Cover not available

Article published In: Revue Romane
Vol. 49:1 (2014) ► pp.88–119

Get fulltext from our e-platform
JBE logo with link
PDF logo with download linkDownload PDF
authorization required

Avec Goldoni à travers l’Europe

Les premières traductions, réceptions et adaptations de la comédie Un curioso accidente, en France, en Allemagne et au Danemark

 | Université de Copenhague

Article language: French

Published online: 27 May 2014
DOI logo with link
https://doi.org/10.1075/rro.49.1.05jan
This paper looks at how a given text, Carlo Goldoni’s comedy Un curioso accidente, has been translated, received and used in different adaptations in France, Germany and Denmark. In France and Germany the comedy is met with great interest already in the 18th century, mostly through very different adaptations (in France by François Roger and in Germany by Johann Christian Bock) used with considerable success on stage, less for the actual translations. Later the comedy was forgotten in those two countries. In the rest of Europe, the comedy is not translated till the 19th century ; in Denmark it is discovered about 1850, not least because Johanne Louise Heiberg, leading actress at the Royal Theatre, is enchanted by the female lead character Giannina. At the end of the century the play is restaged, but now — in agreement with the general spirit of the time — in much more realistic productions by William Bloch.
References (41)
Bock, J.C (1777): Geschwind, eh es jemand erfährt, oder: Der besondere Zufall. Ein Lustspiel in drey Aufzügen, Aufgeführt in churfüstl. Theater zu München, [URL].Google Scholar logo with link to Google Scholar
. (1784): Geschwind, eh es jemand erfährt, oder: Der besondere Zufall. Ein Lustspiel in drey Aufzügen, von Bock. Neue rechtmässige Auflage, Der Heroldschen Buchhandlung, Hamburg, [URL]Google Scholar logo with link to Google Scholar
Comparini, L. (2007): « L’auteur se méfia lui-même de son entreprise »: Goldoni choisi et traduit, du « Théâtre d’un inconnu » au « Choix des meilleures pièces du théâtre italien moderne ». Revue des Études Italiennes, t. 53,3-4, pp. 163-175.Google Scholar logo with link to Google Scholar
Deutsche Bibliothek der schönen Wissenschaften, Vol. 71, Halle 1768, [URL]Google Scholar logo with link to Google Scholar.
D’Origny, A. (1788): Annales du Théâtre Italien, tome III, Slatkine, Paris Reprints, Genève.Google Scholar logo with link to Google Scholar
Elwert, W.T. (1960): Goldoni in Germania. Studi goldoniani, 21, pp. 259-276.Google Scholar logo with link to Google Scholar
Fido, F. (1977 ): Guida a Goldoni. Einaudi, Torino.Google Scholar logo with link to Google Scholar
Goethe, W. (1957): Italienische Reise, Wilhelm Goldmann Verlag, München.Google Scholar logo with link to Google Scholar
Goldoni, C. (1767): Sämmtliche Lustspiele, traduction de Justus Heinrich Saal, Erster Theil. Zacharias Heinrich Eidfeld, Leipzig.Google Scholar logo with link to Google Scholar
. (1769): Sämmtliche Lustspiele, traduction de Justus Heinrich Saal, Fünfter Theil. Zacharias Heinrich Eidfeld, Leipzig.Google Scholar logo with link to Google Scholar
. (1800): Les Chefs-d’œuvre dramatiques de Charles Goldoni, Paris l’an IX, vol III1, [URL].Google Scholar logo with link to Google Scholar
. (1856): Tilfældet har Ret, traduit par P. Th. Thielemann, manuscrit conservé à la Bibliothèque Royaleà CopenhagueGoogle Scholar logo with link to Google Scholar
. (1903a): Tilfældet har Ret, traduit par William Bloch, le manuscrit du metteur en scène conservé au Théâtre Royal à CopenhagueGoogle Scholar logo with link to Google Scholar
. (1903b): Tilfældet har Ret, traduit par William Bloch, le manuscrit du souffleur conservé au Théâtre Royal à CopenhagueGoogle Scholar logo with link to Google Scholar
. (1914): Opere complete di Carlo Goldoni edite dal municipio di Venezia, vol XVIII1. Municipio di Venezia, Venezia.Google Scholar logo with link to Google Scholar
. (1935): Tutte le opere di Carlo Goldoni a cura di Giuseppe Ortolani, vol I1. Mondadori, Milano.Google Scholar logo with link to Google Scholar
. (1946): Tutte le opere di Carlo Goldoni a cura di Giuseppe Ortolani, vol VII1. Mondadori, Milano.Google Scholar logo with link to Google Scholar
. (1980): Théâtre, ed. Nino Frank. Garnier-Flammarion, Paris. Réédition de Goldoni 1800.Google Scholar logo with link to Google Scholar
. (1995): Un curieux accident, ed. Ginette Herry. Circé, Strasbourg.Google Scholar logo with link to Google Scholar
. (2003): Un curioso accidente, a cura di Ricciarda Ricorda. Marsilio, Venezia.Google Scholar logo with link to Google Scholar
. (2007): Comédies choisies, ed. Denis Fachard. La Pochothèque, Paris. Èdition du manuscrit de 1784.Google Scholar logo with link to Google Scholar
Grimm, F.M. (1880): Correspondance littéraire, vol XIV1. Éd. Tourneux. Garnier Frères, Paris, [URL].Google Scholar logo with link to Google Scholar
Heiberg, J.L. (1974): Et Liv gjenoplevet i Erindringen, vol. III1. Gyldendal, Copenhague.Google Scholar logo with link to Google Scholar
Holm, B. (2008): La sfortunata fortuna di Goldoni in Danimarca. Studi nordici, XV1, pp. 51-61.Google Scholar logo with link to Google Scholar
Jansen, S. (2012): Il teatro italiano in Danimarca a cavallo fra Otto e Novecento, in: Suomela-Härmä, E. (éd.): Il teatro italiano in Scandinavia tra Otto e Novecento. Publications de l‘Université de Helsinki 4, Helsinki, pp. 33-66.Google Scholar logo with link to Google Scholar
Jonard, N. (1996): L’image de la femme dans les comédies de Goldoni. Problemi di critica goldoniana, Vol. III, pp. 179-198.Google Scholar logo with link to Google Scholar
Lukoschik, R.U. (2007): La ricezione di Goldoni nel Settecento europeo: Il caso tedesco. Rivista di letteratura italiana, XXV,1, pp. 143-165.Google Scholar logo with link to Google Scholar
Maddalena, E. (1906): Lessing e Goldoni. Giornale storico della letteratura italiana 471, pp. 193-214.Google Scholar logo with link to Google Scholar
. (1914): Nota storica in Goldoni 1914. pp. 177-188.
Mairobert, M.F.P. & L.P. de Bachaumont (1786): Mémoires secrets pour servir à l’histoire de la république des lettres en France, depuis MDCCLXII, jusqu’à nos jours, tome vingt-neuvième. John Adamson, Londres, [URL].Google Scholar logo with link to Google Scholar
Manghi, A.C. (1994): Rappresentazioni goldoniane nella Danimarca del Settecento. Analecta Romana Instituti Danici 221, pp. 111-125.Google Scholar logo with link to Google Scholar
Mathar, L. (1910): Carlo Goldoni auf dem deutschen Theater des XVIII. Jahrhunderts. Montjoie, München.Google Scholar logo with link to Google Scholar
Maurer, A.E. (1982): Carlo Goldoni. Seine Komödien und ihre Verbreitung im deutschen Sprachraum des 18. Jahrhunderts, Bouvier Verlag, Bonn.Google Scholar logo with link to Google Scholar
Neiiendam, R. (1970): Det kongelige Teaters Historie 1890-1892. Gyldendal, Copenhague.Google Scholar logo with link to Google Scholar
Neue Bibliothek der schönen Wissenschaften und der freyen Künste, Vol. 41, Leipzig 1767, [URL]Google Scholar logo with link to Google Scholar.
Olsen, M. (1995): Goldoni et le drame bourgois, Analecta Romana Instituti Danici Supplementum 23, «L’Erma» di Bretschneider, Rome.Google Scholar logo with link to Google Scholar
Roger, F. (1799): La Dupe de soi-même. Huet, Paris, [URL].Google Scholar logo with link to Google Scholar
. (1835): Œuvres diverses de M. François Roger de l’Académie Française publiées par M. Charles Nodier, tome premier. De Fournier, Paris, [URL].Google Scholar logo with link to Google Scholar
Theile, W. (1977): Carlo Goldoni Gesammelte Aufsätze 1972-2002. Die blaue Eule, Darmstadt.Google Scholar logo with link to Google Scholar
Wihan, J. (1903): Lessings “Minna von Barnheim” und Goldonis Lustspiel “Un curioso accidente”. Haase, Prag.Google Scholar logo with link to Google Scholar
Revue et journaux danois cités: Berlingske Tidende Aften; Dagbladet; Dagens Nyheder; Fædrelandet; Illustreret Tidende; Kjøbenhavnsposten; Teatret IV
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue