In:Free Indirect Style in Modernism: Representations of consciousness
Eric Rundquist
[Linguistic Approaches to Literature 29] 2017
► pp. 195–197
Index
Published online: 30 November 2017
https://doi.org/10.1075/lal.29.index
https://doi.org/10.1075/lal.29.index
A
- Adamson, Sylvia xiii, 1, 19, 30, 33–34, 53
- ambiguity 4, 15–16, 20–21, 41, 59–60, 72, 87–88, 10–105, 115, 120, 133, 136, 155, 157, 164
- arranger 133–135, 138, 146–147
- aspect (verbs) 29, 31, 35–36, 38, 78, 88, 103, 105, 111, 152
- asyndetic coordination 31, 35, 74, 78, 110, 116, 122
- author 23–25, 27, 34, 45–46, 49–51, 99, 101, 118, 121, 135, 146–147, 168–172
- authorial narrative 48, 106
- authorial narrator 49, 58, 97–99, 102, 106–109, 120–129, 135, 147, 164–166
- Bakhtin, Mikhail 1, 46, 91, 127, 136, 165
- Bally, Charles 16–17
- Banfield, Ann 40–42, 44, 50–51, 100, 160
- Benstock Principle134
- Blakemore, Diane 24–27, 116
- cognitive linguistics 12, 173, 179–182
- cognitive narratology 67–68, 91–93, 179–180
- cognitive science 6, 66–67, 162, 180
- Cohn, Dorrit 5, 17–20, 36, 57, 75, 93, 109
- coloured narration 43, 150
- communication model 46, 48
- consciousness categories 1–2, 35, 39, 63, 65–68, 71–73, 80, 84, 86–87, 89–90, 94, 175
- consciousness-representation xv, xiv, 32–34, 65, 83, 90–92, 101, 119, 129, 171, 173
- Consonant Psycho-narration 36, 82
- definite articles 33, 104, 150
- deictic centre 29–31, 41, 45, 48, 104, 121
- deictic shift theory 51, 121
- deixis 29–30, 33–34, 181
- deviation (deviance) 60–61, 100, 116, 132, 134–137, 140–147, 152–153, 156–158, 160–161, 163
- dialogicity166
- diegesis 14, 21–23, 25, 49, 61, 99, 141, 145
- direct question 31, 105
- Direct Speech xi, xi, 3, 16, 137, 139
- Direct Thought 3, xi, 3, 137
- discours 50
- discourse markers 26–27, 31
- discourse presentation xiv, 2, 38–39, 42, 62, 65, 131
- discourse-category approach 2, 4–6, 13, 84, 92
- Dissonant Psycho-narration (DPN) xi, 39, 82, 91, 103
- distancing appellation107
- dual subjectivity 52–54, 100, 112, 122, 131–132, 136, 164–166, 175, 177
- dual voice xiv, 22, 45–47, 52–53, 75, 164–165
- durative time frame111
- Edwardian literature55
- embedding 37, 40–41, 83
- empathetic deixis 33–34
- empathetic perspective104
- empirical stylistics xvi, 47
- evaluation 30–32, 74, 79, 88, 100, 112, 115, 138, 141–144, 146, 150, 153, 165, 177
- exceptionality thesis 63, 92–94, 178
- expressive features 15, 18, 26, 31, 35, 37, 50, 74, 100, 110, 115–116, 174
- externalist perspective 67–68
- extradiegetic narrator 100, 102, 104, 106, 109, 112
- extraposition60
- fictional minds xvii, 6, 38, 51, 61, 63, 65–69, 80, 90–94, 176
- figural narrative 41–42, 99, 134, 177
- first-person narration 34, 48, 52
- Fludernik xiv, 6, 19, 33, 40–44, 54, 82, 159
- focalisation 34, 40–43, 47–48, 53, 56, 148, 152
- foregrounding 75, 137, 140–141, 145
- Free Direct Thought xi, 3, 137
- Free Indirect Discourse xiv, 14, 32, 41, 66
- Free Indirect Perception xi, 2, 29, 31, 39, 62, 65, 92, 150, 159, 174
- Free Indirect Psycho-narration xi, 2, 35–37, 39, 62, 65, 101, 174
- Free Indirect Speech 4, 16, 34
- Free Indirect Style xiv, xiii, xi, 1–2, 29, 32, 39–40, 62, 65, 80, 93, 129, 131, 173
- Free Indirect Thought xi, 2–3, 39, 62, 174
- functionalism 68, 180
- generativist 10–11
- generic (gnomic) present 73–74, 103–106, 108, 120
- Genette, Gérard xiv, 5, 21–24, 40, 42–44, 47–48, 53, 148, 157
- graphology 132, 139–140, 143–144, 146, 163
- habitual time frame111
- Hemingway, Ernest 29–30
- hetero-diegetic48
- heteroglossia 46, 165
- histoire 50–51
- homo-diegetic48
- iconicity 31, 78, 140
- ideology 86, 112, 141, 149–150, 158
- image schema 12–13, 24
- imitation 22–23
- implicature114
- Indirect Speech 1, 3–4, 16, 34
- Indirect Thought xi, 2–3, 39, 62, 65, 77, 174
- inference 25, 59–60, 62, 75, 114, 118, 139, 178
- inner speech 1, 4–6, 8, 13–14, 18, 25, 62, 66–67, 73–77, 89–90, 174
- inquit phrases/formulas 13, 16, 83, 87–88, 137, 141, 146–147
- intentional fallacy49
- interior monologue 66, 73, 88, 139, 149–150, 153–156, 162, 177
- interjections 16, 26, 21, 31
- intermental 105, 119
- internal narration 4–5, 38, 81
- internalist perspective 68–69
- inward turn 56, 93
- irony 34, 83, 141, 150, 153, 165, 169, 175
- James, Henry 43–44, 56
- Joyce, James
35,
59,
63,
129–172, 177
- A Portrait of the Artist as a Young Man 35, 166
- Ulysses xvii, 63, 129–172, 177
- Joycean Machine 9, 12
- Lacan, Jacques 9, 98, 123–124, 126, 128
- language of thought10
- Lawrence, D.H.
xvii,
37,
59,
60,
63,
95–129, 177
- Aaron’s Rod 128–129
- Sons and Lovers 60, 97
- The Rainbow xvii, 37, 63, 95–129, 177
- Leech, Geoffrey and Short, Mick 2–4
- linguistic experimentation 54, 59
- linguistic relativity9
- literary criticism xv, xvi, 49, 138, 173, 176
- litmus test 18–19, 36–37, 76, 79, 81–82, 88
- locutionary agency 20, 24, 27, 33, 44–49, 53, 75, 85, 91–92
- Lodge, David 56–57, 61, 63, 99, 123, 182
- Mansfield, Katherine30
- marginal utility 59–60
- mental verbs 31, 36, 77
- mentalese10
- metafiction 166–167
- metaphors 98–99, 110, 115–122, 141–142, 181
- mimesis 14, 21–25, 41, 61, 145, 151
- mimetic-diegesis 14, 21, 25, 29, 62
- mind modelling92
- mind reading 92–93
- mind states (see also “states of mind”) 5, 39, 42, 65, 78, 113, 153, 174
- mind-style 84–86, 176
- modality 16, 60, 74, 100
- Modernism xiv, 13, 54–62, 69–70, 77, 90, 97–99, 109, 118, 124, 171–172, 175–176
- moments of being 70–72, 86, 90
- mood40
- Narrated Perception xi, 32–33, 39, 103
- narrator xiv, 3–4, 13, 16–17, 19–23, 25, 36–37, 40, 44–54, 57–58, 61, 63, 86, 92, 94–95, 97–116, 120–129, 131–136, 138, 141–147, 156–159, 164–166, 170–172, 175–177
- Narrator’s Report of Thought Act xi, 3
- narratorial audibility53
- narratorial discourse 5, 48, 109, 123, 171, 178
- Nietzsche, Friedrich9
- no-narrator theory 46, 48–52, 100, 134
- non-embeddedness41
- non-linguistic thought (see also “non-verbal thought) 10–11, 21, 24, 26–28, 32, 39–40, 67, 75–77, 80
- non-reflective consciousness 40–43, 66, 114, 133, 136, 159–160, 163–164, 174, 177
- non-verbal thought (see also “non-linguistic thought”) 1–2, 5, 10, 13–14, 22, 24, 27, 41, 71, 74, 92
- omniscience 57–58, 95, 98–99, 105–109, 112, 129
- Palmer, Alan 5, xiii, 5–6, 13–14, 28, 47, 66–68, 71, 73, 75–77, 80–81, 92–93, 105, 119
- parallel processing 133, 148, 159, 162–163, 177
- parameters of point of view 112, 165
- parentheticals 69, 73, 78–79, 88
- parody 132, 138, 141–142, 144–147, 149–150, 154–156
- Pascal, Roy xiv, 45–47, 57, 123
- past perfect 103–104
- Plato 21–25, 49, 145
- point of view xiii, xvii, 4, 30, 33–35, 41–44, 48, 56, 91, 112, 131, 144, 157–160, 164–165, 176
- polyphony136
- polyvocality 46, 165
- Postmodernism 129, 171–172
- post-structuralism 9, 50
- pragmatics 27, 41, 114
- progressive aspect 29, 35, 38
- prolepsis 98, 100–101, 106–108, 112, 147
- psychoanalysis xv, xvii, 55, 101, 123
- psychological realism 56, 69, 76, 99, 172
- Psycho-narration xi, 5, 20, 22, 35–39, 42–43, 62, 65, 72, 75, 77, 81–84, 90–92, 101, 103, 113, 148–149, 174
- punctuation 31, 139–140, 152
- quotation 3, 17–26, 43, 46, 58, 62, 65–66, 73, 91, 131, 162
- Realism 22, 56–57, 61, 69, 76, 95, 97–99, 109, 124, 129, 172, 177
- reflective thought 41, 81, 114, 160
- reflector mode91
- register 111, 115–117, 122, 127, 141
- relevance theory 24, 59, 114
- repetition 31, 35, 37–38, 87, 99, 110, 116, 118, 122, 140–141, 144, 148, 149, 153, 155, 171
- reporting clause 3, xiii, 3, 14–15, 25, 29, 39, 119
- representation 1–2, 21–27
- Represented Perception31
- Represented Speech and Thought 1, 40
- rhetorical devices 99, 110, 114–116, 118–123, 140, 142
- root transformation37
- Saussure, Ferdinand9
- sexuality 114, 118, 123
- Short, Mick 8, 13–14, 39
- social minds68
- Socrates 22–23
- Sons and Lovers 60, 97
- Sotirova, Violeta xiv, 1, 28, 45, 60, 69, 75, 82, 90, 97–98, 103, 131, 135, 146
- states of mind (see also “mind states”) 8, 28, 62, 93–94, 160
- stream of consciousness 26, 61, 63, 65–66, 69–70, 84, 86–88, 90, 94, 97, 101, 109, 111, 176, 181
- stream of consciousness analysis 63, 84, 86, 88, 90, 111, 176, 181
- stylistic expressivity 54, 100–101, 118, 121–122, 124, 145, 147, 165–166
- subconscious 44, 56, 85–86, 128–129
- subjective features xiii, 15–16, 30, 32
- subjectivity xiv, xiii, 25, 29–40, 42–48, 50–54, 60, 62–63
- subordination 3, xiii, 3, 14–15, 53
- summary of narrative time 98, 105, 107, 109, 111–112, 124
- summative perspective 101, 109, 111
- theory of mind 67, 92
- thought 7–28
- thought categories 2–7, 13–14, 21, 28, 38–40, 58, 73, 75, 89
- transitivity117
- Trotter, David 56, 59–60, 78, 118, 133
- Uncle Charles Principle150
- unconscious xvii, 56, 63, 70, 95, 97–99, 101, 113–114, 117–124, 126–129, 165, 177
- ventriloquism127
- verbs of perception103
- verba dicendi 139–142, 146, 155
- verbalised thought 1, 14, 17, 28, 42, 66, 73, 75, 84, 89, 91, 153–155, 157, 162–163
- voice 40, 42–44, 46–59, 53–54
- was-now paradox 29, 33–34, 151, 173
- whole mind 28, 67, 73, 77, 175
- Whorf, Benjamin 9, 11
- Woolf, V.
xvii,
15,
52,
55–56, 59, 65–90, 176
- “Modern Fiction” 55–56, 70
- “Mr Bennett and Mrs Brown”55
- To the Lighthouse xvii, 15, 52, 65–90, 176
- world view 16, 85–86
