In:Romeo and Juliet in European Culture
Edited by Juan F. Cerdá, Dirk Delabastita and Keith Gregor
[Shakespeare in European Culture 1] 2017
► pp. v–vi
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Published online: 14 December 2017
https://doi.org/10.1075/sec.1.toc
https://doi.org/10.1075/sec.1.toc
Table of contents
List of contributors
VII
Introduction: European households, alike in dignity?
1
Juan F. Cerdá
Dirk Delabastita
Keith Gregor
Chapter 1.Heavenly eloquence: Romeo and Juliet and linguistic conflict
25
Balz Engler
Chapter 2.Juliet’s balcony. The balcony scenes from Shakespeare’s Romeo and Juliet across cultures and media
37
Manfred Pfister
Chapter 3.
Romeo and Juliet in Germany: From the English actors to Goethe
61
Simon Williams
Chapter 4.
Romeo and Juliet on the French stage: From the early versions to the English production at the Odéon Theatre in 1827
77
Isabelle Schwartz-Gastine
Chapter 5.
Romeo and Juliet in Spain: The neoclassical versions
101
Ángel-Luis Pujante
Keith Gregor
Chapter 6.Judaisation in the first Hebrew translation of Romeo and Juliet
119
Lily Kahn
Chapter 7.
Giulietta e Romeo: From early nineteenth-century Italian adaptations to Ernesto Rossi’s Shakespearean debut (1869)
139
Lisanna Calvi
Chapter 8.Star-crossed lovers in Sweden
159
Kiki Lindell
Chapter 9.
Romeo and Juliet: The East Side Story. A note on Romania
177
Nicoleta Cinpoeş
Chapter 10.‘Unveiling’ Romeo and Juliet in Spain: Translation, performance and censorship
197
Elena Bandín
Chapter 11.
Romeo and Juliet in British culture: In fresh performance by The Royal Shakespeare Company
227
Susan Fischer
Chapter 12.A festival blockbuster: Romeo and Juliet at the Edinburgh Fringe and the Avignon Off
247
Isabel Guerrero
Chapter 13.What’s in a stamp? Romeo and Juliet in the postal system of the twentieth and twenty-first centuries
263
Francisco Fuentes
Chapter 14.‘In fair [Europe], where we lay our scene’: Romeo and Juliet, Europe and digital cultures
283
Stephen O’Neill
Chapter 15.A selective timeline of Romeo and Juliet in European culture
301
Jennifer Ruiz-Morgan
Index
321
