References (89)
References
Adamson, Walter L. 1980. “Gramsci’s Interpretation of Fascism.” Journal of the History of Ideas 41 (4): 615–633. Google Scholar logo with link to Google Scholar
(Cavallone) Anzi, Anna. 1980. Shakespeare nei teatri milanesi del Novecento (1904–1978). Bari: Adriatica.Google Scholar logo with link to Google Scholar
Anzi, Anna. 2001. Shakespeare nei teatri milanesi del Novecento (1978–2000). Bari: Adriatica.Google Scholar logo with link to Google Scholar
Aradas, Isabella. 1989. Macbeth in Italia. Bari: Adriatica.Google Scholar logo with link to Google Scholar
Bartalotta, Gianfranco. 1986. Amleto in Italia nel Novecento. Bari: Adriatica.Google Scholar logo with link to Google Scholar
Bassi, Shaul. 2016. Shakespeare’s Italy and Italy’s Shakespeare. Pace, “Race,” Politics. New York: Palgrave Macmillan.Google Scholar logo with link to Google Scholar
Baudrillard, Jean. (1982) 1994. Simulacra and Simulations (orig. Simulacres et simulation). Ann Arbor, MI: The University of Michigan Press.Google Scholar logo with link to Google Scholar
Bellotti, Luigi. 1943. L’italianità di Shakespeare. Guglielmo Crollalanza grande genio italiano. Venezia: Opera D.N. Sezione Lettere.Google Scholar logo with link to Google Scholar
Berghaus, Günter. 1996. “The Ritual Core of Fascist Theatre. An Anthropological Perspective.” In Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925–1945, edited by Günter Berghaus, 39–71. New York: Berghahn Books.Google Scholar logo with link to Google Scholar
Bezzola Lambert, Ladina, and Balz Engler, eds. 2004. Shifting the Scene: Shakespeare in European Culture. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
Bull, Martin, and Martin Rhodes. 1997. Crisis and Transition in Italian Politics. London: Routledge.Google Scholar logo with link to Google Scholar
Burke, Kenneth. (1938) 1998. “Literature as Equipment for Living.” In The Critical Tradition. Classic Texts and Contemporary Trends, edited by David H. Ritcher, 593–598. Boston, MA: Bedford Books.Google Scholar logo with link to Google Scholar
Burke, Peter. 2009. “The Crisis in the Arts of the Seventeenth Century: A Crisis of Representation?The Journal of Interdisciplinary History 40 (2): 239–261. Google Scholar logo with link to Google Scholar
Busi, Anna. 1973. Otello in Italia (1777–1972). Bari: Adriatica.Google Scholar logo with link to Google Scholar
Caliumi, Grazia. 1984. Studi e ricerche sulle fonti italiane del teatro elisabettiano: Il Bandello. Roma: Bulzoni.Google Scholar logo with link to Google Scholar
Calvani, Alessandra. 2012. Traduzioni e traduttori. Gli specchi dell’originale. Limena: libreriauniversitaria.it edizioni.Google Scholar logo with link to Google Scholar
Calvo, Clara, and Coppélia Kahn, eds. 2015. Celebrating Shakespeare: Commemoration and Cultural Memory. Cambridge: Cambridge University Press. Google Scholar logo with link to Google Scholar
Caretti, Laura, ed. 1979. Il teatro del personaggio. Shakespeare sulla scena italiana dell’800. Roma: Bulzoni Editore.Google Scholar logo with link to Google Scholar
Cerdá, Juan F., Dirk Delabastita, and Keith Gregor, eds. 2017. Romeo and Juliet in European Culture. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Chenetier, Marc, ed. 1986. Critical Angles: European Views of Contemporary American Literature. Carbondale, IL: Southern Illinois University Press.Google Scholar logo with link to Google Scholar
Cianci, Giovanni, and Caroline Patey, eds. 2014. Will the Modernist: Shakespeare and the European Historical Avant-gardes. Oxford: Peter Lang. Google Scholar logo with link to Google Scholar
D’Amico, Jack. 2001. Shakespeare and Italy: The City and the Stage. Gainesville, FL: University Press of Florida.Google Scholar logo with link to Google Scholar
De Francisci, Enza, and Chris Stamatakis, eds. 2017. Shakespeare, Italy, and Transnational Exchange. New York: Routledge. Google Scholar logo with link to Google Scholar
Delabastita, Dirk, and Lieven D’hulst, eds. 1993. European Shakespeares: Translating Shakespeare in the Romantic Age. Amsterdam: John Benjamins. Google Scholar logo with link to Google Scholar
Delabastita, Dirk, Jozef de Vos, and Paul Franssen, eds. 2008. Shakespeare and European Politics. Newark, DE: University of Delaware Press.Google Scholar logo with link to Google Scholar
Ebert, Teresa L. 1986. “The Crisis of Representation in Cultural Studies: Reading Postmodern Texts.” American Quarterly 38 (5): 894–892. Google Scholar logo with link to Google Scholar
Engler, Balz. 2019. Constructing Shakespeares. Essays on the Making of a Great Author. Dozwil: EDITION SIGNAThUR.Google Scholar logo with link to Google Scholar
ESRA. 2015. “Shakespeare’s Europe/Europe’s Shakespeare(s).” (The Conference website is no longer available, but the call for papers with the seminar descriptions can be found at [URL].)
Evangelista, Matthew, ed. 2017. Italy from Crisis to Crisis. Political Economy, Security, and Society in the 21st Century. New York: Routledge. Google Scholar logo with link to Google Scholar
Ewick, Patricia, and Susan Silbey. 1995. “Subversive Stories and Hegemonic Tales: Toward a Sociology of Narrative.” Law and Society Review 29 (2): 197–226. Google Scholar logo with link to Google Scholar
Fairclough, Norman. 1989. Language and Power. Harlow: Pearson.Google Scholar logo with link to Google Scholar
. (1992) 2013. Discourse and Social Change. Cambridge, MA: Polity.Google Scholar logo with link to Google Scholar
Ferrando, Guido. 1930. “Shakespeare in Italy.” The Shakespeare Association Bulletin 5 (4): 157–168.Google Scholar logo with link to Google Scholar
Foucault, Michel. 1972. The Archaeology of Knowledge and The Discourse of Power. New York: Pantheon Books.Google Scholar logo with link to Google Scholar
. 1977. Discipline and Punish. New York: Vintage Books.Google Scholar logo with link to Google Scholar
Frow, John. 2005. “On Literature in Cultural Studies.” In The Aesthetics of Cultural Studies, edited by Michael Bérubé, 44–57. Malden, MA: Blackwell Publishing. Google Scholar logo with link to Google Scholar
Gatti, Hilary. 1968. Shakespeare nei teatri milanesi dell’Ottocento. Bari: Adriatica.Google Scholar logo with link to Google Scholar
Ginsborg, Paul. 1990. A History of Contemporary Italy. Society and Politics 1943–1988. London: Penguin.Google Scholar logo with link to Google Scholar
Graf, Arturo. 1911. L’anglomania e l’influsso inglese in Italia nel XVIII secolo. Torino: Ermanno Loescher.Google Scholar logo with link to Google Scholar
Gregor, Keith. 2018. “Macbeth and Regimes of Reading in Francoist Spain.” In The Tyrant’s Fear, edited by Silvia Bigliazzi, special issue of Comparative Drama 52 (1–2): 141–157.Google Scholar logo with link to Google Scholar
, ed. 2014. Shakespeare and Tyranny: Regimes of Reading in Europe and Beyond. Newcastle-upon-Tyne: Cambridge Scholars Publishing.Google Scholar logo with link to Google Scholar
Halliday, Michael A. K., and Ruqaiya Hasan. 1985. Language, Context, and Text: Aspects of Language in a Social-Semiotic Perspective. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Hobsbawm, Eric, and Terence Ranger, eds. 1983. The Invention of Tradition. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Holderness, Graham, ed. 1992. The Politics of Theatre and Drama. New York: St Martin’s Press. Google Scholar logo with link to Google Scholar
. 2010. Shakespeare and Venice. Farnham: Ashgate.Google Scholar logo with link to Google Scholar
Hoenselaars, Ton. 2008. “Foreword.” In Delabastita, de Vos, and Franssen 2008, 9–11.Google Scholar logo with link to Google Scholar
Hoenselaars, Ton, and Clara Calvo, eds. 2010. Shakespeare and Commemoration. Special issue of Critical Survey 22 (2).Google Scholar logo with link to Google Scholar
Höttemann, Benedikt. 2011. Shakespeare and Italy. Münster: LIT Verlag.Google Scholar logo with link to Google Scholar
Iuvara, Martino. 2002. Shakespeare era italiano. Ispica, RG: Edizioni Associazione Trinacria.Google Scholar logo with link to Google Scholar
Kirkpatrick, Robin. 1995. English and Italian Literature from Dante to Shakespeare: A Study of Source, Analogue and Divergence. London: Longman.Google Scholar logo with link to Google Scholar
Klein, Holger M., and Michele Marrapodi, eds. 1999. Shakespeare and Italy. Lewiston, NY: The Edwin Mellen Press.Google Scholar logo with link to Google Scholar
Koselleck, Reinhart. 2002. “Some Questions regarding the Conceptual History of ‘Crisis’.” In The Practice of Conceptual History. Timing History, Spacing Concepts, 236–247. Stanford, CA: Stanford University Press.Google Scholar logo with link to Google Scholar
Levith, Murray J. 1989. Shakespeare’s Italian Settings and Plays. London: Macmillan. Google Scholar logo with link to Google Scholar
Lombardo, Agostino. 1968. “Shakespeare and Italian Criticism.” In The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History, edited by Peter Demetz, Thomas M. Greene, and Lowry Nelson Jr., 531–580. New Haven, CT: Yale University Press.Google Scholar logo with link to Google Scholar
. 1997. “Shakespeare in Italy.” Proceedings of the American Philosophical Society 141 (4): 454–462.Google Scholar logo with link to Google Scholar
Lyotard, Jean-François. (1979) 1984. The Postmodern Condition (orig. La condition postmoderne). Minneapolis, MN: University of Minnesota Press.Google Scholar logo with link to Google Scholar
MacGowan, John. 2003. “‘Literature as Equipment for Living’: A Pragmatist Project.” Soundings: An Interdisciplinary Journal 86 (1/2): 119–148.Google Scholar logo with link to Google Scholar
Mancewicz, Aneta. 2014. Intermedial Shakespeares on European Stages. Houndmills: Palgrave Macmillan. Google Scholar logo with link to Google Scholar
Marrapodi, Michele. 1997. Shakespeare’s Italy: Functions of Italian Locations in Renaissance Drama. Manchester: Manchester University.Google Scholar logo with link to Google Scholar
. 2000. Shakespeare and Intertextuality: The Transition of Cultures between Italy and England in the Early Modern Period. Roma: Bulzoni.Google Scholar logo with link to Google Scholar
. 2004. Shakespeare, Italy, and Intertextuality. Manchester: Manchester University Press.Google Scholar logo with link to Google Scholar
, ed. 2007. Italian Culture in the Drama of Shakespeare & His Contemporaries: Rewriting, Remaking, Refashioning. Farnham: Ashgate.Google Scholar logo with link to Google Scholar
, ed. 2014. Shakespeare and the Italian Renaissance: Appropriation, Transformation, Opposition. Farnham: Ashgate.Google Scholar logo with link to Google Scholar
, ed. 2019. The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture. New York and London: Routledge. Google Scholar logo with link to Google Scholar
McWilliam, George Henry. 1974. Shakespeare’s Italy Revisited. Leicester: Leicester University Press.Google Scholar logo with link to Google Scholar
Minutella, Vincenza. 2013. Reclaiming Romeo and Juliet. Italian Translations for Page, Stage and Screen. Amsterdam: Rodopi.Google Scholar logo with link to Google Scholar
Nöth, Winfried. 2003. “Crisis of Representation?Semiotica 143 (1/4): 9–15. Google Scholar logo with link to Google Scholar
Poole, Adrian. 2010. “The Discipline of War, Memory, and Writing: Shakespeare’s ‘Henry V’ and David Hones’s ‘In Parenthesis’.” In Shakespeare and the Culture of Commemoration, edited by Ton Hoenselaars and Clara Calvo, special issue of Critical Survey 22 (2): 91–104.Google Scholar logo with link to Google Scholar
Praz, Mario. 1944. “Come Shakespeare è letto in Italia.” In Ricerche anglo-italiane, 169–196. Roma: Edizioni di Storia e Letteratura.Google Scholar logo with link to Google Scholar
. 1954. “Shakespeare’s Italy.” Shakespeare Survey 7: 95–106.Google Scholar logo with link to Google Scholar
. 1959. Cronache letterarie anglosassoni. I. Cronache inglesi. Roma: Edizioni di Storia e Letteratura.Google Scholar logo with link to Google Scholar
. 1963. Shakespeare e l’Italia. Firenze: Le Monnier.Google Scholar logo with link to Google Scholar
. 1969. “Come Shakespeare è letto in Italia” (1938). In Caleidoscopio Shakespeariano, 133–155. Bari: Adriatica Editrice.Google Scholar logo with link to Google Scholar
Pujante, A. Luis and Ton Hoenselaars, eds. 2003. Four Hundred Years of Shakespeare in Europe. New York: University of Delaware Press, London: Associated University Press.Google Scholar logo with link to Google Scholar
Redmond, Michael J. 2009. Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage. Farnham: Ashgate.Google Scholar logo with link to Google Scholar
Sestito, Marisa. 1978. Julius Caesar in Italia (1726–1974). Bari: Adriatica.Google Scholar logo with link to Google Scholar
Severi, Rita. 2009. Rinascimenti: Shakespeare & Anglo/Italian Relations. Bologna: Pàtron.Google Scholar logo with link to Google Scholar
Sheen, Erica. 2016. “Introduction: Conflict, Commemoration, Celebration.” In Sheen and Karremann 2016, 1–8.Google Scholar logo with link to Google Scholar
Sheen, Erica, and Isabel Karremann. 2016. Shakespeare in Cold War Europe. Conflict, Commemoration, Celebration. London: Palgrave Macmillan.Google Scholar logo with link to Google Scholar
Stamatakis, Chris. 2017. “Introduction.” In Shakespeare, Italy, and Transnational Exchange, edited by Enza De Francisci and Chris Stamatakis, 1–23. New York: Routledge. Google Scholar logo with link to Google Scholar
Tassinari, Lamberto. 2009. John Florio: The Man Who Was Shakespeare. Montréal: Giano Books.Google Scholar logo with link to Google Scholar
Tosi, Laura, and Shaul Bassi. 2013. Visions of Venice in Shakespeare. Farnham: Ashgate.Google Scholar logo with link to Google Scholar
Turner, Victor. 1982. From Ritual to Theatre. New York: PAJ Publications.Google Scholar logo with link to Google Scholar
Weil, Simone, and Rachel Bespaloff. 2005. War and the Iliad. New York: New York Review of Books.Google Scholar logo with link to Google Scholar
Wilson, Richard. 2017. “Bonfire in Merrie England.” London Review of Books 39 (9): 15–17.Google Scholar logo with link to Google Scholar
White, Hayden. 1980. “The Value of Narrativity in the Representation of Reality.” Critical Inquiry 7 (1): 5–27. Google Scholar logo with link to Google Scholar
. 1987. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore, MD: John Hopkins University Press.Google Scholar logo with link to Google Scholar
. 2002. “Foreword.” In The Practice of Conceptual History. Timing History, Spacing Concepts, Reinhart Koselleck, vii–xiv. Stanford, CA: Stanford University Press.Google Scholar logo with link to Google Scholar
Zaharia, Doina. 2000. “Italian Motifs in Shakespeare’s Plays.” American, British and Canadian Studies 3: 55–63.Google Scholar logo with link to Google Scholar
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue