Article published In: Narrative Inquiry
Vol. 29:1 (2019) ► pp.213–243
Digital storytelling
Using new technology affordances to organize during high uncertainty
Published online: 2 July 2019
https://doi.org/10.1075/ni.18017.bar
https://doi.org/10.1075/ni.18017.bar
Abstract
This paper extends Pentland, B. T., & Feldman, M. S. (2007). Narrative networks: Patterns of technology and organization. Organization Science, 18(5), 781–795. narrative network
method and uses it to more clearly understand how new technology affordances and digital spaces impact storytelling and enactment
during and immediately after a crisis. To do this, I (a) examine the meaningful roles human motivation and feelings play in online
storytelling and enactment, and (b) analyze how context impacts storytelling and enactment, and therefore the construction of
narrative networks. Specifically, I analyze a series of Facebook messages exchanged during a recent, very publicized campus crisis
to reveal the nonlinear digital stories that are co-constructed online to keep others informed. I demonstrate how crisis-affected
populations capitalize on the affordances offered by social media to enact stories, correct stories, and ultimately to aid in
sensemaking and sense-giving after a crisis event. Implications of new technology affordances for creating and updating narratives
throughout times of high uncertainty are provided.
Article outline
- Introduction
- Using new ICT affordances to enact stories
- Social media and perceived affordances in digital storytelling
- Narrative networks further defined
- Extending the narrative network method to consider motivation and context
- Case study: The 2018 Santa Fe High School shooting in Texas
- Research setting
- Methods and sample
- Results
- Distributional authorship
- Digital recombination
- Reviewability
- Participant narrative networks
- Discussion
- Implications of social media affordances for crisis story generation
- Advantages and difficulties with using the narrative network to study online storytelling
- Enactment of front and back narratives during high uncertainty
- Limitations and conclusion
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