The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results… read more
The aim of the present chapter is to explore opera as a multimodal piece of art comprising three modalities: the written libretto (verbal mode), the music score (music mode), and the staging based on the scenical directions provided in the libretto (visual mode). We investigate the extent to… read more
Metaphor research has witnessed tremendous changes in how metaphor is seen and understood. Traditionally, metaphor has been viewed as a special, creative, and noticeable use of language. Lakoff and Johnson’s Conceptual Metaphor Theory (1980) has marked a cognitive revolution by viewing metaphor… read more
The present contribution addresses the notion of metaphoricity and discusses different positions in relation to this complex and multi-dimensional phenomenon. Generally, the notion of metaphoricity is used when metaphor is not considered a binary category anymore, or when the status of an… read more
Although musical structure is commonly perceived as moving, its motivation remains a debated issue. Conceptual Metaphor Theory approaches assume that musical motion is motivated by conceptual metaphors like time is motion and change is motion. The current study aims to investigate whether these… read more