In:Style, Rhetoric and Creativity in Language: In memory of Walter (Bill) Nash (1926-2015)
Edited by Paul Simpson
[Linguistic Approaches to Literature 34] 2019
► pp. 127–148
Chapter 8Fact, fiction and French flights of fancy
Published online: 28 November 2019
https://doi.org/10.1075/lal.34.10stu
https://doi.org/10.1075/lal.34.10stu
Abstract
This chapter discusses a satirical novel: La septième
fonction du langage by Laurent Binet, published in 2015. The
book is a thriller with a deliberately absurd plot about a search for a lost manuscript which holds the secret of ultimate rhetorical power: the ability to convince anyone to
do anything. Although the characters in the novel include some “real
people”, such as two former Presidents of France, Stubbs argues that
Binet’s characters in general embody an extreme mix of factual and fictional
characteristics, and the merciless satire expressed in their mixed
ontological status has left many ordinary readers and professional critics
uncertain how to evaluate the novel. Stubbs employs various models of
analysis, including John Searle’s observations on the logical status of
fictional discourse, and contends that, while useful, this approach does not
explain in full how readers distinguish fact from fiction, nor indeed how
far writers can appropriately go with outrageous caricatures of living
persons. In sum, the chapter shows how the novel provides textual problems
which have not been solved by either literary scholars or language
philosophers.
Article outline
- 1.Introduction
- 2.The plot: Spoiler alert!
- 3.What is the book really (sic) about?
- 4.The intertext
- 5.The lists
- 6.Factual worlds and fictional worlds
- 7.What is this chapter really about?
- 8.Searle: A pragmatic approach?
- 9.Eco: A semantic approach?
- 10.Searle and Eco (and Gabriel)
- 11.Ordinary readers
- 12.Professional critics
- 13.On the ethical status of fictional discourse
- 14.In lieu of a conclusion
Acknowledgements Notes References
References (34)
1967a. The death of the author. Aspen Magazine,
5/6. [First published in English, then in French, Mantéia 5, 1968,
and in Barthes 1984. Also in Image, Music, Text. London: Fontana.
142–48.]
1967b. Le discours de l’histoire. Information sur les sciences sociales, VI, 4
(août 1967): 65–75. Also in Barthes 1984.
Binet, L. 2015. La septième fonction du langage. Paris: Grasset. [Le Livre de Poche, 2016. Translated as The Seventh
Function of Language, Farrar Straus & Giroux, 2017;
Die siebte Sprachfunktion, Rowohlt,
2017.]
Eco, U. 1980. Il Nome della Rosa. Milano: Bompiani. [Translated as The Name of the Rose. San
Diego: Harcourt Brace Jovanovich, 1983.]
Eklund, M. 2015. Fictionalism. In The Stanford Encyclopedia of Philosophy, E. N. Zalta (ed). [[URL].]
Fauconnier, G. & Turner, M. 2002. The Way We Think: Conceptual Blending and the Mind’s Hidden
Complexities. New York: Basic Books.
Gabriel, M. 2013. Warum es die Welt nicht gibt. Berlin: Ullstein. [Translated as Why the World does not Exist,
Polity Press, 2015.]
Jakobson, R. 1960. Closing statement: linguistics and
poetics. In Style in Language, T. Sebeok (ed), 350–377. Cambridge MA: MIT Press.
Kroon, F. & Voltolini, A. 2011. Fiction. In The Stanford Encyclopedia of Philosophy, E. N. Zalta (ed). [[URL].]
Lahey, E. 2014. Stylistics and text world theory. In The Routledge Handbook of Stylistics, M. Burke (ed), 284–296. London: Routledge.
Paglia, C. 1991. Junk bonds and corporate raiders: academe in the hour of
the wolf. Arion: A Journal of Humanities and the Classics, 3rd series, 1(2): 139–212.
Sokal, A. 1996. Transgressing the boundaries: towards a transformative
hermeneutics of quantum gravity. Social Text 46/47: 217–252.
Cited by (1)
Cited by one other publication
This list is based on CrossRef data as of 25 november 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
