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In:Sound–Emotion Interaction in Poetry: Rhythm, Phonemes, Voice Quality
Reuven Tsur † and Chen Gafni
[Linguistic Approaches to Literature 39] 2022
► pp. 443–448

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Subject index

Published online: 3 June 2022
DOI logo with link
https://doi.org/10.1075/lal.39.si
A
  • A
  • ablaut punning171, 176
  • abrupt
    • consonant25–27, 34–35, 49, 57–58, 69, 71–72, 77–78, 146, 155, 176, 207, 219
    • emotion71–72
  • acoustic confusion234
  • acrostic scrambling175
  • aesthetic distance274
  • aesthetic quality4, 201, 238, 370–371, 404
  • aesthetic response82, 383, 395, 406
  • affricate25–26, 124–125, 403–404
  • alliteration3, 77–81, 161–162, 167–168, 172–179, 206, 212–217, 219, 297–298, 303–304, 317
  • altered states of consciousness278, 296, 303
  • ambiguity218
    • (in)tolerance of224–225, 231–232, 303–304, 306
  • analytic articulation167, 180
  • anapest310, 376–378
  • aperiodic (sound)25–26, 50–51, 57, 59, 98, 104–105, 115, 250–251, 256–257
  • arousal24–25, 34–35, 37–40, 42, 205, 210, 212–215, 217–219, 267–270, 284, 287; see also VAD
  • articulateness79, 178
  • articulation8, 25–28, 58, 63–64, 89–90, 251, 271–272, 280, 300, 307–308, 324, 334, 337, 386–389, 400–402; see also articulatory feature
  • articulatory feature8, 27, 42, 64, 109–111, 133, 394, 399, 401
  • articulatory gesture28, 401
  • aspect-switching48–49, 54–56, 65–66, 98, 124, 127–128, 417
  • aspiration251, 259, 271–272, 278
  • assonance161–162, 167, 174–175, 179
  • audition colorée8, 98, 101, 412, 415
  • auditory mode (speech perception)50, 334, 409; see also nonspeech mode
  • augmentation175–176
  • autocorrelation255–257, 259–260
B
  • B
  • backward compensation343–345
  • bouba/kiki56–58, 61–62, 74, 146
  • boundary (perception of speech sounds)26, 55, 69–70, 115; see also gestalt
  • breathy voice247–253, 255–261, 285–287
  • bundle of (features)2, 23–24, 33, 39, 42, 48, 63, 72, 83, 133, 139, 297
C
  • C
  • caesura170–172, 187, 300–301, 317, 362–364, 370, 373–374, 379
  • case study75–76, 81–83, 131–132, 147–148, 154, 203, 391, 395
  • category boundary54, 71, 409, 415
  • categorical perception26, 54, 409; see also speech mode
  • categorisation134, 139, 323, 390
  • cepstral peak prominence smoothed,See CPPS
  • cepstrum257
  • channel-capacity333–334, 374, 389
  • classicist137
  • clear-cut articulation334, 337, 389
  • clichés357–359
  • closural allusion,See thematic closure
  • closure (articulation)64, 71, 246, 250, 367
  • closure (perception)79, 170, 172, 226–227, 229, 231–232, 236, 238, 312, 314, 357–359, 367
    • delayed232
    • rapid232, 236
    see also thematic closure
  • co-articulation59
  • cognitive approach2, 6–7, 15, 46, 65, 131–132, 145, 148, 152, 157, 291, 316, 353, 378–380
  • cognitive stability81, 226
  • cognitive strategy224, 227–228, 304
  • colour induction411–412
  • colour interaction80, 99, 411–412
  • combinational potential72, 103, 314, 392
  • consonance161–162, 167, 174–175, 179
  • continuant (sound class)26, 51, 58, 65, 145, 250
  • continuation (continuity)168–171, 186–187, 195–196, 200–201, 301, 337, 340–342, 364, 384, 399
  • continuous (sound class)25–27, 35–36, 49, 57–59, 61, 66, 71, 77, 79, 98, 110, 118, 146, 219, 417
  • convergence,See convergent
  • convergent (poetry)
    • delivery style299, 301–302, 307, 331–332, 335–336, 352, 385, 387
    • structure (rhythm, poem)103, 107, 161–164, 167–168, 170–172, 174–178, 180, 296–299, 317, 323, 329, 335, 350–352, 398, 402, 411
  • convergent thinking296, 317, 404
  • CPPS255–257, 259
  • creaky voice247–249, 257, 261, 271
  • cross-wiring89–90, 97
  • crucial recommendation13, 81–82, 200
D
  • D
  • dactylic hexameter,See heroic rhythm
  • deep structure348
  • deictic words134
  • descriptive (content; classification; feature)12, 35, 116, 123, 179, 237, 296, 359; see also evaluative
  • dimensional model of emotions24, 205, 217, 267
  • discontinuation (discontinuity)168–169, 171, 186–187, 189, 195–196, 198–201, 300–302, 336, 339–341, 364, 384, 399
  • divergence,See divergent
  • divergent (poetry)
    • delivery style299, 301–302, 307, 331, 335–336, 339, 352, 385–387
    • structure (rhythm, poem)161–164, 167–170, 172, 175, 177–178, 180, 185, 191, 296–299, 317–319, 322–323, 329, 335, 337, 341, 350–352, 398, 402, 405, 411
  • divergent thinking296, 317, 322, 404
  • dolnik178, 298
  • dominance24–25, 40, 141–142, 154, 205, 210, 214, 218, 221, 267–270, 274, 282, 284; see also VAD
  • dormant (expressive potential)64, 114, 219
  • double-edgedness40, 42, 46, 48–49, 51, 53, 55–56, 65–66, 111–113, 417
  • dual transmission60
E
  • E
  • emotional quality19, 22–24, 28, 34, 37–38, 43, 46–47, 53, 70, 104, 124, 143, 158–162, 165, 167–168, 172, 175, 180, 185, 188, 190–191, 233, 244, 277–278, 291–292, 295–296, 302, 319, 327, 350, 391, 393, 397–399, 404–405; see also emotive quality
  • emotive crescendo327
  • emotive quality204–206, 209, 213, 215–218, 243, 261, 263, 270, 282, 284–286; see also emotional quality
  • encoded26, 36, 50–51, 78–79, 98–100, 106, 118, 176, 207, 213, 306, 408, 410; see also encodedness;unencoded
  • enjambment3, 79, 168–170, 186–189, 195–196, 198–201, 297–298, 340–341, 384
  • experiential set231, 235, 278, 303
  • expressive (potential of sound)26, 36, 40, 42–43, 48, 50, 63–64, 83, 110, 133, 147, 152, 179, 233, 379, 383, 394, 397
  • expressive function110
  • evaluative (content; classification; feature)35, 114, 116, 123, 237; see also descriptive
F
  • F
  • family resemblance125–126, 128–129
  • feature
    • abstraction23, 75
    • deletion23, 37, 230
    • transfer23–24, 30–31, 74, 219
  • foregrounding28, 39–40, 42, 77, 79, 111, 134, 175–178, 219–221, 230, 304, 312, 341, 358
  • formant (frequency)28, 42, 55, 78, 90, 100, 122, 141, 145, 149, 150–154, 247–248, 251, 255–257, 407–408
    • bandwidth255–257
    • dispersion148–149, 151–154
    • transition55, 60, 121–123, 145, 407–410, 415
  • frequency code73, 118–119, 124, 138, 141–142, 151, 154
  • functional metaphor230, 390
G
  • G
  • general canons of evaluation228, 307
  • generative metrists311, 330, 375, 384
  • gestalt (perceptual pattern)79–80, 96–99, 150, 188, 190, 196, 206, 213–214, 220, 226, 297–298, 308, 312, 334, 350, 362, 365, 379, 388–389, 411, 419
    • quality177–178, 185, 188
    see also strong gestalt;weak gestalt
  • gestalt-free24, 97–99, 297, 322, 368–369, 371, 398, 412
  • gestalt theory (psychology)24, 80, 186, 190, 365, 379, 398, 401
    • principle (rule) of79–80, 97, 99, 294, 297, 362, 365, 388–389, 411, 419
  • grouping (perception)300–301, 310, 312–314, 334, 336–338, 344, 376, 386–389, 402
  • glottis246–247, 250–251, 257, 259
H
  • H
  • H/L255–256, 259–260
  • Hammarberg index255–256, 259–261, 285
  • harmonicitySee HNR
  • harmonics-to-noise ratioSee HNR
  • heroic rhythm309–311
  • HNR255–257, 259–260, 285
  • hypnotic poetry103–108, 162–163, 227–229, 296–297, 302–306, 317, 405
  • hypnotic quality107–108, 177, 229
  • hyponym23, 25–26, 47–48, 67, 88, 140, 148
  • hyponymySee hyponym
I
  • I
  • iambic hexameter362–364
  • iambic pentameter76, 171, 190, 206, 311–313, 331, 344, 360–361, 363, 372, 374–375, 377–379
  • iambic tetrameter362–363, 365–366, 370–371, 373, 379
  • iconicity8–11, 20–22, 27–29, 37, 42–43, 45–47, 64, 74, 83, 106–107, 131–134, 138–141, 144–149, 160, 164, 191, 391–394; see also symbolism
  • impressionist (criticism)203, 223, 291–292, 327; see also impressionism
  • indicative (grammatical mood)12–13
  • information processing74, 138, 145, 320–321, 323, 389
  • instrumental set231, 235, 237, 278, 303
  • intonation120–121, 138, 186–189, 195–197, 252, 297, 300–301, 308, 319, 333, 337–341, 374, 387–388, 400, 402, 404–405
  • irony168–169, 185, 188–189, 191–201, 357, 404
L
  • L
  • late peaking337–340, 402, 405
  • lateral inhibition78
  • Law of Good Continuation365
  • Law of Prägnanz365, 389
  • Law of Proximity388–389
  • Law of Return170, 226, 228–229, 232
  • Law of Significance,See rule of significance
  • left hemisphere78, 93, 296, 369
  • leveler51, 225, 231–232
  • line boundary81, 170, 172, 190, 298, 334, 341
  • liquids (sound class)20–21, 25, 32, 34, 37, 47, 57–60, 71, 78, 103–107, 114, 246, 306, 417
  • logic of
    • (scientific) discovery161
    • the completed scientific report161, 164
  • loose iamb178
M
  • M
  • mannerist95, 137
  • manner of articulation25, 69–70
  • markedness (marked, unmarked)138–139, 165, 232, 311, 344, 374
  • meaning potential27, 40, 52, 65, 74, 118
  • meditation296, 303, 369–370
  • mental performance13, 200, 227, 332
  • mental processing space307, 312, 334, 362–363, 386–387, 389
  • metonymic (transformation)124–128; see also metonymy
  • metre108, 163, 296–297, 303, 309–314, 327, 331–332, 343, 346–347, 349, 356–357, 360–361, 366, 373–376, 378, 384–387, 389
  • metric deviation206–207, 213–214, 216, 220–221, 315, 334, 372–373, 378, 390
  • metric lapse313, 315
  • metric pattern (structure)170, 298, 305, 310, 313, 340, 347–349, 358, 401
  • metrical hybridization355
  • metrical inversion295, 372
  • metrical position170, 318, 334, 336, 340–341, 385, 387
    • strong (s)80, 179, 297, 310–311, 313–316, 330–334, 337–338, 340, 343, 345, 347–348, 350–351, 363, 374, 385–387
    • SW350–352
    • weak (w)171, 213–214, 308, 310–311, 313–317, 330–331, 334–335, 337–340, 343–345, 347–348, 350–352, 363, 373–374, 376, 378, 386–387, 404
    • WS315–316, 350–351
  • metrical rules346, 350
  • metrical set333, 385–387
  • mirror neuron321
  • multiply interrupted (consonant)111, 220
  • mystic experience369–371
N
  • N
  • nasal (consonants)15, 20–22, 25, 32–37, 43, 47, 55–60, 64–65, 67–72, 78, 103–107, 114, 123, 148, 160, 165–166, 178, 231, 246, 306, 393–394, 417
  • Negative Capability224
  • neurotheology369
  • neutral sound patterns46, 80, 214
  • new-critical (approach)354, 356, 370, 375; see also New Criticism
  • nil phonation246
  • noncategorical perception54
O
  • O
  • object of imitation318, 323, 405
  • oceanic dedifferentiation115
  • off-rhyme367, 371
  • onomatopoeia29–32, 53, 63–64, 77, 79, 111–113, 134, 221, 231, 383, 392, 401, 403–404
  • open concept125–126, 128–129, 333
  • open-ended (question)14, 186, 199, 204–205, 209–210, 212, 216, 218, 264, 267, 275, 277, 282, 284–287
  • orientation (association) area369–370
  • ostensive (definition)250, 398
  • over-articulation300–301, 336–337, 340–341, 386–387
  • overtone55, 78, 80, 99, 120, 142, 150–151, 247–248, 251–252, 256, 407, 411–412
P
  • P
  • panchronistic tendencies in synaesthesia95
  • passively receiving mind322
  • peak delay,See late peaking
  • perceived effect4, 6, 95, 112, 131, 169, 198, 203–204, 209, 245, 254, 263–264, 291–292, 294–295, 308–309, 398
  • perceived quality6, 12, 26, 30, 38, 42, 49, 68, 149, 151–152, 154, 185–186, 188, 190–191, 196, 200–201, 203–204, 217, 225, 228, 238, 244, 285–286, 295, 302, 320, 394, 399, 405
  • perception and personality224, 238, 398
  • perceptual feature31, 33, 136
  • perceptual force81, 401–402, 419–420
  • perceptual potential26, 28, 30, 49, 118, 149, 361, 364, 370, 378
  • perceptual quality19, 22, 27, 29, 33, 39, 51, 106, 123, 131, 140, 152, 189, 200, 216, 261, 296, 308, 315, 365, 399
  • perceptual stability51, 225–226
  • performance (of poetry),See vocal performance;mental performance
  • periodic (sound)25–26, 31, 35–36, 49, 57–59, 69–71, 77, 98–99, 103–106, 110–111, 113–114, 118, 124, 146, 213, 219, 250, 256–257, 260–261, 306, 405, 417
  • periodicity (acoustics)57, 69, 250–251, 255–257, 259–260, 417; see also periodic;aperiodic
  • personality style81, 224, 229–232, 235–238, 394; see also absorption
  • personification31, 368
  • phenomenological quality244
  • phonation245–247, 251, 257, 271, 278, 287
  • phonestheme116–117, 125, 127–129
  • phonetic category50, 147, 149, 318, 417
  • phonetic coding143–145, 233–234, 236–237
  • phonetic mode (speech perception)50, 409; see also speech mode
  • phonetic representation234
  • phonetic structure34, 114, 131, 167–168, 394
  • place of articulation25, 58–59, 69–70
  • Platonic Censor108, 303, 405
  • plosive15, 19–22, 25–26, 29–30, 33–34, 36, 43, 49, 51, 55, 59–61, 64–65, 68, 70, 72, 75, 80, 104, 113–115, 123, ––145–146, 154, 160, 165–166, 178, 219–220, 246, 393, 403, 407, 415, 417; see also voiced plosive;voiceless plosive
  • poetic function2, 136, 147, 303, 402
  • poetic mode (speech perception)26, 50, 104, 116, 145
  • postmodern (criticism)353, 372, 378
  • precategorical (auditory) information26–29, 49–51, 54–56, 59–60, 77–80, 98–100, 118, 143–145, 147, 149, 176, 234–237, 298, 305–306, 318, 323, 398–399, 408–409, 412, 415
  • precategorical perception,See precategorical (auditory) information
  • principle of maximum contrast139
  • prosodic ambiguity356, 379–380
  • prosodic boundary334, 374, 419
  • psychological atmosphere4, 15, 24–25, 37, 43, 49, 65, 73–74, 103, 106–107, 168–169, 171, 190–191, 196, 206, 220, 270, 286–287, 296–298, 302, 304, 306, 315, 327, 364–366, 392–393, 399, 404
  • psychological reality123, 263, 402
R
  • R
  • recoding334
  • reductionism38, 180
  • referential function107, 110, 136, 400–403
  • regional quality133, 185
  • requiredness79
  • resolving power of the human ear153
  • resonance26, 32, 49, 53, 56, 59–61, 69–70, 98, 142, 150, 233, 245, 257, 407
  • rhyme77, 79, 81, 136, 162, 175–176, 225–229, 234, 293–295, 303–306, 343, 354–356, 358–359, 365–366, 370, 380, 405
  • rhythm30, 40–41, 104, 107, 161–163, 170, 172, 174–175, 178, 180, 220, 227, 263, 274, 296, 302–305, 307, 309–311, 327, 329, 332, 335, 347, 350, 364, 372–373, 378, 383–384, 398–399, 401–402
  • rhythmic structure168, 179, 295, 317, 339, 399, 404
  • rhythmical performance172, 187, 189, 195, 198, 200, 220–221, 243, 296, 307–308, 312–313, 325, 330, 333, 335–337, 343, 351–352, 383–385, 387–390, 399–401, 405
  • right hemisphere78, 93, 369
  • romantic (era)78, 95–96, 113, 322
  • Rorschach (inkblot) test24, 52, 398
  • RPK,See Pearson r at Autocorrelation Peak
  • rule of significance230
  • Russian formalists342, 346
S
  • S
  • segmental discontinuities337
  • sensuous metaphor36, 81, 230, 232–233, 390
  • sharpener51, 225, 231
  • short-term memory26, 49, 59, 98, 143–144, 176, 234, 236–237, 333, 362, 385–386, 398
  • sibilant40, 43, 46–47, 49–52, 59–60, 64, 98–99, 111–112, 115, 118, 158, 164, 168, 205–206, 212–216, 219
  • single photon emission computed tomography369
  • softened voice244–245, 250, 252–253, 255, 258–264, 270, 272, 277–280, 285–287; see also soft voice
  • SPECT,See single photon emission computed tomography
  • spectral emphasis255–256, 259–261, 285
  • spectral slope248, 251, 255–256, 259–260, 285
  • spectral tilt,See spectral slope
  • spectrogram122, 149, 152, 407–410
  • spectrum (acoustics)247–249, 251, 255–260
  • speech act12–13, 223
  • speech mode26, 50, 104, 145, 153, 408–409
  • sporadic rhyme162, 177
  • stanza form297, 303, 356, 359, 364–368, 370–371, 378
  • straddled line171, 190
  • stress demotion335, 399
  • stress inversion329, 335, 340, 349–352, 372–373, 375, 399
  • stress maxima,See stress maximum
  • stress maximum311–314, 330–331, 344–349, 352, 373–374, 378, 404
  • stress valley312–315, 317
  • stimulus-response (S-R) (method)5, 12–15, 20, 22, 46, 67–68, 83, 131–132, 159, 185–186, 200, 384, 391, 394, 404–406
  • stripped speech120–121
  • strong gestalt79–80, 97, 162, 190–191, 220–221, 226, 296–297, 362–365, 398, 412
  • structural description80, 114, 343
  • structural feature43, 308, 365
  • structural resemblance4, 24, 34, 70, 152–153, 155, 168, 185, 219, 278–279, 286, 291, 308, 317–318, 322, 327, 370, 398, 404
  • structural-cognitive,See cognitive approach
  • structuralism92, 354, 356, 361, 371, 378
  • structuralist (method)41, 46, 67, 157–158, 297, 311, 354, 356, 370, 375, 395, 397
  • suprasegmental318–319
  • synaesthesia8–9, 62–63, 85–86, 89–91, 94–95, 97, 100–101
  • synaesthetic metaphor62, 85, 90, 94–98
  • syntactic boundary79, 81, 362, 364, 401–402
T
  • T
  • tacit skills76, 82
  • terminal (intonation)120–121
  • terza rima356
  • thematic closure227
  • theoretical sophistication81, 229–232, 393
  • thing-free (perception)96–97, 324, 368–371, 398
  • tracheal coupling251, 255, 257
  • trochaic tetrameter309, 364–365, 385
U
  • U
  • unencoded26, 59, 98–99, 306
  • unvoicedSee voiceless
V
  • V
  • VAD (valence-arousal-dominance)24, 35, 40, 205, 210, 218, 267–269, 282, 284
  • valence24–25, 34–40, 42–43, 116, 121–123, 137, 158, 205, 210, 213, 217–218, 267–268, 270, 282, 284, 286–287, 393; see also VAD
  • versification3, 13, 24, 38, 161, 169–172, 174, 178, 186, 200, 292, 296, 303, 307–308, 312, 318–319, 322, 325, 330, 333–334, 336, 340, 342–343, 351, 374, 384–386, 388–389, 397–402, 404–405
  • virtuoso expert76, 81–82, 235
  • vocal performance13, 169, 200, 217, 243–244, 261, 263–264, 276, 318–319, 324, 332
  • voice quality119, 123, 244–248, 260–261, 263–264, 267, 270–272, 274–280, 285, 287, 302
  • voiced
    • fricative57, 59
    • plosive20, 26, 43, 49, 51, 53–60, 65, 69–70, 98–101, 175, 233, 235, 408, 410, 415, 417
  • stop,See voiced plosive
  • voiceless25, 246
    • fricative57, 59, 118
    • plosive20, 43, 47, 51, 55–58, 65–67, 69–70, 77–80, 99, 115, 146, 155, 157–158, 164, 168, 219, 415, 417
  • stop,See voiceless plosive
  • vowel20–21, 28, 33, 36–37, 90, 92, 106, 134–136, 141, 143–145, 148–149, 152–153, 155, 255, 407
W
  • W
  • weak gestalt24, 162, 190–191, 220–221, 226, 296–298, 398
  • whisper (voice quality)245, 271–272
  • wit189, 196–197
  • witty30, 32, 95–97, 137, 139, 162–163, 177, 189, 296–297, 299, 317, 365
  • word boundary331, 334, 336–338, 341, 362–364, 386–388
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