Edited by Costantino Maeder, Olga Fischer and William J. Herlofsky
This fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity ‘inside-out’, some suggesting that ‘less-is-more’; others focus on the cognitive factors ‘inside’ the… read more
The aim of this research was to examine the Italian pronouns of address by means of (1) diachronic, (2) diatopic, and (3) diastratic analyses. Drawing on corpus linguistics, we compiled a two million-word corpus made up of narrative texts written by both men and women writers from the Italian… read more
Iconic structures pervade Opera and Oratorio. While recitative relies mainly on imagic iconic strategies (imitation of the prosody of common speech), arias seem to rely more on diagrammatic iconic strategies and symbolism. A recitative is straightforward, dynamic: music follows the spoken word… read more
Schubert’s The Fair Miller-Maid (1823), based on a collection of lyrics by Wilhelm Müller, is characterized by piano accompaniments that consist mainly in the iconic imitation of real world sounds and of the main character’s mood, musical strategies which any listener accustomed to classical music… read more