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Article published In: Linguistics of the Tibeto-Burman Area
Vol. 47:2 (2024) ► pp.161–253

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Iconicity of modified reduplication in five Himalayan languages

 | SIL International
Published online: 8 October 2024
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https://doi.org/10.1075/ltba.00024.yli
Abstract
Although the iconicity of reduplication has been addressed by many researchers, not enough attention has been paid to the distinct character of modified reduplication in opposition to full reduplication. Modified reduplication is here defined as the juxtaposition of two similar but not identical phonological forms which differ in vowel quality (e.g. English chit-chat, Lhasa Tibetan zam zom ‘careless work’, Tshangla napanopo ‘silly’) or in initial consonant (e.g. English hotchpotch, Lhasa Tibetan ’a la ma la ‘confused, unconnected, irregular’). This paper describes the uses of modified reduplication in five languages spoken in the Himalayas: Central Tibetan (bod), Denjongke (sip, Tibetic), Lhomi (lhm, Tibetic), Tshangla (tsj, Sino-Tibetan, Bodish) and Duhumbi (cvg, Kho-Bwa). The data, which come both from published sources (Bodt, Timotheus. 2020. Expressives in Duhumbi. In Nathan Badenoch & Nishaant Choksi (eds.), Expressives in the South Asian linguistic area. (Brill’s Studies in South and Southwest Asian Languages, Volume: 13), 278–299. Leiden: Brill. Google Scholar logo with link to Google Scholar, Naga, Sangye T. & Tsepak Rigzin. 1994. Tibetan quadrisyllabics, phrases and idioms. Dharamsala: Library of Tibetan Works and Archives.Google Scholar logo with link to Google Scholar, Yliniemi, Juha. 2021. A descriptive grammar of Denjongke. Himalayan Linguistics, 20(1). Google Scholar logo with link to Google Scholar, Nitartha online dictionary of Tibetan) and heretofore unpublished material, show that modified reduplication in the aforementioned languages is associated with four types of iconicity: (1) duality/plurality of similar but not identical sounds (e.g. Denjongke tʽaŋtʽiŋ ‘cling clang’), (2) duality/plurality of similar but not identical items (e.g. Denjongke dakdok ‘occurring as an assortment of small items of various sizes’), (3) duality/plurality of similar but not identical locations (e.g. Tibetan thar thor ‘scattered’), also suggesting motion between locations (e.g. Tibetan lang ling ‘drifting, swinging’), and (4) nonnormativity arising from the comparison of two similar but non-identical forms (e.g. Tshangla thapathopo ‘slow-witted’, zhalangzholong ‘shapeless; useless [of people]’). In four of the five languages (others than Lhomi) a~o vowel modification is strongly associated with nonnormativity.
Article outline
  • 1.Introduction
  • 2.Central Tibetan
    • 2.1Onomatopoeia
    • 2.2Plurality of items
    • 2.3Plurality of locations and movement
    • 2.4Nonnormativity
      • 2.4.1Nonnormativity with a~o modification
      • 2.4.2Nonnormativity with a~i/u/e modification
      • 2.4.3Consonant-modified MRD
    • 2.5Summary of MRD in Tibetan
  • 3.Denjongke
    • 3.1Onomatopoeia
    • 3.2Plurality of items
    • 3.3Plurality of locations and movement
    • 3.4Nonnormativity
    • 3.5MRD with consonant modification in Denjongke
    • 3.6Summary of MRD in Denjongke
  • 4.Lhomi
    • 4.1Onomatopoeia
    • 4.2Plurality of entities
    • 4.3Plurality of locations and movement
    • 4.4Nonnormativity
    • 4.5Summary of MRD in Lhomi
  • 5.Tshangla
    • 5.1Plurality of sounds
    • 5.2Plurality of items and locations, movement
    • 5.3Nonnormative
    • 5.4Summary of MRD in Tshangla
  • 6.Duhumbi
    • 6.1Plurality of items and locations
    • 6.2Nonnormative
    • 6.3Summary of MRD in Duhumbi
  • 7.Summary with crosslinguistic remarks
  • Acknowledgements
  • Notes
  • Abbreviations
  • References
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