Article published In: Language and Linguistics
Vol. 26:4 (2025) ► pp.752–788
Tones of Beijing dialect since 1900 and their evolution
Evidence from early recordings
Available under the Creative Commons Attribution (CC BY) 4.0 license.
For any use beyond this license, please contact the publisher at rights@benjamins.nl.
Published online: 5 August 2025
https://doi.org/10.1075/lali.00243.wan
https://doi.org/10.1075/lali.00243.wan
Abstract
Since the discovery of real-time tone evolution in Thai and
Chinese dialects, the existence of circular tone shift has been largely
confirmed. The clockwise shift (high > rising > low > falling >
high) has been found to be more prevalent than the counterclockwise shift (high
> falling > low > rising > high). This study extracted tone patterns
from five early recordings of citation tones in Beijing dialect dating from 1900
to the 1930s, and performed a quantitative acoustic analysis of tone evolution
of Beijing dialect by comparing tonal differences between early recordings,
early experimental results, and modern data. A clockwise tone shift in Beijing
dialect since 1900 is confirmed: T1, high convex falling > high level; T2,
high convex rising > mid concave rising; T3, low rising > low
falling-rising, with intensified creakiness; and T4, lower falling > higher
falling. By integrating these results with earlier documentation, this study
uncovers a nearly completed circle of the fast-paced tone shift: the tone value
of each tone has almost shifted to the value of its downstream tone in the
clockwise direction over approximately 200 years. Two possible motivations for
tone evolution in Beijing dialect are identified: truncation-like effects
coupled with hypocorrection, and push/drag effects between neighboring tones.
These findings provide concrete evidence for clockwise tone shift and contribute
to a better understanding of tone evolution.
Article outline
- 1.Introduction
- 1.1Hypotheses on tone evolution
- 1.2Tone evolution in Beijing dialect
- 2.Methods
- 2.1Materials
- 2.1.1Early recordings
- 2.1.2Early experiments
- 2.1.3Modern data
- 2.2Data processing and analysis
- 2.2.1Extraction
- 2.2.2Normalization
- 2.2.3Visualization
- 2.1Materials
- 3.Results
- 3.1Pitch contours
- 3.2Tone patterns
- 3.3Examination of each tone
- 3.3.1T1
- 3.3.2T2
- 3.3.3T3
- 3.3.4T4
- 3.4Summary of the evolution
- 4.Discussion
- 4.1Mechanisms of tone evolution
- 4.1.1Truncation-like effects and hypocorrection
- 4.1.2Push/drag effects
- 4.1.3Mechanism summary and bidirectional possibilities
- 4.1.4Pitch–phonation interactions in T3
- 4.2Speed of tone evolution
- 4.3Value and enlightenment of early recordings
- 4.4Value and enlightenment of tone evolution study
- 4.1Mechanisms of tone evolution
- 5.Conclusion and prospects
- Acknowledgements
- Notes
- List of abbreviations
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