Maria Tamboukou

List of John Benjamins publications in which Maria Tamboukou is involved.

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Beyond Narrative Coherence

Edited by Matti Hyvärinen, Lars-Christer Hydén, Marja Saarenheimo and Maria Tamboukou

Beyond Narrative Coherence reconsiders the way we understand and work with narratives. Even though narrators tend to strive for coherence, they also add complexity, challenge canonical scripts, and survey lives by telling highly perplexing and contradictory stories. Many narratives remain… read more
[Studies in Narrative, 11] 2010. vi, 196 pp.

Articles

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Andrews, Molly, Corinne Squire and Maria Tamboukou 2011 Interfaces in teaching narrativesLearning and Teaching Narrative Inquiry: Travelling in the Borderlands, Trahar, Sheila (ed.), pp. 15–32 | Article
This chapter is co-written by the three directors of the Centre for Narrative Research at the University of East London, UK and consists of their reflections on teaching narrative to post-graduate students in Britain. The organisation of the chapter is in three different voices, reflecting the… read more
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Hyvärinen, Matti, Lars-Christer Hydén, Marja Saarenheimo and Maria Tamboukou 2010 Beyond narrative coherence: An introductionBeyond Narrative Coherence, Hyvärinen, Matti, Lars-Christer Hydén, Marja Saarenheimo and Maria Tamboukou (eds.), pp. 1–15 | Article
The introduction suggests a paradigmatic turn in narrative studies as regards the coherence thesis. The classical, Aristotelian, notion has been widely shared among scholars who otherwise often disagree, often drastically, from folklore and linguistics to philosophy, psychology and narrativist… read more
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Tamboukou, Maria 2010 Broken narratives, visual forces: Letters, paintings and the eventBeyond Narrative Coherence, Hyvärinen, Matti, Lars-Christer Hydén, Marja Saarenheimo and Maria Tamboukou (eds.), pp. 67–86 | Article
In this chapter I look into letters and paintings of Gwen John’s, an expatriate Welsh artist who lived and worked in Paris in the first half of the twentieth century. John’s epistolary narratives and paintings are placed within a conceptualization of time as duration, a continuum where past,… read more
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