Calderón y el Barroco: Exaltación y engaño de los sentidos
María Alicia Amadei-Pulice
Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a… read more[Purdue University Monographs in Romance Languages, 31] 1990. xii, 258 pp., 33 ills.