216, 221, 241, 244–245, 250
- Amin, Idi 91, 95
- Amo, Anton Wilhelm 57, 84, 96
- Amsterdam 103, 106–107, 109, 161, 250
- Analyti, Kakia123
- Andrés, Juan 53, 61
- Anglo-Irish7
- appropriation 11–12, 24, 95–96, 134, 187–188, 219–220
- Arab 83, 115, 157, 179–180, 220–221
- Arapis 122–123
- Argentina176
- Argentinian176
- Arlequin Cruello 30, 249
- Armenian253
- ars moriendi 63, 66–67, 78
- Ars Poetica71
- Athenaeum 40, 47, 78
- audience
5, 9, 11–14, 17, 20–21, 24, 33, 35, 40, 51, 71, 75–77, 81, 83, 85, 90–91, 93–94, 100, 116, 121–122, 124, 134–135, 137, 140, 143–145, 148–149, 158–163, 165, 176–177, 182–187, 193–198, 200–202, 209–210, 217, 221, 228, 231, 242, 245
- audience reception12
- Austen, Jane110
- Mansfield Park 110–111
- Australia37
- Austria 2, 16, 29–30, 46, 250, 254
- Austria-Hungary250
B
- Bajza, János 71, 78
- Ball, Robert 35, 87, 95, 147
- ballet 14, 22, 225–245
- Balser, Ewald 89, 253–254
- Bandín, Elena 1, 4, 14, 21, 173, 175, 188, 256
- barbarian 10, 54, 154, 179, 210
- Barbaz, Abraham Louis
18, 99, 103–111, 249
- Othello, of de jaloersche zwart 103, 111, 249
- The Abolition of the Trade in Negroes107
- Barcelona 33, 49–50, 55–57, 61–62, 251–252, 257
- Bardolatry 24, 39, 174
- Bartha, Katalin 72, 76, 78
- Basque255
- Bassermann, Albert86
- Batavian Republic106
- Baudelaire, Charles 212, 214
- Baudissin, Wolf Graf 83, 88, 91, 94, 250
- Bedenoch, Kemi 133, 137
- Beers, Sonia van241
- bel canto 209, 218 ; See also opera
- Belcher, Jem 38, 42
- bestiality 19, 117, 119–120
- Bezos, Giannis 127–128
- Biedrzynski, Richard 89, 95
- Blacher, Boris 228, 239, 244–245
- Black Lives Matter (BLM) 3, 8, 137–138, 150
- Blackamoor 81, 83, 85–86
- blackface 6, 10, 19, 21, 83, 86–87, 91–92, 113, 122–126, 128, 131, 138, 155–156, 159, 161–166, 219, 245
- blackness 8, 20, 51, 76, 78, 114–116, 122–123, 126, 145, 150, 162, 210–211, 239
- Bohemia252
- Boito, Arrigo
212–216, 222, 252
- L’Alfier Nero 216, 222
- Re Orso212
- Bondarchuk, Sergei 219, 254
- Booth, Edwin 66, 74, 78
- Borbón, María Cristina de60
- Bottez, Alina 4, 14, 21–22, 205
- Botticelli, Sandro229
- Boulukos, George E. 110–111
- Boysen, Rolf90
- Brabantio 30, 34, 37, 41, 84, 102, 104, 123, 126, 128, 141–142, 184–185, 200, 208, 216 ; See also Elmiro, Odalbert, Odalberto
- Brambilla, Paolo244
- Brandstrup, Kim 233, 244
- Bratton, J. S. 65, 78–79
- Breton255
- Brexit 2–3, 24, 137, 143
- Britain
10–11, 19–20, 99, 106, 133–134, 136, 139, 150, 254–255
- British Empire 19, 106, 137
- British Library40
- British stage 47, 67, 137
- brown 83, 86, 95, 127–128, 142, 144–145, 156–157, 169
- Buchowetzki, Dimitri 14, 87, 253
- Budapest 63, 72, 78
- Buhss, Werner
84, 95
- Othello, Venedigs Neger 84, 95
- Bulgarian254
- Bunraku199
- Burbage, Richard 55, 114, 138, 247
- burlesque 24, 29–34, 36–40, 42, 44, 47, 56, 77, 250–251 ; See also travesty
- burletta 40, 250
- Burns, Robert34
- Busch, Ernst90
- Butler, John 231, 242–245
- Byron, George Gordon (Lord) 206–207, 222
C
- Calderón de la Barca, Pedro 174, 182–183
- Caliche o el tuno de Maracena 56, 61
- Campaux, François123
- Campillo, Laura 1, 4, 14, 21, 173, 256, 259
- Carafa, Michele244
- Caribbean 102, 106
- caricature 31, 44, 91
- Carlist wars 50, 60
- Carnerero, José María
32, 56–57, 61, 249–250
- Caliche, o la parodia de Otelo 7, 17, 32–33, 37, 49, 56–58, 60–61, 250, 256
- Cassell’s Illustrated Shakespeare73
- Cassio 7–8, 20, 36, 38–39, 42, 45, 52, 90, 103, 145–147, 178, 183, 194–198, 200, 208–209, 220, 225–226, 228, 230–235, 239, 242–243 ; See also Loredan, Loredano
- Castilian 176, 184, 186
- Castorf, Frank 91–92, 95, 255
- Catalan 188, 251–253, 255, 260
- Catholic
63, 154, 180, 212–213
- Catholicism 155, 198, 219
- censorship175
- Central Europe 10, 76
- Chabukiani, Vakhtang 225, 228, 231, 236–237, 240, 242, 244
- Cheesman, Tom 84, 89, 91, 94–95
- Chérie noire123
- Chilakis, Aimilios 127–129
- choreography 231, 233, 235, 242
- Christian
3, 8, 93, 107–109, 126, 128, 158, 179, 220, 228, 256
- Christians 109, 158, 181
- cinema 99, 102, 129
- Cinthio, Geraldi
207, 211, 222, 247
- Disdemona and the Moor 207, 211, 222
- Gli Hecatommithi 207, 247
- City Marshalman 38–39
- Clark, Jaime 50, 251
- class 4, 11, 18, 20, 38, 82, 90, 99, 101–102, 109–110, 135, 138, 141, 181, 193, 195, 202
- Coleridge, Samuel Taylor 111, 115, 144, 212, 222
- collective imaginary 21, 173, 178, 184
- colonial
47, 88, 93–94, 106, 109, 149, 163
- colonies 10, 84, 88, 101, 106, 109, 160, 199
- colour-blind casting 10–11, 20, 148 ; See also non-traditional casting
- Coma, Abelardo
33, 251
- Otello, el moro de Valencia33
- comedy
30–31, 42, 47, 49, 55, 58, 64, 71–72, 122, 174, 200, 208, 211
- comic 14, 16, 19, 29–31, 36, 40–42, 46–47, 77, 118–119, 121–122, 186, 195, 208, 223, 250, 253
- comic transformation122
- commedia dell’arte
30, 93, 103, 195, 199
- Pantalone30
- Zanni30
- conflict 7, 81, 90, 141, 175, 187, 215–217, 220, 257
- continent
70, 73–74, 110, 191, 198
- continental theatre 67, 74
- Cosenza, Giovanni Carlo (Baron of) 57, 61, 207
- Craig, Edward Gordon 194, 196, 203
- creative reception100
- Crib, Tom43
- criticism 17, 19, 77–78, 81, 95, 109, 120, 150, 159, 222, 248, 253
- Cruikshank, George38
- Cruikshank, Robert38
- Csiky, Gergely 73, 78
- cultural memory 77, 203, 258
- Curaçao154
- Curigwen Lewis70
- Cyprus 7, 86–87, 91–92, 126, 134, 140, 149, 159, 183, 196, 219–221, 229
- Czech 21, 217, 220, 252, 254
D
- Dalianidis, Giannis123
- dance 8, 22, 125, 163, 225–226, 229, 233–235, 240, 243–245
- Danish249
- Dante, Alighieri
211, 222
- The Divine Comedy211
- Inferno211
- Dávidházi, Péter 65, 78, 257
- De la Calle, Teodoro 6, 17, 49, 52, 208, 249
- De la Place, Pierre-Antoine 50, 248, 256
- De la Vega, Ventura55
- De Negerhandel Afgeschaft111
- De Velasco, Matías 50, 251
- Dearden, Ian244
- death scenes66
- debasement 29, 38–39
- decorum 71, 103
- Dempsey, John39
- A Black Crossing Sweeper39
- crossing-sweeper38
- Desdemona
6–8, 17, 22, 29–30, 32–38, 40, 42, 45, 51–52, 56, 59–60, 63–68, 70–79, 81–83, 85–86, 89–93, 101, 103–104, 110, 114–115, 121, 126–127, 129, 132, 140–143, 155–156, 158, 162–165, 178, 185–186, 193–201, 207–214, 216–220, 225–245, 247–249, 251–255
See also Edelmira, Hédelmone
- Desdy 40, 42
- deterritorialization4
- Deutsches Theater Berlin 81, 85, 90
- Di Salsa, Berio 50, 57, 61, 207, 210–211, 222
- Dickens, Charles
29, 33–36, 42, 46, 169
- O’Thello 29, 33–36, 46
- Dickens, John 29, 33–36, 42, 46, 169
- Dijk, Frits van 154–156, 167, 169
- Dijk, Ko van 154–156, 167, 169
- Diprose, John39
- discrimination 94, 136, 158–159, 210
- dissemination 4, 191, 193, 195, 202
- Dobson, Michael 63, 78, 257
- Doge
101, 103, 208–210
- domestic tragedy 3, 175, 177–178, 182–183, 235
- doppelganger 229–230
- Dounias, Manolis127
- Dowling, Maurice
16–17, 29, 33, 36–38, 40–46, 250
- Othello Travestie 16, 29, 32–33, 36–37, 40, 42, 44–46, 250
- Drábek, Pável 6, 24, 68
- Draudt, Manfred 6–7, 16, 29–32, 34, 38, 46–47
- drinking 31, 34, 42, 51, 145, 218
- dualism 205, 212
- Ducis, Jean François
4, 6, 11, 17–18, 30, 49–54, 57, 61, 99–106, 110–111, 207–208, 227, 245, 249, 257
- Othello, ou le More de Venise 61, 111, 245, 249
- Dutch 18
21, 43, 100, 102–103, 106–107 109 111 153–155, 157, 159–161, 163–166, 168, 241, 248–251, 258
- Dutch Sam43
- Duval, Alexandre 17, 49, 55, 61, 99–100, 102–103, 110–111
- Dvořák, Antonín 242, 244
- dying 43–44, 66–67, 213
E
- East Berlin 90, 254
- East Germany
89–91, 258
- Eastern Europe
- Edelmira 52–53, 56, 59, 60, 208 ; See also Desdemona
- edition 14, 24, 31–32, 36, 46–47, 50, 63–64, 67–68, 71, 74, 76, 78–79, 82, 96, 109, 114, 131, 188, 247–252, 254–255, 258–259
- education 10, 54, 133–134, 137, 146, 149, 160
- Egan, Pierce38
- Egressy, Gábor 76–79
- El Correo 60–62
- El Eco del Comercio 58, 61
- Elmiro 208–210 ; See also Brabantio
- emancipation 10, 41, 99, 168
- Emilia 8, 20, 32, 42, 101, 104, 142–143, 146–147, 178, 183, 193, 197–198, 208, 211, 215, 220, 226–227, 232, 234–235, 243–244 ; See also Hermance
- Engel, Erich 79, 88, 90, 95, 253
- England
8, 29–32, 37, 46, 63–65, 87, 106, 138, 150, 191–192, 234, 247–248, 250–251, 253–255
- English 1, 7, 17–19, 29, 32–33, 39, 43–44 46–47, 50–5, 60, 63–64, 67–68, 70, 73–75, 77–79, 82, 92, 95, 106–107, 122, 135, 140, 154, 188, 191–193, 199, 203–204, 206, 213, 222, 227, 247, 249, 253, 258–259
- ensemble acting 66, 77
- environment 34, 82, 149, 221, 240
- Erdélyi, János 71–72, 78
- Estudio 1 21, 173–178, 182–188, 254
- Etchells, Tim200
- ethnicity 9–10, 19, 21, 24, 81–84, 94, 148, 153, 155, 159, 161, 166
- Europe
2–5, 8, 10–11, 13–14, 18, 23–24, 52, 61, 75–76, 90, 95–96, 108, 124, 129–130, 136, 173, 180, 191, 197–198, 204, 207, 219, 240, 257, 259–260
- European
1–6, 8, 10–11, 14, 17, 21–25, 29–30, 33, 50, 61, 70–71, 77, 93, 95, 99–100, 102, 109–111, 116, 153, 157, 166, 177–178, 180, 188, 191–193, 198–199, 202–203, 247, 256–259
- European Shakespeares 5, 22, 24, 95, 256–259
- European
1–6, 8, 10–11, 14, 17, 21–25, 29–30, 33, 50, 61, 70–71, 77, 93, 95, 99–100, 102, 109–111, 116, 153, 157, 166, 177–178, 180, 188, 191–193, 198–199, 202–203, 247, 256–259
- Evangelatos, Spyros 119–121, 130–131
- Evans, W.99
- exaggeration 31, 91
F
- Faktor, Emil 87, 95
- Falstaff117
- farce 29, 33, 40, 208, 253
- Fechter, Paul 86, 95
- feminist movement42See also gender
- Ferdinand VII60
- Ferrer y Codina, Antonio33
- Otel-lo, o el moro di Sarrià 33, 252
- Fibich, Zdeněk 21, 205, 217, 259
- film
1, 13–14, 21, 87, 89, 95, 99, 111, 120, 123–124, 174, 176, 188–189, 191, 193–196, 200, 202–203, 205, 218–219, 252–259
- film adaptation 39, 87, 255
- filmed play 23, 255
- Finnish252
- first actress 67, 247
- Flandrin, Hippolyte242
- Floyd, George 9, 149
- Folger Shakespeare Library79
- Forced Entertainment 21, 191, 193, 200–203
- Forrest, Edwin 66, 73–74, 79
- Forster, John 67, 75, 78
- Fracci, Carla242
- Fragoulis, Charis 126, 129
- France
16, 18, 30, 54, 60, 89, 99, 101, 106, 116, 197, 248–251, 254, 256–257
- French 17–18 23, 33, 49–52, 54, 58, 61 74, 79, 82, 88–89, 92–93, 99–101, 103, 106–107, 109–110 191, 214, 221, 227 248–249, 251, 259
- French Revolution 18, 52, 99–100, 106, 109–110
- franchise 17, 73, 75
- Franco, Francisco
21, 173, 175, 184, 254–255
- Francoist 21, 173, 178–179, 184, 186–188, 256
- Franssen, Paul 4, 11, 18, 23, 61, 99, 103, 111
- Fried, Erich91
G
- Gaál, József 64, 71–72
- Gala, Antonio 44, 175–176, 254
- Galician255
- Gallenberg, Wenzel Graf von 244–245
- galliard234
- García Pavón, Francisco182
- Garduña 32, 56–57
- Garrick, David 74, 114, 117, 248
- Gay, John
14, 38, 213
- The Beggar’s Opera 29, 38
- gender 1–2, 10, 14, 18, 21–22, 82, 85, 94, 135, 147, 196, 198, 205–206, 217, 219–222, 225–227, 234–236, 244 ; See also feminist movement
- Georgia251
- Georgopoulou, Xenia 6, 10, 19, 113, 126, 130
- German 6, 18, 34, 54, 70, 81–86, 88–89, 91–96, 116, 165, 167, 192, 214, 248, 250, 256–258, 260
- Gigantes y cabezudos199
- Gintersdorfer, Monika
92–93
- Othello, c’est qui? 92–93
- globalization 5, 81
- Goebbels, Joseph 87–88
- Goethe, Johann Wolfgang von 83, 89, 214, 249
- Goldenthal, Elliot244
- Golder, John 50–51, 61, 99–102, 111, 257
- González Vergel, Alberto175
- Grady, Kyle 142, 149–150
- Granada 7, 32, 56, 180, 259
- Great Britain 254–255
- Greece
2, 113, 116, 122, 124–125, 127–128, 130, 157, 163
- Greek 19, 113–119, 121–129, 131–132, 178, 215
- Gretna Green37
- Grillparzer, Franz 83, 95
- Gsovsky, Tatiana 228, 239, 244–245
- Guerrero, Isabel 14, 21, 176, 191, 253
- guest workers 90, 93
- Günther, Frank 84, 95
- Guntner, Lawrence 6, 18, 81, 91, 95, 257
- Guthke, Karl S. 66, 78
- Gvadányi, József71
- gypsy43
H
- Haagse Comedie 155, 167–169
- Habicht, Werner 83, 95, 257
- Haitian
37, 102, 106
- Haitian Revolution106
- Hamburger, Maik 82, 90, 95–96, 245, 258
- Hanka, Erika 240, 244
- Hankey, Julie 65, 73, 75, 78
- Haraszti, Zoltán 71, 78
- Hawkes, Terence 110–111, 129
- Hayman, Francis74
- Hebrew 251, 258
- Heijes, Coen 4, 6, 10–11, 20, 153, 155, 157, 160, 164, 167–168
- Heine, Heinrich 83, 96, 214
- Heinz, Wolfgang 88, 90, 95
- Henry, Louis 14, 38, 47, 63, 68–69, 72–73, 79, 117, 132, 136, 141–142, 147, 174–175, 227, 234, 239, 244–245
- Hensbergen, Leo van 157–159, 168
- Hermance 101, 104 ; See also Emilia
- Heuvel, André van 157, 159
- Hilpert, Heinz88
- Hitler, Adolf87
- Hivatal, Anikó 63, 71
- Holland, André 141, 146, 258
- Horace 53, 71
- Horst-Rep, Wilter161
- Hoving, Lucas 231, 245
- Howe, Elizabeth 67, 78
- Hughes, Margaret 67, 247
- Hungarian
6, 8, 17, 63–64, 67, 70–73, 75–78, 251
- Hungarianisation71
- Hungarian Theatre of Pest71
- Hungary 2, 6, 63–64, 70, 75–78, 250, 257
- Hytner, Nicholas 20, 133, 140–143, 147, 149, 255
I
- Iacobelli, Teresita197
- Iago 7–8, 20–22, 30, 32–39, 42, 51–53, 56–57, 66, 69, 74, 81–82, 84, 87, 89–90, 92–94, 110, 120, 126–127, 141–147, 154–156, 160, 163, 168–169, 173, 175, 177–178, 183–184, 186–187, 191, 193–198, 200–202, 205, 207–218, 220–223, 225–228, 230–236, 239–240, 242–243, 255, 257 ; See also Pézare, Pésaro
- identity 1, 3, 5, 9–10, 12, 21, 23, 82, 92–94, 113, 118–119, 122, 139, 157, 168, 173, 178–182, 186–187, 204, 232
- Ihering, Herbert 86, 96
- image 73, 81, 120, 179–181, 189, 195, 212–213, 217–219, 225–226, 228–231, 257–259
- imagination 83, 126, 129, 179, 200, 216–217, 229, 232–233
- imagology205
- immigration 2, 4, 20, 93, 149, 153–154, 166, 180, 188
- immigrant 3, 18, 157, 160, 166, 181, 184
- imperialism 110, 218
- Inchbald, Elizabeth74
- Indonesia 154, 157
- intermediality225
- international tours193
- intersectional 1, 9
- Ireland36
- Irish 7, 36, 46
- Irishness37
- Islam221
- Islamic 21, 154–155, 178, 180
- Italian
53, 130, 212, 222, 248–251
- Italian puppetry 192, 194
- Italy 53, 157, 192, 195, 204, 214, 234, 247, 249–250, 252, 255, 259
J
- Jannings, Emil 87, 91, 253
- Jentsch, Julia92
- Jessner, Leopold 86–88, 96, 253
- Jüd Süß 89
K
- Kaiser Wilhelm II86
- Kampnagel92
- ‘Kanak Sprak’ 6, 18, 81, 84, 92
- Karagiannis, Kostas123
- Katrakis, Manos 118–121, 130
- Khachaturian, Aram 205, 218–219
- Khan, Iqbal 20, 133, 143, 145–147, 149–150, 255
- Kean, Edmund 10, 17, 44, 66, 68–69, 74, 114
- Kemble 66, 73–74
- Kertbeny, Károly 76, 78
- King, Martin Luther, Jr. 39, 47, 65–66, 76, 78–79, 91, 95, 122–123, 136, 174, 180, 197, 212, 247, 252, 258
- Kinnear, Rory143
- Kiss, Zsuzsánna 41, 76, 78, 242
- Klamer, Ronald160
- Klaßen, Kurt92
- Othello, c’est qui? 92–93
- Kleinau, Willy90
- Koner, Pauline235
- Kortner, Fritz 86–87, 90–91, 96, 253
- Kotsopoulos, Thanos 118, 121
- Krauss, Werner87
- Kresnik, Johann 243–244
- Kringsteiner, Ferdinand32
- Othello, der Mohr in Wien 29, 32
- Landré, Lou161
- Lange, Bob de 155–156, 158–159, 165, 168–169
- Langhoff, Shermin 6, 93, 96, 254
- languages 1, 18, 157, 160, 222, 259 ; See also Armenian, Basque, Catalan, Castilian, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, West Frisian
- Lanier, Douglas 4, 13, 24, 99, 102, 111, 187–188, 198, 203
- Latvia 252–253, 256
- Le Maurico de Venise 30, 249
- Ledecký, Janek 22, 205, 220, 223
- Le Tourneur, Pierre 50–51, 248–250
- Leek, Robert-Henri 103, 111, 157, 168
- Lendvay, Márton 63, 71, 75–76
- Lester, Adrian 140–143, 150, 255
- Lessing, Gotthold Ephraim
82, 89, 96
- Hamburger Dramaturgy 82, 96
- Levant 81, 83
- libretto 49, 57, 60, 205–207, 209, 211–212, 214–216, 222–223, 228, 239, 245, 252 ; See also opera
- Lifar, Serge 241, 244
- Limón, José
225, 231, 234–235, 242, 244–245
- The Moor’s Pavane 231, 244–245
- Lista, Alberto 54, 62
- Liverpool 40, 135
- localisation 17, 30–31, 36–38
- Logothetis, Ilias 119–122
- London 6–7, 10, 17, 19, 29–30, 33–34, 38–40, 43, 63–64, 67–69, 76, 7, 85, 91, 100, 137–138, 140, 146–147, 233, 244, 247, 250, 253–255
- Lorca, Jaime197
- Lord Mayor 39, 45
- Loredan103See also Cassio
- Loredano52See also Cassio and Roderigo
- Louverture, Toussaint102
- Lubovitch, Lar 241, 243–245
- Ludgate Hill 38–39
M
- MacDonald, Joyce Green 76, 78
- Macready, William Charles 17, 63–64, 66–69, 75–76, 78–79
- madness 22, 58, 82, 225–228, 231
- Madrid 32, 49–50, 55–58, 61–62, 175–176, 182, 188, 191, 249, 252–253, 257
- manipulation 193, 198–199, 225, 228, 231, 243
- Marian, Ferdinand 89, 167, 169
- marionette 192, 194–195 ; See also puppet, puppetry
- Markle, Meghan 135–136, 150
- Marston, John Westland 75, 79
- masculinity 20, 140, 147, 218
- mask 125, 127, 195
- Massaquoi, Hans-Jürgen 88, 96
- Matchavarjani, Alexei D.244
- Mathews, Charles
16–17, 29, 32–40, 42–47
- Othello, the Moor of Fleet Street 29–30, 32–47
- Mattes, Eva 91, 255
- Maure 61, 81, 83, 86, 88, 241, 246
- maurophilia 179, 181, 185
- maurophobia 179, 181, 185
- Maxim Gorki Theater 18, 93
- Mayhew, Henry 38–39, 47
- McKay, Charles 38–39
- Meisl, Karl32
- Othellerl, der Mohr von Wien32
- Melas, Spyros116
- melodrama 31, 89, 198, 208
- memory 3, 7–8, 12, 33, 40, 77, 110, 173, 178, 180, 183, 186–187, 203, 258
- Merkel, Angela93
- metatheatricality 22, 225–227, 231
- Michaels, Wonja88
- Middle East 81, 92–93, 220
- migration 2–3, 5, 7–8, 21, 24, 93–94, 160, 164, 245
- militaristic
20, 159, 173, 181–182
- military 8, 20, 100, 110, 140–141, 158, 181, 183, 185–186, 207–210, 217, 220
- minstrels191
- mirror 82, 181, 240
- Mohr 29, 32, 83–84, 86, 88, 96, 245, 249–250 ; See also Moor
- Monthly Magazine33
- Moor
10, 13, 16, 18–19, 21, 24, 29, 32–39, 41–47, 52, 56, 59, 75, 81–84, 86–89, 91, 109, 111, 113–122, 125–127, 129–130, 133, 138, 146, 154–156, 159, 162, 173, 178–182, 184–188, 195, 197, 206–210, 212, 215, 219, 222–223, 228, 230–231, 234, 239–241, 244–247, 249, 255
- Moors 105, 109, 144, 180–181, 186, 247
- Moorish
101, 105, 115, 118–119, 125–126, 157–158, 179–188
- Moorish Other 179–188
- Moore, Thomas
36, 222, 247
- Irish Melodies36
- moresca 230–232
- Morning Chronicle 33, 40, 47
- Morning Herald 40, 47
- Morning Post 37, 39–40, 47
- Moroccan 179–181
- Morocco 122, 160, 181, 188
- mors bona67
- Moutsios, Giorgos124
- Mouzenidis, Takis118
- movement 3, 6–8, 10, 18–19, 23, 41–42, 99, 101, 119, 137, 139, 160, 194, 199, 201, 214, 226, 229, 240, 243
- Mozart, Amadeus34
- Die Zauberflöte34
- Müller, Heiner91
- multicultural society 20, 153, 157, 160, 164, 166
- multiracial casting 19–20, 133, 149
- Munich Chamber Theater90
- music
31, 46, 124, 164, 205–207, 212, 214–215, 217, 219–221, 226, 229, 231, 236, 242, 251, 253
- musical composition252
- Muslim 19, 114, 127, 154, 159, 178–180, 220–221
- Msamati, Lucian 143, 145
- Myrat, Dimitris116
N
- Naples 207, 227, 244–245
- Napoleon 18, 23, 61, 102, 106
- narrative fiction248
- nation
5, 71, 88–89, 106, 180–181
- nationalism 3, 10, 24
- nationalist 180–181, 256
- National Theatre 17, 20, 71, 113–119, 129–134, 140, 143, 148, 177, 193, 254–255
- Naumann, Kurt92
- Nazi ideology89
- Third Reich 81, 87, 96, 116
- Neger 84, 88, 92, 95, 155, 162, 165
- Negerküsse84
- Neoclassical adaptation
49–50, 53–54, 60, 207, 248
- Neoclassicism49
- Netherlands
2, 18, 20, 103, 106–107, 111, 153–154, 157, 160–168, 248–250, 257
- Netherlands Antilles 160, 164
- Neumeier, John 225, 229–233, 236–238, 240–242, 244
- newspaper 46, 49, 53, 58, 101–102, 133–135, 141, 159
- New World107
- Nicaragua161
- Niessen, Carl87
- nineteenth-century 6–8, 16–18, 25, 29–31, 46–47, 61, 63, 65, 67, 70, 73, 83, 138, 209, 212, 256–257, 260
- non-traditional casting 20, 148 ; See also colour-blind casting
- Noord Nederlands Toneel163
- Norway 139, 255
- novel 110–111, 252
O
- O’Neill, Eugene 8, 24, 91
- object theatre 21, 191, 193, 199–203
- Observer 40, 47
- Odalbert 102, 104 ; See also Brabantio
- Odalberto52See also Brabantio
- Odell, G. C. D. 64–65, 74, 79
- Okri, Ben 133–134, 143, 150
- Old Nick44
- Old Vic 70, 254
- Olivier, Laurence 115, 119, 142–143, 159, 226, 254
- Oostindie, Gert 106, 111
- opera
4, 12, 17, 22, 29, 34, 38, 40, 49, 57–58, 60, 62, 119, 194–195, 197–198, 202, 204, 206–211, 213–218, 222–223, 235, 240, 244, 249, 252, 255
See also bel canto
- opera dei pupi 194–195, 202, 204
- operatic 13, 66, 212, 214, 250
- Othello
- black 10, 19–20, 38, 45, 64, 76, 81–83, 84–85, 86, 88, 92–93, 103–108, 110, 113–128, 133–134, 136–138, 140–149, 154–157, 159–166, 184, 195, 205–206, 210–212, 214–218, 221, 229, 231–232, 239–244
- clandestine marriage30
- curtains 64, 71, 75–76, 156, 160
- dagger 33, 67, 70, 73–74, 77, 184–186, 188, 210, 227, 237
- drag
17, 71
- dragging 70, 116
- draperies 75–76
- elopement 178, 209, 232
- handkerchief 6, 8, 38, 42–43, 60, 100, 158, 183, 188, 198, 207–209, 225, 227–228, 230–232, 235–237
- jealousy
11, 18, 51–52, 54–55, 58–60, 90, 92, 101, 105, 117, 126, 140, 145, 153, 155–157, 159–162, 164–166, 177–178, 182–183, 197, 208–209, 217, 219, 226, 230, 239–240, 242–243, 259
- jealous rage 68–69, 77, 102
- knife 67–70, 74, 82, 145
- Other
19, 91, 94, 106, 115, 127, 129, 173, 179–187, 228
- otherness 10–11, 14, 22, 85, 87, 101, 127, 142, 179–181, 184, 211, 217, 225–227, 239–240, 242–243, 245
- outsider 56, 83, 86, 141, 146, 155, 162–166, 239–240
- smothering 71, 77, 100
- stabbing 51, 68, 70, 74–75, 77, 100, 186, 198, 210, 237
- strangling
51, 68, 71, 77, 115, 157, 228
- strangulation 67, 85
- throttling210
- white
10, 19, 76, 81–84, 92, 101, 105, 113–115, 123–129, 135–136, 139–150, 162, 180, 200, 205–206, 211, 212, 214–218, 220, 229, 231–232, 239–240, 242, 244
- white-washing100
- whiteness 135, 145, 206
- Othellomania 17, 50, 55
P
- painting 125–126, 229, 242, 250–251
- Palmer, John 66, 68
- Papadopoulos, Giannis126
- Paris 61, 64, 111, 130, 225, 227, 245, 249–250
- Parker, Reeve 101, 106, 111
- parodic
29, 31, 103, 220
- parody 7, 17–18, 43, 49, 52, 56, 58, 60, 99, 103–104, 106–107, 110, 122, 195, 214, 249–251
- Pärt, Arvo244
- pas de deux 22, 226, 234–237, 242
- Pasolini, Pier Paolo 21, 191, 193–194, 196, 200–204
- passion 11, 60, 83, 87, 131, 153, 158, 161, 165–166, 200, 206, 213, 229, 242
- patriarchal 3, 209
- Pechter, Edward 66, 79
- Perceval, Luc92
- Pérez Puig, Gustavo 175–177, 254
- performance
1, 3, 5, 9, 13–14, 17–18, 20, 24–25, 32, 34, 49, 51, 54, 58, 63–65, 70, 73, 75–76, 78–79, 81–86, 90–95, 117, 119, 121, 125, 132, 134, 137–139, 144–146, 148, 150–151, 153, 159, 165, 177, 182, 184, 191–195, 198, 200–204, 207, 228, 247–255, 257–258
- Performance Studies 1, 65
- performances 1–2, 5–7, 10, 13, 17–18, 22–23, 32–33, 49–50, 55–56, 58, 62, 65, 67, 69, 73, 76, 81, 92, 94, 111, 121–122, 131, 150, 174, 182, 184, 186, 192, 196–197, 200, 231, 241, 252
- performing tradition74
- Pésaro 52–53, 56 ; See also Iago
- Pézare 51–53 ; See also Iago
- Pest-Buda 17, 63–64, 76
- Phelps, Samuel66
- physical violence 31, 181
- Pirchan, Emil86
- planters 102, 108–109
- pointer 201–202
- Polish 249, 251
- political correctness 16, 29, 93, 101, 113, 128, 210
- Politis, Fotos117
- Poole, John
31–32, 36, 39–40, 47
- Hamlet Travestie 31–32, 36, 47
- popular
- audience182
- culture 19, 113, 116, 122–124, 187–188, 202–203
- drama29
- entertainment 31, 192, 198
- Portugal
16, 30, 33, 197, 252
- Portuguese 249–250, 252, 256
- post-migrant theater 81, 93
- post-racial
9, 11, 19–20, 22, 93–94, 133, 136–137, 144, 149–150
- post-racial fantasy20
- prejudice 141–142, 147–148, 239
- Prescott, Paul 4, 10–11, 19–20, 133
- primitivism 19, 117–120
- promptbook 63, 65–66, 68, 73, 76, 79, 145
- propaganda 21, 87–88, 107, 173–174, 181
- Prospero 176, 233
- prostitute 230, 232, 235, 244
- pugilism 31, 43
- Pujante, Ángel-Luis 4, 6–7, 11, 17, 49–50, 61–62, 257, 259
- puppet
14, 21–22, 191–199, 202–204, 232, 243
- puppet theatre 191–193, 195, 199, 202–203
- puppetry 191–192, 194–195, 198–199, 201–204 ; See also Italian puppetry
- Purcell, Henry 12, 24, 244
Q
- Quarshie, Hugh 125, 138, 143–144, 150, 255
R
- race
1, 4, 8–11, 14, 18–22, 24–25, 30, 52, 82–83, 85–86, 88–89, 92, 94, 99–104, 110–111, 119, 129–130, 133–151, 153, 155–156, 158–161, 164–166, 177, 180, 196, 204–206, 210, 215, 217, 220–222, 241
- race studies 1, 8–9
- racial 1, 3, 5, 9–11, 18–20, 22, 56, 81–91, 93–94, 101–102, 106, 109–110, 113, 118, 125, 133, 135–139, 141–144, 146–147, 149–150, 153–158, 161–163, 165–166, 179, 181, 183, 185, 205, 210, 218–222, 226, 239
- racial equality 18, 102, 106, 109–110
- racial miscegenation 87, 89, 136
- racism 8–11, 19–21, 81, 86, 90, 92, 102, 104, 106–107, 110, 116, 127, 135–144, 146–147, 149–150, 164–165, 243
- racist 14, 17, 22, 29, 46, 84, 86–87, 91–93, 99–100, 105, 109–110, 116, 124, 128, 134, 141–142, 144–145, 148, 164–165, 179, 181, 187, 221
- Rassenschande88
- interracial affair102see also race
- Ráth, Mór 72, 78
- rational158
- Rayner, Francesca1
- re-translations 81, 84, 92, 94
- reception 1–6, 8–10, 12–14, 17–18, 20, 23, 40, 46, 49, 58, 63–64, 71, 100, 133–134, 140–141, 143, 153, 156, 159–160, 164–166, 184, 187, 200, 257, 259
- Reeve, John 32, 38, 101, 111
- refugees 3, 18, 81, 92–93
- Reinhardt, Max 85–86, 88, 92, 95
- religion
9, 19, 21–22, 155, 159, 166, 175, 180, 206, 220
- religious 1–3, 5, 7, 11, 18, 113, 139, 153, 155, 166, 179, 181, 205, 218, 220–221
- remediation205
- Republican 21, 101, 180–181
- Reuss, Gabriella 6, 8, 10, 17, 63, 79
- revenge 14, 38, 58, 90, 108, 153, 155, 160–161, 166, 173, 183, 186–187, 196–197, 217
- rhetoric
142, 205, 214, 226, 231
- rhetorical gesture 68, 79
- rhizomatic
4, 13
- rhizome 4, 13–14
- Richardson, Desmond 70, 241, 254
- Richardson, Ralph 70, 241, 254
- Rieger, Silvia92
- Rigopoulos, Kostas123
- Robeson, Paul 10, 138, 253
- Roberts, Keith241
- Roderigo 7, 30, 32, 34, 37–38, 42, 51, 84, 92, 142, 145, 200–201, 208, 215, 219–220
- Roman comedy 30, 208
- Romania
2, 254–256
- Romanian 250–251, 254
- Romantic
10, 41, 54, 57, 83, 86, 88, 92, 94–95, 111, 135, 161, 163, 175, 209, 256–259
- Romantic tragedy 161, 163
- Romanticism x, 95, 212, 214, 222, 256
- Rose, Margaret 68, 74, 79, 168, 213
- Rossini, Gioacchino
17, 21, 49, 57–58, 60, 62, 205–209, 211–212, 222–223, 244–245, 249
- Otello 17, 21, 49, 57–58, 62, 206–208, 211, 222
- Il Barbiere di Siviglia211
- Guillaume Tell211
- Rothe, Hans 88, 95
- Rotterdams Toneel 154, 168
- Royal Shakespeare Company 20, 133–134, 143, 255
- Ruiz-Morgan, Jennifer 23, 247, 259
- Russia
218, 252–253
- Russian 249–251, 258
- Rylance, Mark146
- Rymer, Thomas 29, 114–115, 208, 223
S
- set design86
- spectacle 31, 232
- stereotype 10, 14, 18, 20, 22, 24, 86–88, 90–91, 125, 128, 145, 153, 179, 181, 183, 185, 221, 226, 229, 240
- Sahintürk, Taner93
- Salvini, Thomasso 66, 250, 252
- sans-culotte101
- sarraceno 179, 195
- Scharf, George76
- Schlegel-Tieck 18, 81, 83, 88, 91–92, 95, 250
- Schlegel, August Wilhelm 18, 54, 81, 83, 88, 91–92, 95, 250
- Schnittke, Alfred244
- Schröder, Friederich Ludwig 70, 83, 248
- Schülting, Sabine 5, 24, 85, 96
- Scottish37
- Sealous, Henry Courtney72
- Segovia, Antonio María (“El Estudiante”) 58, 61
- Senkel, Günter 84–85, 92, 96
- Sereti, Niki124
- sexual liberation41
- sexuality 18, 81–82, 94, 209
- Shakespeare enamorado 49, 55–58, 60
- Shakespeare’s Globe 20, 133, 134, 146, 148
- Shakespeare Theatre Diever161
- Shakespeare, William 2–6, 8–10, 12–18, 20–25, 29–33, 36, 39–40, 42–43, 45–47, 49–58, 60–67, 71–74, 76–79, 81–85, 87–89, 91–96, 99–104, 110–111, 114–117, 119–120, 122–123, 125, 128–135, 140–141, 143, 146–151, 153, 156, 161–163, 165, 167–169, 173–174, 176–177, 182–183, 187–189, 191–193, 195–197, 200–208, 210–212, 214–217, 219–223, 225–227, 229, 233–237, 240, 242–248, 250–251, 253–260
- Hamlet 14, 50, 53, 62, 93, 102, 132, 153, 174–176, 204, 214, 257, 259
- Henry IV 117, 136, 174–175
- Henry V 14, 132
- Julius Caesar 53, 93, 174–175
- King Lear 47, 65–66, 76, 78–79, 174, 197, 258
- Macbeth 50, 53, 61, 94, 175, 192, 200, 203, 209
- The Merchant of Venice 3, 25, 93, 95, 126, 168, 174–175
- The Merry Wives of Windsor174
- A Midsummer Night’s Dream 14, 86, 174–175
- Romeo and Juliet 2, 15, 23, 47, 50, 135, 174–175, 208, 210, 235–236, 248, 256–259
- The Taming of the Shrew 174–175
- Richard III 174–176, 192, 197
- The Comedy of Errors174
- Pericles174
- Timon of Athens174
- Much Ado about Nothing200
- The Tempest192
- Twelfth Night 117, 248
- The Winter’s Tale 125–126
- Shakespeare’s Globe 20, 133–134, 146, 148
- Shaw, George Bernard 87, 141, 206, 223, 254
- Sherlock, Martin 53, 62
- Shylock 76, 87, 90, 94, 126, 140, 168, 256
- Siddons, Henry 63, 68–69, 79
- Siemon, James 66, 75, 77, 79
- Simons, Johan 162, 169
- Sketches by Boz 33–34, 46
- skin colour 51, 100, 102, 127, 141, 155, 162, 201, 239, 243
- Skobtseva, Irina 219, 254
- slavery
18–19, 37, 99–102, 106–111, 124, 137, 139, 157, 168, 216
- slave trade 19, 99, 106–110, 114, 137, 139
- slave uprisings108
- solo 33, 56, 219, 229, 232, 240
- Solomos, Alexis 114–115, 118, 126, 131
- source 12, 22, 31, 36, 38, 42, 77, 94, 207, 212, 214, 226, 247
- Soviet Armenia253
- Soviet Romania 254–255
- Soviet Union254
- Spain
2, 16–18, 21, 23, 30, 32–33, 49–50, 53–54, 58, 60–62, 157–158, 173, 175–176, 178, 180–182, 186–188, 197–198, 250–254, 256–257
- Spanish 6, 17, 49–50, 53, 59–60, 178–181, 183–184, 186, 208, 249, 251–253
- Spanish Civil War 21, 180, 187–188
- speculate
17, 65, 70, 207
- speculation65
- Sprague, Arthur Colby 65, 79
- stage business 63–64, 68, 71, 73–77, 79
- stage history 10, 70, 76–77, 165, 177
- stage instruction 73–74
- stage practice 19, 71–72, 75
- staging 21, 46, 63–65, 68, 70–71, 113, 119, 121, 161, 175, 186, 191, 198, 203, 248, 252–253
- Stahl, Leopold 86, 88–89, 96
- Steckel, Jette 82, 94, 255
- Stella 164–165
- stereotype
86, 90, 94, 124, 127, 168, 184, 187
- stereotyping 21, 154, 161, 164
- Stern, Ernst 65, 74–75, 79, 86, 95, 191–193, 204
- Stern, Tiffany 65, 74–75, 79, 86, 95, 191–193, 204
- story-telling202
- Strand 33, 36, 40
- Strand Theatre 33, 40
- street-sweeper37
- Surinam 154, 160
- Sweden249
- Swedish250
- Szász, Károly73
T
- tabletop theatre 201–202
- Talma, François-Joseph 51, 54, 249
- television 21, 90, 157, 173–174, 176–177, 188–189, 198, 254–255, 257–259
- Tempera, Mariangela110
- temptation 144, 228–229, 243
- The Moor 10, 13, 16, 18–19, 21, 29, 32–39, 41–47, 56, 81, 87, 109, 113–121, 125–127, 129–130, 154, 156, 159, 178–181, 188, 195, 197, 206–210, 212, 215, 219, 222–223, 228, 231, 234, 239, 241, 244–245, 247, 255
- The Times 40, 47, 245
- Theatre Regulation Act30
- theatricality 31–32, 66, 68
- Thieme, Thomas92
- Thiriet, Maurice244
- Thompson, Ayanna 1–2, 8, 10, 13, 24–25, 82, 96, 134, 141, 143–144, 147–151, 159, 169, 259
- Tieck, Dorothea 18, 81, 83, 88, 91–92, 95, 250
- Tieck, Ludwig 18, 81, 83, 88, 91–92, 95, 250
- Toneelgroep Amsterdam161
- topicality 17, 30–31, 37
- tradaptation 18, 81, 84, 92–93
- tragedy 3–4, 11, 13–14, 17, 21–22, 29, 31–33, 36, 40, 42, 45–47, 49–54, 56, 58, 60, 70, 78, 81, 88, 95, 100, 104, 116, 121–122, 126, 131, 135, 140–141, 154–155, 158–159, 161–164, 166, 168, 173, 175–178, 182–183, 185–187, 200, 205, 215, 217, 220, 223, 231, 235, 245, 247, 257
- Tragtenberg, Livio244
- training 67–69, 232
- translation
3–6, 17–18, 49–53, 55, 58–59, 62, 70, 73, 77, 81–84, 88–89, 91–95, 102–103, 105, 142, 153, 208, 211–217, 219, 222, 227, 239, 241, 248–255, 257–258
- Translation Studies5
- translocal 3, 5, 7, 24
- transmediation205
- transnational 3, 5–8, 14, 24
- travesty 6, 17, 29–30, 32, 34, 40, 206, 252
- Turk
114, 179
- Turkey 90, 160, 251–252
- Turkish 6, 18–19, 84, 114, 122, 142, 183, 251
U
- Uffelen, Rik van 161–162, 169
- UK
3, 19–20, 116, 133–135, 137–140, 143, 150, 157, 159, 192–193, 197, 223, 258–259
- United Kingdom 2–3, 16, 133, 135, 255
- Universal 11, 21, 54, 135, 137, 153, 155–156, 159, 166, 182–183, 214
- Urbain, James242
- United States of America122
- USA 116, 157, 220
- Uylenbroek, P.J.
18, 103, 105, 111, 249
- Othello, of de moor van Venetiën 111, 249
V
- Vajda, Péter 70–71, 73
- Van der Veen, Hans 104–107, 111
- Van Kampen, Claire 20, 133, 146
- Vasconcelos, Nana244
- Vassiliadis, Charalambos123
- Vaughan, Virginia Mason 99–100, 111, 134, 151, 221, 223
- Veakis, Aimilios 117, 121
- Venetian
37, 52, 56, 59, 86, 88–90, 92–93, 102, 120, 127, 141, 155, 158, 206, 211–212, 217, 219, 229–230, 240
- Venice 3, 13, 17–18, 21, 25, 32, 34, 36–37, 46, 51, 56, 81–82, 84–87, 90–93, 95, 101, 109, 115, 117, 125–127, 130, 140, 146, 159, 168, 174–175, 178, 182, 184–185, 197, 200, 206–208, 211, 219–221, 223, 228–230, 239–241, 244, 247, 250–251
- Verdi, Giuseppe
12, 21, 119, 205–207, 209, 212–215, 217, 222–223
- Otello 21, 212, 214, 216–217, 222–223, 252
- Viajeinmóvil 21, 191, 193, 197–200, 202
- Victorian 31, 46
- video 14, 81, 134, 194, 254
- Vienna
29, 32, 46, 106, 240, 244
- Vienna Congress106
- Viennese 32, 240, 250, 254
- Wien 29, 32
- Vietnam 90, 159
- Viganò, Salvatore 239, 244, 246
- virtue 84–85, 89, 91, 104, 127, 209
- Visconti, Ennio Quirino 53, 62
- Voltaire
54, 61, 82, 111, 257
- Zaïre 54, 82
- Voutsina, Rena124
- Vreede, Pieter106
- vulgarisation31
- vulgarity 31, 39
W
- Waithman, Robert38
- Washington159
- Weimar
81, 85–87, 95, 249
- Weimar Republic 81, 86–87
- Weise, Christian93
- Othello, nach Shakespeare 6, 18, 93
- West Frisian254
- West Germany 89–90, 92
- Wieland, Christoph Martin 82–84, 89, 96, 248
- Wilberforce, William 107, 139
- Wildgruber, Ulrich 91, 255
- Wilhelmine Germany86
- Wilson, Billy 223, 241
- Wittgenstein, Ludwig 94, 96
- Wolfenbüttel, Duke of84
- Wolff, Susanne 81, 255
- Woudstra, Karst 163, 169
X
- xenophobia 9, 166
Y
- Yao, Franck Edmond 92–93
- Yates, Frederick34
- Young, Charles Mayne 66, 68
- Yutkevich, Sergei 21, 205, 218, 254
- Yugoslavia157
Z
- Zadek, Peter 18, 90–91, 95, 165, 167–168, 255
- Zaimoglu, Feridum 84–85, 92, 96
- Zambetas, Giorgos123
- Zandwijk, Aline165
- Zimmerl, Christi240
