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In:Pragmatics of Accents
Edited by Gaëlle Planchenault and Livia Poljak
[Pragmatics & Beyond New Series 327] 2021
► pp. 205–228

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Divine intervention

Multimodal pragmatics and unconventional opposition in performed character speech in Dragon Age: Inquisition

 | University of Alberta, Canada
 | Universitetet i Bergen, Norway
Published online: 11 October 2021
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https://doi.org/10.1075/pbns.327.09vil
Abstract
Videogames often take place in fictional worlds, yet the performed accents of game characters are real reflections of the language ideologies of a game’s creators and intended audience. This chapter demonstrates how these ideologies are at play in BioWare’s fantasy role-playing game Dragon Age: Inquisition (2014), through its linguistic differentiation of two characters, Cassandra and Leliana. Although largely presented as counter to one another, both are othered from the majority of in-game characters by way of their accented English. Videogames contain unique, medium-specific affordances; thus, using multimodal discourse analysis and procedural rhetoric, this chapter examines how Cassandra and Leliana’s accents construct social and ideological meaning, and how the performative nature of gameplay affects players’ perception of these characters.
Article outline
  • 1.Introduction: Language ideologies and performed accents in fantasy role-playing games
  • 2.Theoretical framework: Language ideologies in videogames and character opposition
  • 3.Dragon Age
    • The game
  • 4.Analysing characters’ accented speech and players’ comments
    • Data collection and analysis
    • Characters’ accents and multimodal analysis
    • Cassandra
    • Leliana
    • Written Discourse Analysis
  • 5.Discussion
  • 6.Conclusion
  • Notes
  • References
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2023. The Voices of Game Worlds: A Sociolinguistic Analysis of Disco Elysium. Games and Culture 18:5 ► pp. 578 ff. DOI logo
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