Index

In:Influencer Discourse: Affective relations and identities
Edited by Pilar Garcés-Conejos Blitvich and Alexandra Georgakopoulou
[Pragmatics & Beyond New Series 349] 2024
► pp. 303–306

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Index

A

Abidin 2, 4, 16, 23, 28–29, 40, 45, 72, 74, 77–78, 80, 84, 96, 124, 129, 132, 145, 157, 172, 175, 178–179, 191, 193–194, 201, 203, 223, 228, 232–233, 244, 247, 250–251, 274, 277, 279, 281–282, 286, 295, 299

affective 2–3, 5, 8, 13–16, 19, 39, 45, 49–51, 53–55, 57, 59, 61, 63, 65, 67, 69–71, 73, 75, 77–79, 81–82, 90, 93, 100–101, 145–147, 206–211, 214–215, 218–223, 226, 229, 231–232, 238, 246, 254, 268, 279, 281, 284–287, 289–290, 292–295, 297–299, 301–304, 306, 307

affectively 20, 214, 278–279, 282–284

affordance(s) 3–6, 12, 21, 23–25, 33, 41, 46, 58, 71, 72, 80, 97, 126, 129, 135, 140, 146, 175, 185, 201, 204, 233, 256, 275–276

algorithmic 5, 12, 15, 24, 41, 70–71, 253, 279

amateur aesthetic 20, 24, 29, 32–33, 283, 286

amateurism 9, 80, 274, 294, 298–299

anti-fans 11, 14, 17, 48, 63, 73, 178–179, 196

anti-story 139, 141–144

appropriation 8–9, 148–149, 154–155, 158, 162, 164–165, 170, 246

Arndt 106, 109, 111, 113, 124

attention economy 2, 8, 12–13, 21, 98, 204–205, 211, 223, 225, 253, 276

audience 7, 9–11, 13–15, 22–23, 45, 49–50, 53–55, 56, 58, 60, 63, 65, 69, 71, 76–78, 80–81, 84, 86, 92–94, 98, 101–105, 107, 116–117, 120, 122, 125, 128, 130–133, 134–135, 137, 140, 141, 143–144, 178, 187, 192, 193, 200, 202, 204, 206, 209–224, 226, 233, 238, 240–241, 243–245, 249, 256, 279–280, 282–284, 286–287, 289–292, 294–298, 300

authentic 5, 8–11, 13, 20, 22–24, 28–29, 31, 33–34, 38–40, 42, 75–76, 79–80, 82, 85, 87–88, 92–95, 98, 101, 108, 119, 157, 200–201, 203–205, 209, 211, 214, 222–223, 229, 233, 236, 241, 243–246, 249, 274, 278, 280, 282–283, 290–293, 298

authenticate 20, 211

authenticity 5, 8–11, 13, 20, 22–24, 28–29, 31, 33–34, 38–40, 42, 75–76, 79–80, 82, 85, 87–88, 92–95, 98, 101, 108, 119, 157, 200–201, 203–205, 209, 211, 214, 222–223, 229, 233, 236, 241, 243–246, 249, 274, 278, 280, 282–283, 290–293, 298

B

backstage 11, 79, 243, 246

Bakhtin 44, 49, 59, 72–73, 134, 145, 298–299

Baldwin 8, 148–150, 154, 158–159, 162, 164–165, 170

Bamberg 28, 41, 251, 255, 260, 274, 284, 299

beauty influencers 4, 104, 278–279, 282, 285

Bednarek 203–204 214, 224, 280, 286–287, 300

believability 28, 77, 84, 87

Bhatia 201, 204, 224, 295, 300

Bingley 74, 96, 194, 223, 247, 299

blogger 15, 196, 233–234, 238, 247, 250, 275

blogging 73, 178, 224, 276

Blommaert 7, 13, 16, 21, 33, 39–41, 46, 72, 133–134, 145, 153, 172

Bou-franch 103–104, 126, 134, 146, 173, 176–178, 181, 193, 195, 200, 224, 229, 246, 247, 249

bousfield 16, 104, 126, 176–177, 181, 187, 189–190, 195

broadcast 81, 108, 125, 182, 205, 251

C

Cabedo 106–107, 110, 126

cancel 17–18, 130, 148–151, 153, 155, 157, 159, 161, 163, 165–167, 169, 171–174

cancellation 3, 7, 9, 14, 74, 99, 148–149, 151–154, 157–158, 160–161, 168, 170–171

CAPP 148–150, 155, 158, 162–165, 167, 169, 174

caption 33, 65, 90, 138, 140, 182, 231–232, 241, 243–244, 250, 252–253, 260, 263–266, 268–269

carnival 43–46, 49–50, 54, 57, 60, 65, 71–74

carnivalesque 6, 11, 43–44, 46, 48–51, 53–54, 56–57, 62, 64, 68, 70–74

celebrity 2, 16–17, 26, 38, 40, 42, 49–50, 72–75, 89, 96, 98, 101, 126–127, 131–132, 145–147, 157, 172–173, 194, 196–197, 200–201, 203–205, 207, 209, 211, 213, 215, 217, 219, 221, 223–226, 233, 247–248, 250–251, 273–274, 276, 299, 301

Cheang 106–107, 109–110, 125

chronotope 131, 134–135, 139–141, 143

clickable 251, 253, 272–273

clickbait 250, 272, 273

clip 114, 219, 270

close-up 10, 214, 236, 239, 280

comment 50, 54, 56, 63–64, 71, 83, 86–90, 94, 112, 124, 133, 140, 159–160, 162, 180–183, 186–187, 191, 193, 197–198, 209, 214–215, 217, 288

commenter 65, 67, 93–94, 291–292

confession 12, 204, 278–280, 283–284, 289–293, 295, 297–298, 300

conflict-triggering 180, 184, 192, 194

conflictual comments 184, 194

co-opt 130, 144

corpus 6, 24, 27, 34, 41, 75–76, 78, 82–83, 86–87, 89, 93, 95, 107, 135, 148, 152, 154, 158–162, 164, 166, 172–173, 269

corpus-assisted analysis 34, 161

covid-19 20, 22–23, 29, 38, 127, 188

Culpeper 10–11, 16, 53, 72, 101–102, 104–108, 111–114, 116, 119–125, 127, 176–178, 181, 185,–187, 190–191, 195

Cunningham 45–48, 57, 72–73

curate 92, 290

D

Danesi 187–188, 195, 242, 247

De Fina 12, 16, 41, 134, 145–146, 156, 172, 275, 284, 300

digital detox 227–234, 240–247, 249

discursive 14, 15, 17–18, 34, 46, 113, 125, 127, 148–150, 152, 173, 211–212, 223–224, 282, 298

discursively 40, 67, 210, 228, 232–233

distancing 20, 22–23, 30, 189

Douyin 4–6, 43–49, 51–58, 60, 62, 64–66, 68, 70, 72, 74

Driel 228, 232, 246, 249

Duffy 2, 8, 16, 80, 97, 101, 104, 125, 233, 247, 250, 274–275, 282, 297, 300

Dynel 192, 195, 200, 224

E

emoji 67, 69, 87, 95, 128, 134, 137, 139–140, 143, 147, 187–188, 195–196, 242, 247, 268, 292, 295

emojis 28, 130, 136–143, 186, 187, 192, 253, 262, 268, 278, 295, 297

emotion economy 200, 202, 223–224

emulatability 75, 78–80, 82, 85–88, 92–93, 95

emulatable 75, 78–80, 82, 85–88, 92–93, 95

endorsement 16, 96, 101, 125, 223, 233

endorser 1, 126–127, 178

engaging 7, 9, 11, 84–85, 101, 145, 151, 165, 179, 219, 228, 249, 252, 299

Enli 28, 41, 230, 249

enregisterment39

evaluative 28, 39, 111, 114, 155, 162, 206, 212–213, 215, 218, 220, 236, 241–242, 244, 261, 280, 285–286

expletive215

F

face threatening 92, 107, 295–296

Facebook 21, 180, 229, 248, 276, 284

facework300

fake 32–33, 162, 168–170, 183, 214, 279, 292–293, 295, 298

fan 38, 49, 73, 130, 203, 204, 219, 225–226

fandom 3, 7, 19, 44, 48–49, 73, 99, 226

filters 25, 30–31, 33, 95

flashpoint 128–129, 131, 133, 135, 137, 139, 141, 143, 145, 147

follower (s) 1–4, 7–9, 11, 13–16, 21–23, 26, 28, 32–33, 35, 38, 44–46, 48, 52–55, 57, 59–60, 62, 64–65, 77, 82, 90, 97, 103, 120, 122, 125, 130, 133, 135, 137, 140, 143–144, 157, 171, 176, 178–181, 183, 186–187, 189–192, 194, 197–198, 202, 203, 206–208, 210, 212, 218–220, 222–223, 228–229, 231, 233–235, 243–246, 275, 281–283, 285–286, 296, 298

footage 261, 265, 270–271, 294, 296, 298

formatting 5, 20–21, 24, 27, 33, 39–40, 53

formulaic 107, 186, 210–212, 222

framing 30, 33, 39, 129, 146, 209, 301

Freberg 1, 16, 128, 146, 178, 195

Frobenius 102, 107, 111, 125, 209, 224, 276, 281, 300

G

gaze 32, 81, 122, 170, 213, 218, 229, 236, 238–239, 244, 261, 281

Gee 12, 17, 152, 173, 236, 247–248, 276

genre 6, 12–13, 18, 34–35, 45, 49, 54, 62, 101–105, 149, 153–154, 158, 174, 180, 201, 204, 209–210, 221,–222, 251, 277–278, 282, 284–285, 297, 300

Goffman 79, 97, 103, 105, 122–123, 126, 196, 216, 221, 224, 243, 248, 252, 281, 286, 300

Greek 135, 175–176, 180, 192–195, 275

H

hashtag 48, 52, 58, 62, 70, 196, 227, 230, 231, 234, 241, 246

Haugh 17, 104, 124–126, 177, 182, 187, 196

Hearn 2, 17, 232, 248, 281, 301

Hidalgo 106–107, 110, 126

hispanic 148–149, 156–157, 162–164, 166–167, 173–174

Hund 2, 16–17, 80, 97, 233, 247, 250, 275

I

imperfect sharing 20, 28–29, 31–32, 36, 38

impolite 7, 53–54, 67, 72, 104, 109, 114, 119–120, 176–177, 180–182, 184–186, 191, 195

inauthentic 32, 79, 200 223, 298

influencer marketing 2–3, 10, 14, 22, 98, 100, 126–127, 147, 196

in-groupness 10, 13, 101, 171, 190, 295

Instagram 4–6, 8–9, 20–24, 26, 28–29, 32, 35–39, 41–42, 75–79, 81–83, 85–87, 89, 91–95, 97–98, 100, 133, 145, 150, 154, 170, 173, 175–177, 179–183, 185, 187–191, 193, 195–197, 227, 229–232, 234–237, 243–245, 247–249, 276–277, 288–289

interactional 6, 86, 107, 121, 152, 203–204, 252, 255–256, 258, 274–275, 290, 301

inter-modal 28, 33, 38

intertextual 45, 90, 137–138

intonational 106–107, 110–111, 119

Iversen 15, 17, 21–22, 25, 34, 38, 42, 275

J

Jerslev 2, 17, 228, 248, 281, 301

Jewitt 27, 42, 235, 248

Johansson 172, 200, 204, 225

Jucker 102, 124, 126

K

keywords 20, 43, 75, 93, 100, 110, 128, 135, 148, 160–162, 172, 175, 200, 205, 227, 250, 278

Khamis 1, 9, 17, 45, 73, 103, 126, 129, 146, 157, 173, 245, 248, 281, 301

Kim Kardashian 26, 29, 30–31, 35, 37–38, 41

Koteyko 229–230, 248

k-pop 54, 56, 204, 225–226

Kress 229, 236, 239–240, 248

Kuaishou 5, 45, 47–48, 73

L

Labov 213, 225, 251–252, 256, 259–263, 266–267, 275–276, 286, 301

Latino/a 148–150, 156, 161, 163–170, 173, 195

Leeuwen (van) 223, 226, 229, 236, 239, 240, 248

Lehmann 106–107, 110, 121–123, 126

Lele Pons 22, 26, 29–36, 38

Levinson 10, 16, 81, 92, 96, 121, 124

light-hearted 48, 68, 72

livestreaming 44–47, 52–56, 59–60, 63, 65–66, 68–70, 72–73

Locher 106, 126, 196, 229, 249

lockdown 8, 22–24, 34–35, 39, 42

Lorenzo-dus 103–104, 126, 173, 223–224, 235, 278, 280 297, 300–301

M

macro-influencers 4, 14, 26, 28

Marwick 9, 17, 29, 42, 75, 78, 98, 130, 132, 147, 201, 203–204, 219, 223, 225, 228, 232–233, 249–250, 253, 276, 281, 301

Mckinnon 107, 116, 122–123, 127

mediational 280, 289–290, 293, 297–298

mediatize 16, 97, 134, 204, 221, 224

micro-influencer 3–4, 14, 203, 205–206

mimetic 47, 51, 53, 56–58, 63, 71

monetization 2, 45, 98, 132, 220, 223

multimodal 2–3, 6, 9, 14, 16, 27, 42–43, 45, 87, 95, 102, 107, 124, 126, 129, 154, 224, 227, 234–235, 243, 245, 248–249, 284, 292, 300

multimodality 53, 102, 229, 246, 248, 278

multi-semiotic 8, 12, 15, 25, 264

N

narrate 76, 90, 93, 136, 251, 253, 256, 258–260, 270, 272–273, 276, 279, 297

networked audiences 1, 13, 15, 131

NVivo 6, 27, 160, 163, 257–258, 264

O

offense 8, 53, 63, 102, 104, 119–120, 150

offline 3, 7, 28, 44, 51–52, 56, 60, 63, 125, 153–154, 173, 192, 230–231, 241, 243–244

Olbrys 44, 50, 56–57, 73

ordinary 3, 4, 9, 15, 17, 32–35, 40, 48, 50, 79–80, 176, 178–179, 203, 221–222, 232, 250, 253, 258–259, 262–264, 266–267, 269–270, 272–274, 279, 281, 299

outgroup(s) 11, 102, 107, 114

P

paralinguistic 214, 216, 285–286, 289, 293, 298

parasocial 10, 14, 16–17, 48, 64, 72–75, 80–81, 84, 93, 95–98, 126, 171, 179

Partington 149, 159, 173

Pell 106–107, 110, 125, 127

persona 9, 11, 15, 28, 46, 49, 72, 77, 97, 108, 120, 123, 129, 131–134, 139–140, 144–145, 150, 171, 176, 179, 184, 202, 204, 224, 281, 297–298

pihlaja 7, 18, 181, 196, 255, 277

platform 1–5, 7, 14, 22, 24–25, 27–29, 35, 40, 43–48, 51–53, 56, 58, 65, 68, 70–73, 95, 102, 108, 123, 136–137, 154, 172, 176, 179, 182, 193, 201–202, 211, 228, 233, 249–251, 279, 286

platformed 3, 5, 20–21, 25, 37

playful 29, 44, 48, 50, 72, 114, 117, 118

playfulness192

polylogal 120–121, 177–178, 191, 195

polystorying 128, 135

positioning analysis/affective positioning
- PA 28, 38, 275
- AP 33, 240, 248, 275, 278–279, 284, 286–287, 291, 297, 300

poster(s) 34, 40, 54, 137, 141, 158–161, 164–171, 175–177, 179, 181–191, 193–195, 197, 230, 235–236, 241, 244–245

pragmatics 2–3, 6, 14, 16–17, 42, 53, 72, 124–127, 143, 148–149, 173, 195–197, 200, 224–225, 249, 277, 300

pre-pandemic 22, 24, 29, 34–36, 38

product reviews 100–101, 103–105, 108–109, 111

prosodic 6, 11, 16, 100, 102, 105–117, 120–124, 127, 195

R

racialization 148, 153, 155–156, 167, 170, 172

racialized 156–157, 162, 166–167, 169

recognizable 5, 8, 20, 53, 61, 85, 236

reconfigure 20, 129

Redmond 13, 73, 146, 225, 248, 280, 289, 296, 301

relatable 8, 10, 13, 15, 22, 38–40, 76–77, 82–84, 89–93, 96, 97, 98, 100–101, 105, 116, 122, 201, 232–233, 240, 244–245, 286, 296

relationality 1, 7, 22, 38, 75, 94

repurpose/d 13, 20, 34–35, 37–39, 267

rescripting 134, 137, 140–141, 145–147, 149, 152

retweet 135, 137, 141, 154

Riboni 101–102, 104–105, 111, 122, 127, 201, 204, 222–223, 226

Rogers 155, 164, 174

Romano 149, 151, 174

S

Sacks 79, 93, 98, 252, 277

Sandel 2, 18, 101, 104–105, 120, 127

sarcasm 106–107, 110, 114, 116, 125, 127, 175–176, 181, 185–188, 191–192, 194–197

sarcastic 67, 112, 120, 125–126, 186–188, 192–193, 195

self-brand 2, 97, 129, 204, 281

self-deprecation 7, 11, 15, 100–101, 103–105, 107–109, 115–118, 120–122

self-disclosure 8, 80, 85, 92, 97, 225, 230, 280

selfie(s) 26, 29–33, 38, 41, 42, 72, 90, 95, 98, 136–137, 140, 143–144, 146, 182, 230, 233, 247, 275–277

self-presentation 1, 3, 5, 9, 11, 13, 15–16, 20, 22, 24, 27–29, 31, 38–40, 76–77, 79–80, 88, 92, 129, 134, 148–149, 183, 191, 197, 200–203, 224, 227–228, 232–234, 236–237, 243–247

self-promotion 34, 38, 40, 75, 94, 233

semiotic 2, 5–6, 8, 12, 15, 24–25, 27, 36, 39, 43–45, 49, 53, 61, 102, 129, 134–137, 152, 154, 206, 227–229, 234–237, 243, 248, 251, 257–258, 264, 273, 277

semiotics 51, 54, 195, 247, 277, 301

Senft 157, 174, 176, 197, 201, 203, 226, 281, 301

sharing-life-in-the-moment 13, 20–21, 23, 38–39

Shuman 266–267, 272

small stories 6, 13, 17, 22, 24, 28, 38, 41, 146, 173, 195, 241, 248, 250–252, 274–276, 300

Snapchat 1, 21, 29, 276, 288

spotlight 147, 250, 253, 263–269, 271–274

stancetaking 16, 97, 224–225, 275, 300

storyteller 22, 28, 33, 36

storytelling 11, 13, 17, 20–25, 27, 31, 34, 76, 146, 250–252, 255–256, 261, 266–267, 272, 275–276, 284, 300–301

storyworld 252, 255, 260–262, 264, 266–267, 269–270, 272, 291

T

taleworld 28, 284, 287–288, 291

Tannen 42, 252, 259, 266–267, 277, 295–296, 298, 301

technographic 21, 24, 26, 38

technography 6, 24–25, 41

tellability 250–251, 253, 255–259, 261, 263, 265–267, 269, 271, 273–275, 277

tellable 84, 251–252, 256, 264, 273

thumbnail 13, 250, 252–253, 257–272

Tiktok 4, 21, 40, 42–43, 46, 74, 96, 98

Tolson 79, 81, 98, 108, 127, 201, 221–222, 226, 278, 280–281, 297, 301

Tovares 50, 74, 201, 226

transgressive 44, 69

troll144

trope 47, 50, 57, 59, 70, 169

tweet(s) 1, 128, 134–142, 154, 178, 230, 248–249

twitter 6, 96, 130–131, 134–137, 140–142, 144–145, 147, 151, 172, 225–226, 232, 247–249, 300

U

ugly selfie 30–33

unfiltered 28–29, 32, 80, 86, 193, 233

user-generated 14, 148–149, 152, 158

V

Varis 40–41, 45, 51, 74, 134, 147

viewer(s) 34, 39, 44–45, 49, 51, 56, 62, 64, 66, 68, 70, 71, 100–101, 104, 120, 125, 208, 211–214, 218–219, 223–224, 232, 236, 239–241, 246, 253, 280–283, 290–291, 296–298, 300

visibility 1, 4, 12, 16, 40, 51, 56, 70, 75, 94, 97, 129, 132, 134, 141, 143, 145–146, 149, 230, 233, 241, 245

visual content 37, 90, 182

W

waletzky 213, 225, 256, 276, 286, 301

Wanghong 18, 43, 45–47, 49, 55, 57, 64–65, 70–72, 74, 127

watching stage 209, 213, 218

weibo 21, 47, 51–52, 56–57, 60, 64, 72

wellness 40, 149, 157

Werner 204–205, 221, 226

Z

zappavigna 33, 42, 208, 226, 230, 241, 246, 249, 252, 277