In this brilliant overview of parodic praxis in the Spanish-American novel during the years 1960-1985, Elzbieta Skłodowska examines several aspects of parody: its role in the renovation of anachronistic forms of discourse (mock-epic) and the re-writing of the canon of the historical novel; its function in transgressing literary formulas (detective novel); its subversive quality in the counter-discourse of women writers; and the relation between parody, satire, irony, humor, and metafiction. This sound analysis of some twenty-five novels, carefully illustrated by works little treated in critical discourse, takes as its theoretical basis the works of the Russian Formalists and Linda Hutcheon's theory of parody.
2025. Imaginación pornográfica como contra-historia: cuerpo y transgresión en Los perros del paraíso de Abel Posse. Impossibilia. Revista Internacional de Estudios Literarios :30 ► pp. 169 ff.
Cabrera, Olga R. & Isabel Ibarra
2023.
Cuba: La crisis de la masculinidad hegemónica (machismo) y del discurso autoritario en la obra de Gumersindo Pacheco,
María Virginia está de vacaciones
. Romance Studies 41:2 ► pp. 141 ff.
Carlsen, Lila McDowell
2021. Isabel Allende, the Post-Boom, and Chilean Exile Literature. In A History of Chilean Literature, ► pp. 500 ff.
Londoño, Juan Esteban
2021. Intertextualidades religiosas en El arpa y la sombra de Alejo Carpentier. Perseitas 9 ► pp. 142 ff.
Ignacio López-Calvo
2021. A History of Chilean Literature,
González Hernández, Guillermo
2019. The construction of the fictionalized memory in the "new Chilean historical narrative". Romanica Olomucensia 31:2 ► pp. 213 ff.
Nogueira, Fátima R.
2018. Parody as Genealogy and Tradition in Nazi Literature in the Americas. In Postmodern Parody in Latin American Literature [Literatures of the Americas, ], ► pp. 117 ff.
Weldt-Basson, Helene Carol
2018. Parody and Ideology. In Postmodern Parody in Latin American Literature [Literatures of the Americas, ], ► pp. 1 ff.
Sánchez Martínez, Francisca
2017. Miradas al vacío: la artificialidad de los discursos fundacionales. Hacia una lectura de Álvaro Enrigue. Philobiblion: revista de literaturas hispánicas :2
Tennenini, Roberta
2017. El contradiscurso de la memoria en Los pichiciegos de Rodolfo Fogwill. Amerika 16
Pérez, Julián Mauricio
2014. El discurso ficticio: entre la parodia y la intertextualidad. La Tercera Orilla :13
Price, Brian L.
2012.
Non Serviam: James Joyce and Mexico. Comparative Literature 64:2 ► pp. 192 ff.
SÁNCHEZ-PRADO, IGNACIO M.
2008. Dying Mirrors, Medieval Moralists, and Tristram Shandies: The Literary Traditions of Fernando Del Paso'sPalinuro of Mexico. Comparative Literature 60:2 ► pp. 142 ff.
Smith, Verity
2001. A Formula for Hard Times: An Introduction to the Crime Fiction of Leonardo Padura Fuentes and an Interview with the Author. Hispanic Research Journal 2:1 ► pp. 61 ff.
Herrero-Olaizola, Alejandro
1994. El Mundo Alucinanteo el ‘Postmodernismo’ de Reinaldo Arenas: Visiones y Re-visiones Paródicas de la Historia de Fray Servando. Symposium: A Quarterly Journal in Modern Literatures 48:2 ► pp. 120 ff.
Herrero‐Olaizola, Alejandro
1998. Revamping the Popular in Snow White and Pubis Angelical: The Residual Fictions of Donald Barthelme and Manuel Puig. The Journal of Popular Culture 32:3 ► pp. 1 ff.
This list is based on CrossRef data as of 3 december 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.
