Cover not available

In:Othello in European Culture
Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz
[Shakespeare in European Culture 3] 2022
► pp. 247–260

Get fulltext from our e-platform
JBE logo with link
PDF logo with download linkDownload Book PDF
EPUB logo with download linkDownload Book EPUB
authorization required

Chapter 13
A selective timeline of Othello in European culture

 | University of Extremadura
Published online: 25 May 2022
DOI logo with link
https://doi.org/10.1075/sec.3.13rui
References (77)
References
Abrahams, Israel. 1920. By-paths in Hebraic bookland. Israel: The Jewish Publication Society of America.Google Scholar logo with link to Google Scholar
Alexander, Edward. 1958. “Shakespeare’s plays in Armenia.” Shakespeare Quarterly 9 (3): 387–394. Google Scholar logo with link to Google Scholar
Bandín Fuertes, Elena. 2011. “Performing Shakespeare in a Conflicting Cultural Context: Othello in Francoist Spain.” SEDERI 21: 119–132. Google Scholar logo with link to Google Scholar
Bates, Laura Raidonis. 2006. “Shakespeare and the Working Man: Communist Applications during Nationalist Periods in Latvia.” In Shakespeare in the Worlds of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, 38–55. Toronto: University of Toronto Press. Google Scholar logo with link to Google Scholar
Bawcutt, N. W. 1977. “Shakespeare’s Life, Times, and Stage.” Shakespeare Survey 30: 191–203. Google Scholar logo with link to Google Scholar
Biblioteca Nacional de España. n.d. Catálogo BNE. [URL]
Biet, Christian. 2000. “Le théâtre anglois d’Antoine de La Place (1746–1749), ou la difficile émergence du théâtre de Shakespeare en France.” Actes des congrès de la Société française Shakespeare 18: 27–46. Google Scholar logo with link to Google Scholar
Bonnell, Andrew G. 2010. “Shylock and Othello under the Nazis.” German Life and Letters 63 (2): 166–178. Google Scholar logo with link to Google Scholar
Calvi, Lisanna. 2017. “Giulietta e Romeo: From Early Nineteenth-Century Italian Adaptations to Ernesto Rossi’s Shakespearean Debut (1869).” In Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita, and Keith Gregor, 139–158. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Calvo, Clara. 2006. “Tragedia para reír: Grimaldi, Shakespeare y El Caliche, o la parodia de Otelo.” In Traducción y traductores: Del romanticismo al realismo, edited by Francisco Lafarga and Luis Pegenaute, 75–87. Bern: Peter Lang.Google Scholar logo with link to Google Scholar
Campillo Arnaiz, Laura. n.d. SH.ES.TRA Shakespeare en España en traducción. La recepción de las obras de Shakespeare en la cultura española y europea. [URL]
. 2005. Estudio de los elementos culturales en las obras de Shakespeare y sus traducciones al español por Macpherson, Astrana y Valverde. PhD diss. Universidad de Murcia.
Campos, Ana 2006. “Shakespeare no romanticismo portugués: para cada um a sua verdade.” Sinais de cena 6: 113–115. Google Scholar logo with link to Google Scholar
Centro de Documentación Teatral. n.d. Biblioteca del Centro de Documentación Teatral. [URL]
Cinpoeş, Nicoleta. 2017. “Romeo and Juliet – The East Side Story. A Note on Romania.” In Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita, and Keith Gregor, 176–195. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Coursen, Herbert R. 2005. Shakespeare Translated: Derivatives on Film and TV. Bern: Peter Lang.Google Scholar logo with link to Google Scholar
da Rocha Afonso, Maria João. 1993. “Simão de Melo Brandâo and the First Portuguese Version of Othello.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 129–146. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Dargan, Edwin Preston. 1912. “Shakespeare and Ducis.” Modern Philology 10 (2): 137–178. Google Scholar logo with link to Google Scholar
Dávidházi, Péter. 1993. “Providing the Texts for a Literary Cult. Early Translations of Shakespeare in Hungary.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 147–162. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Davies, Anthony. 2002. “Filming Othello.” In Shakespeare and the Moving Image: The Plays on Film and Television, edited by Anthony Davies and Stanley Wells, 196–210. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Delabastita, Dirk. 1993. “Hamlet in the Netherlands in the Late Eighteenth and Early Nineteenth Centuries. The Complexities of the History of Shakespeare’s Reception.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 219–233. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Dente, Carla, and Sara Soncini, eds. 2013. Shakespeare and Conflict: A European Perspective. London: Palgrave Macmillan. Google Scholar logo with link to Google Scholar
Dobson, Michael, and Stanley Wells, eds. 2011. The Oxford Companion to Shakespeare. Oxford University Press.Google Scholar logo with link to Google Scholar
Escudé i Gallès, Beth. 2014. L’adaptació dels clàssics teatrals. Shakespeare i Richard the Third. Estudi de cas d’una escena. PhD diss. Universitat Autònoma de Barcelona.
France, Anna Kay 1977. “Iago and Othello in Boris Pasternak’s Translation.” Shakespeare Quarterly 28 (1): 73–84. Google Scholar logo with link to Google Scholar
Fuentes, Francisco. 2017. “What’s in a Stamp? Romeo and Juliet in the Postal System of the Twentieth and Twenty-First Centuries.” In Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita, and Keith Gregor, 263–282. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
García-Abad García, Mª Teresa. 1997. La novela cómica. Madrid: Consejo Superior de Investigaciones Científicas.Google Scholar logo with link to Google Scholar
Gatti, Hilary. 2015. “Gustavo Modena’s Othello: The First Performance in an Italian Theatre of a Shakespearean Drama.” Shakespeare 11 (1): 82–93. Google Scholar logo with link to Google Scholar
Gibińska, Marta. 2003. “Enter Shakespeare: The Contexts of Early Polish Appropriations.” In Four Hundred Years of Shakespeare in Europe, edited by Ángel-Luis Pujante and Ton Hoenselaars, 54–69. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
Golder, John. 1992. Shakespeare for the Age of Reason: The Earliest Stage Adaptations of Jean-François Ducis, 1769–1792. Oxford: The Voltaire Foundation.Google Scholar logo with link to Google Scholar
Gregor, Keith. 2002. “From Tragedy to sainete: Othello on the Early Nineteenth-Century Spanish Stage.” In Shakespeare and Spain, edited José Manuel González and Holger Klein, 322–341. New York: Edwin Mellen Press.Google Scholar logo with link to Google Scholar
. 2010. Shakespeare in the Spanish Theatre: 1772 to the Present. London; New York: Continuum.Google Scholar logo with link to Google Scholar
Guntner, Lawrence. 2006. “In Search of a Socialist Shakespeare: Hamlet on East German Stages.” In Shakespeare in the Worlds of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, 177–204. Toronto: University of Toronto Press. Google Scholar logo with link to Google Scholar
Habicht, Werner. 2006. “Shakespeare and the Berlin Wall.” In Shakespeare in the Worlds of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, 157–176. Toronto: University of Toronto Press. Google Scholar logo with link to Google Scholar
Hamburger, Maik. 2006. “Shakespeare the Politicizer: Two Notable Stagings in East Germany.” In Shakespeare in the Worlds of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, 205–209. Toronto: University of Toronto Press. Google Scholar logo with link to Google Scholar
Harbeck, James. 1996. “Okhlopkov and the Nascence of the Postmodern.” Theatre InSight 7 (1): 1–20.Google Scholar logo with link to Google Scholar
Holderness, Graham, and Christopher McCullough. 2002. “Shakespeare on the Screen: A Selective Filmography.” In Shakespeare and the Moving Image: The Plays on Film and Television, edited by Anthony Davies and Stanley Wells, 18–49. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Holland, Peter. 2002. “Two-Dimensional Shakespeare: King Lear on Film.” In Shakespeare and the Moving Image: The Plays on Film and Television, edited by Anthony Davies and Stanley Wells, 50–68. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Honigmann, E. A. J., ed. 2016. Othello. London: Arden Shakespeare.Google Scholar logo with link to Google Scholar
Hortmann, Wilhelm. 1998. Shakespeare on the German stage: The Twentieth Century. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Ignatieva, Maria. 2001. “Stanislavsky’s Second Othello: The Great Director’s Last Revelations.” Cuadernos de Filología Inglesa 7 (2): 1–10.Google Scholar logo with link to Google Scholar
Jackson, Russell. 2007. “‘An Othello to Forget’: Zeffirelli’s Stratford Othello and Its Reputation.” Shakespeare Bulletin 25 (4): 11–21. Google Scholar logo with link to Google Scholar
Kahn, Lily. 2017. “Judaisation in the First Hebrew Translation of Romeo and Juliet.” In Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita, and Keith Gregor, 119–138. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
. 2017. The First Hebrew Shakespeare Translations: A Bilingual Edition and Commentary. London: UCL Press.Google Scholar logo with link to Google Scholar
Kennedy, Dennis. 2001. Looking at Shakespeare: A Visual History of Twentieth-Century Performance. Second edition. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Kerr, Anna. 2017. Shakespeare in Dutch. Shakespeare birthplace trust. [URL]
Korpel, Luc G. 1990. “‘Truly and Entirely English, Yet Useful’, or: How Dutch Translators between 1750 and 1820 View the English Nature of Their Originals.” In Something Understood: Studies in Anglo-Dutch Literary Translation, edited by Bart Westerweel and Theo D’haen, 231–248. Amsterdam: Rodopi.Google Scholar logo with link to Google Scholar
Lambert, Ladina Bezzola, and Balz Engler, eds. 2004. Shifting the Scene: Shakespeare in European Culture. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
Lanni, Dominique. 2003. “L’héroïsme de la vanité. Othello ou les vicisitudes du héros noir sur la scène française de Butini à Vigny (1785–1829).” Orages 2: 1–14.Google Scholar logo with link to Google Scholar
Levin, Yuri D. 1993. “Russian Shakespeare Translations in the Romantic Era.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 75–90. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Mancewicz, Aneta. 2014. Intermedial Shakespeares on European Stages. London: Palgrave Macmillan. Google Scholar logo with link to Google Scholar
Matei-Chesnoiu, Monica. 2006. Shakespeare in the Romanian Cultural Memory. Vancouver: Fairleigh Dickinson University Press.Google Scholar logo with link to Google Scholar
Messina, Claudia. 2017. Alessandro Verri e la cultura del suo tempo. Milano, Roma e l’Europa (1741–1816). PhD diss. Università degli Studi Roma Tre.
Ministerio de Cultura y Deporte. n.d. Bases de datos del ISBN. [URL]
Montero Reguera, José. 2009. “Monipodio sale a escena.” In Studies in Spanish Literature in Honor of Daniel Eisenberg, edited by Tom Lathrop, 253–268. Newark, DE: Juan de la Cuesta.Google Scholar logo with link to Google Scholar
Niccoli, Ottavia. 2007. “Le astuzie del viaggiatore Hasan al-Wazzan / Giovanni Leone Africano / Yuhanna al-Asad.” Quaderni Storici 42, no. 126 (3): 893–902.Google Scholar logo with link to Google Scholar
Ostrovsky, Arkady. 2006. “Shakespeare as a Founding Father of Socialist Realism: The Soviet Affair with Shakespeare.” In Shakespeare in the Worlds of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, 56–83. Toronto: University of Toronto Press. Google Scholar logo with link to Google Scholar
Paulin, Roger. 2003. The Critical Reception of Shakespeare in Germany 1682–1914: Native Literature and Foreign Genius. Zurich: Georg Olms Verlag.Google Scholar logo with link to Google Scholar
Petrone Fresco, Gaby. 1993. “An Unpublished Pre-romantic Hamlet in Eighteenth-Century Italy.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 111–128. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Pilkington, Ace G. 2002. “Zeffirelli’s Shakespeare.” In Shakespeare and the Moving Image: The Plays on Film and Television, edited by Anthony Davies and Stanley Wells, 163–179. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Portillo, Rafael, and Mercedes Salvador. 2003. “Spanish Productions of Hamlet in the Twentieth Century.” In Four Hundred Years of Shakespeare in Europe, edited by Ángel-Luis Pujante and Ton Hoenselaars, 180–195. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
Pujante, Ángel-Luis. 2007. “Introducción.” In Shakespeare en España: textos (1764–1916), edited by Ángel-Luis Pujante and Laura Campillo, i–xlvi. Granada: Universidad de Granada; Murcia: Editum.Google Scholar logo with link to Google Scholar
Pujol, Dídac. 2007. Traduir Shakespeare: Les reflexions dels traductors catalans. Lleida: Punctum & Trilcat.Google Scholar logo with link to Google Scholar
Ruiz-Morgan, Jennifer. 2017. “A Selective Timeline of Romeo and Juliet in European Culture.” In Romeo and Juliet in European Culture, edited by Juan F. Cerdá, Dirk Delabastita, and Keith Gregor, 301–320. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Schwartz-Gastine, Isabelle. 2003. “Shakespeare on the French Stage: A Historical Survey.” In Four Hundred Years of Shakespeare in Europe, edited by Ángel-Luis Pujante and Ton Hoenselaars, 223–240. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
. 2017. “Romeo and Juliet on the French Stage: From the Early Versions to the English Production at the Odéon Theatre in 1827.” In Romeo and Juliet in European Culture, edited by Juan Francisco Cerdá, Dirk Delabastita, and Keith Gregor, 77–100. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Smidt, Kristian. 1993. “The Discovery of Shakespeare in Scandinavia.” In European Shakespeares: Translating Shakespeare in the Romantic Age, edited by Dirk Delabastita and Lieven D’hulst, 91–103. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Stratford Festival. 2020. Othello. [URL]
Střibrný, Zdenêk. 2000. Shakespeare and Eastern Europe. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Thompson, Ayanna. 2016. “Introduction.” In Othello, edited by E. A. J. Honigmann. 2nd edition, 1–116. London: Arden Shakespeare.Google Scholar logo with link to Google Scholar
Tresadern, Molly. 2018. Love, Jealousy, Deceit: Exploring Shakespeare’s Othello in art. Art UK. [URL]
Tronch-Pérez, Jesús. 2008. Shakespeare Translations in a Selection of European Minorized Languages. Shaxpere. [URL]
. 2011. “Non-catalyst and Marginal Shakespeares in the Nineteenth-Century Revival of Catalan-Speaking Cultures.” Shakespeare Survey 64: 188–198. Google Scholar logo with link to Google Scholar
University of Basel. 2013. Shakespeare translations in Europe (general overview). Shakespeare in Europe. [URL]
Vickers, Brian, ed. 1974–1981. Shakespeare: The Critical Heritage. 6 vols. London: Routledge & Kegan Paul.Google Scholar logo with link to Google Scholar
Williams, Simon. 1990. Shakespeare on the German stage. Volume 1: 1586–1914. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Zhatkin, Dmitry, and Nikita Futljaev. 2018. “Othello by Shakespeare Traditions and Specificity.” Opción 34: 513–535. [URL]
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue