In:Identity Perspectives from Peripheries
Edited by Yoshiko Matsumoto and Jan-Ola Östman
[Pragmatics & Beyond New Series 352] 2025
► pp. 188–217
Chapter 9Voices from the Kazakhstani periphery
Constructing an identity of a village woman through a selfportrait in a mealtime narrative
Published online: 13 June 2025
https://doi.org/10.1075/pbns.352.09kul
https://doi.org/10.1075/pbns.352.09kul
Abstract
The study integrates Schiffrin’s (1996) work on agentive and epistemic selves and Bamberg’s (1997) model of positioning to examine how an identity of a
peripheral Kazakh woman is achieved via a self-portrait and a co-construction with another Kazakh woman in a mealtime
conversation. Focusing on one ten-minute story about a dying husband collected in rural Kazakhstan, the analysis
demonstrates how the narrator crafts her self-portrait of an exemplary wife via an agentive self who provided her ill
husband with care and an epistemic self who evaluated her actions as meeting village gender norms. The narrator draws
upon this self-portrait to display her identity of a village Kazakh woman receiving validation from the audience via
external evaluation in the form of voicing other villagers. Positionings in the story and storytelling worlds reflect
bigger gender discourse of constructing women in terms of family obligations and notions of place, accountability, and
ideologies. The analysis offers an insightful window into what it takes to be a woman from the periphery showcasing
identity as an emergent and moldable process.
Keywords: self, narrative positioning, self-portrait, identity, gender, alignment, Kazakh, women, mealtime conversation, rural community
Article outline
- 1.Introduction
- 2.Identity and narrative
- 3.Methodology
- 3.1Participants and data
- 3.2Data analysis procedure
- 4.Analysis
- 4.1Story world: Narrative selves and positioning
- 4.2Storytelling world: Enhancing the self-portrait of a proper wife
- 4.3Global level: Crafting the identity of a village woman
- 5.Conclusion
Notes References Appendix
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