Le Romantisme aux enchères: Ducange, Pixerécourt, Hugo
Marie-Pierre Le Hir
Reassessing the theoretical usefulness of the “high/low culture” perspective often found in writings on Romantic theater, this book shows how this dichotomy has obscured the centrality of melodrama as a dominant mode of Romantic expression in post-revolutionary France. The book focuses on Victor… read more[Purdue University Monographs in Romance Languages, 42] 1992. x, 225 pp.