This study of Góngora’s Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing ‘camps’ that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the ‘camps’.
2022. Las Soledades en la École Normale Supérieure: regreso al origen y punto final para Robert Jammes. Criticón 145-146 ► pp. 27 ff.
Taylor, Claire
2019. Animating the Baroque and Resisting the Brand: Belén Gache’s Góngora Word Toys (2011) and Radical Karaoke (2011) (Spain-Argentina). In Electronic Literature in Latin America, ► pp. 153 ff.
Arellano, Ignacio
2014. Un pasaje oscuro de Góngora aclarado: el animal tenebroso de la Soledad primera (vv. 64-83). Criticón :120-121 ► pp. 201 ff.
Elvira, Muriel
2014. L’épisode de la chasse aux faucons dans la deuxième Solitude de Góngora. Une tragédie sans pathos*. e-Spania :17
Carreira, Antonio
2013. ¿Qué hacer con Góngora?. Criticón :118 ► pp. 175 ff.
Read, Malcolm K.
2013. Further thoughts on the history of the unconscious: Sor Juana Inés de la Cruz. Journal of Iberian and Latin American Studies 19:2 ► pp. 159 ff.
Pueyo Zoco, Víctor
2012. SOBRE LA CATEGORÍA DEL “MEDIADOR EVANESCENTE”: PÍCAROS, BUFONES Y PROSTITUTAS EN EL UMBRAL DE LA MODERNIDAD. Journal of Spanish Cultural Studies 13:2 ► pp. 149 ff.
Zoco, Víctor Pueyo
2013. Gongorismo y criptogongorismo en América: La norma virreinal del siglo XVII. Calíope 18:2 ► pp. 92 ff.
Cardoso, Humberto Huergo
2010.
Algunos lugares oscuros de las
Soledades
de Góngora. Notas sobre el pasaje de la cetrería
. Bulletin of Hispanic Studies 87:1 ► pp. 17 ff.
Chemris, Crystal
2010. Continuities of Góngora in Darío's Swan Poems: On the Poetics of Rape, Colonialism, and Modernity. Calíope 16:2 ► pp. 83 ff.
Chemris, Crystal
2010. Violence and the Trajectory of Early Modern Subjection inLazarillo de Tormes,Fuenteovejuna, and theSoledades. Symposium: A Quarterly Journal in Modern Literatures 64:2 ► pp. 105 ff.
Bergmann, Emilie L.
2005. Sounds and Silences in the Baroque Labyrinth: Teaching Góngora and Sor Juana. Calíope 11:2 ► pp. 21 ff.
David T. Gies
2005. The Cambridge History of Spanish Literature,
Collins, Marsha S.
2002. Mastering the Maze in Góngora's "Soledades". Calíope 8:1 ► pp. 87 ff.
Johnson, Carroll B.
2002. On the Beach: Myth, Falconry, and the End of the "Soledades". Calíope 8:1 ► pp. 103 ff.
Amann, Elizabeth M.
1997. Orientalism and Transvestism: Góngora's "Discurso Contra Las Navegaciones" (Soledad Primera). Calíope 3:1 ► pp. 18 ff.
Smith, Paul Julian
1986. Barthes, Góngora, and Non-Sense. PMLA/Publications of the Modern Language Association of America 101:1 ► pp. 82 ff.
This list is based on CrossRef data as of 3 december 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.
