In:Sonic Signatures: Studies dedicated to John Harris
Edited by Geoff Lindsey and Andrew Nevins
[Language Faculty and Beyond 14] 2017
► pp. vii–x
Prelude, theme and riffs
Published online: 30 November 2017
https://doi.org/10.1075/lfab.14.c0
https://doi.org/10.1075/lfab.14.c0
Article outline
- 1.Sonic signatures: Brilliant corners
- 2.Lenition: Element solos
- 3.Giant steps
References
References (10)
Gallon, Nichola, John Harris & Heather van der Lely. 2007. Non-word repetition: An investigation of phonological complexity in children with Grammatical SLI. Clinical Linguistics and Phonetics 21: 435–455.
. 1985. Phonological Variation and Change: Studies in Hiberno-English. Cambridge: Cambridge University Press.
Harris, John & Jonathan Kaye. 1990. A tale of two cities: London glottaling and New York City tapping. The Linguistic Review 7(3): 251–274.
Harris, John & Geoff Lindsey. 1995. The elements of phonological representation. In Jacques Durand & Francis Katamba (eds.), Frontiers of Phonology: Atoms, Structures, Derivations, 34–79. Harlow, Essex: Longman.
Harris, John. 2003. Release the captive coda: The foot as a domain of phonetic interpretation. In John K. Local, Richard Ogden & Rosalind A. M. Temple (eds.), Phonetic Interpretation, 103–129. Cambridge: Cambridge University Press.
. 2005. Vowel reduction as information loss. In Philip Carr, Jacques Durand & Colin J. Ewen (eds.), Headhood, Elements, Specification and Contrastivity, 119–132. Amsterdam: John Benjamins.
