By taking an interdisciplinary approach — with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature — The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the “moral imagination.” Part I examines the dynamics of readers’ beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympathy, providing a comprehensive definition and considering the ways in which it operates in life and in literature. Part I concludes with a discussion of the narratological and rhetorical features of fictional narratives that theoretically elicit sympathy in readers. Part II applies these theories to four stories that persuade readers to sympathize with characters who seem unsympathetic. Finally, based on empirical findings from the responses of adolescent readers, Part III considers pedagogical approaches that can help students reflect on emotional experiences that result from reading fiction.
2025. Combining Qualitative and Computational Approaches for Literary Analysis of Finnish Novels. Scandinavian Studies 97:3 ► pp. 27 ff.
Vesala, Meeria
2025. Hope as Action in Albert Camus’s The Plague. In Urban Discourses of Crisis, Resilience, and Resistance [Literary Urban Studies, ], ► pp. 93 ff.
Karpenko-Seccombe, Tatyana
2023. “The unlikeliest twins”: the role of intertextual foregrounding and defamiliarisation in creating empathy in Meursault, contre-enquête
. Journal of Literary Semantics 52:2 ► pp. 191 ff.
Malecki, W P, Alexa Weik von Mossner, Piotr Sorokowski & Tomasz Frackowiak
2023. Extinction Stories Matter: The Impact of Narrative Representations of Endangered Species Across Media. ISLE: Interdisciplinary Studies in Literature and Environment 30:4 ► pp. 846 ff.
Borkfelt, Sune
2022. Literary Narratives and the Empathics of Slaughter. In Reading Slaughter [Palgrave Studies in Animals and Literature, ], ► pp. 33 ff.
Bruehler, Bart B.
2022. Sacred Stories for Human Beings with Bodies and Brains. Biblical Theology Bulletin: Journal of Bible and Culture 52:4 ► pp. 204 ff.
Fosbraey, Glenn
2022. Eminem and Language. In Reading Eminem, ► pp. 121 ff.
Zhao, Minru & Dechao Li
2022.
Translator positioning in characterisation: a corpus-based study of English translations of
Luotuo Xiangzi
. Perspectives 30:6 ► pp. 1074 ff.
Mikić, Marijana
2021. Mind, Body, and Race in Jessie Redmon Fauset’s Plum Bun
. Anglia 139:4 ► pp. 673 ff.
Mikić, Marijana
2025. Fear, Hope, and Geographies of Slavery in Colson Whitehead’s The Underground Railroad and Edward P. Jones’s The Known World. In Emotion, Race, and Space in Contemporary African American Literature [American Literature Readings in the 21st Century, ], ► pp. 47 ff.
Crewe, Jonathon
2020. Another London, another point of view: the use of defamiliarisation to elicit empathy in the reader for the white working-class protagonist inAnother Londonand their ‘real-world’ equivalents. New Writing 17:3 ► pp. 272 ff.
Schneider-Mayerson, Matthew
2020. “Just as in the Book”? The Influence of Literature on Readers’ Awareness of Climate Injustice and Perception of Climate Migrants. ISLE: Interdisciplinary Studies in Literature and Environment 27:2 ► pp. 337 ff.
Castiglione, Davide
2019. Processing Baseline: The Easy Poem. In Difficulty in Poetry, ► pp. 197 ff.
Polvinen, Merja, Howard Sklar & Anezka Kuzmicova
2019. Mimetic and synthetic views of characters: How readers process “people” in fiction. Cogent Arts & Humanities 6:1 ► pp. 1687257 ff.
Tobón, Daniel Jerónimo
2019. Empathy and Sympathy: Two Contemporary Models of Character Engagement. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, ► pp. 865 ff.
Bortolussi, Marisa, Peter Dixon & Christopher Linden
2018. Putting Perspective Taking in Perspective. Review of General Psychology 22:2 ► pp. 178 ff.
Korthals Altes, Liesbeth & Hanna Meretoja
2018. Ethics and Literature. In The Palgrave Handbook of Philosophy and Literature, ► pp. 601 ff.
Mäkelä, Maria & Merja Polvinen
2018. Narration and Focalization. Poetics Today 39:3 ► pp. 495 ff.
von Mossner, Alexa Weik
2018. Green states of mind? Cognition, emotion and environmental framing. Green Letters 22:3 ► pp. 313 ff.
von Mossner, Alexa Weik
2019. Why We Care about (Non) fictional Places. Poetics Today 40:3 ► pp. 559 ff.
Biwu, Shang
2017. Delving into Impossible Storyworlds of Terror: The Unnaturalness of Hassan Blasim’s Short Narrative Fiction. arcadia 52:1 ► pp. 183 ff.
Eikonsalo, Sini
2017. "[S]ometimes America needs to be pushed": Amy Waldman's The Submission and the early American 9/11 novels. Brno studies in English :2 ► pp. [79] ff.
Kuzmičová, Anežka, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum
2017. Literature and readers’ empathy: A qualitative text manipulation study. Language and Literature: International Journal of Stylistics 26:2 ► pp. 137 ff.
Lewis, Michael Jay
2017. The Myth Isn’t Mine but Its Fictionality Is: Alger’sRagged Dick, Twain/Beach’s “Stephen Girard,” and the Reader in Training. Lit: Literature Interpretation Theory 28:4 ► pp. 317 ff.
Lucchi Basili, Lorenza & Pier Sacco
2017. Tie-Up Cycles in Long-Term Mating. Part II: Fictional Narratives and the Social Cognition of Mating. Challenges 8:1 ► pp. 6 ff.
Nayabpour, Karam
2017. Raymond Carver’in A Small, Good Thing Adlı Hikâyesinde Eşduyum Duygularının Etkinleştirilmesi. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi :38 ► pp. 265 ff.
Cha, Kyung-Ho
2016. Die literarische Darstellung der Flüchtlinge und die Kritik des medialen Menschenrechtsdiskurses in Elfriede Jelineks Die Schutzbefohlenen. Mitteilungen des Deutschen Germanistenverbandes 63:4 ► pp. 358 ff.
2015. Figur und Emotion. Mitteilungen des Deutschen Germanistenverbandes 62:3 ► pp. 212 ff.
McIntyre, Dan
2014. The year’s work in stylistics 2013. Language and Literature: International Journal of Stylistics 23:4 ► pp. 389 ff.
Sklar, Howard
2013. The Many Voices of Charlie Gordon. In Disability in Science Fiction, ► pp. 47 ff.
Sklar, Howard
2025. Doubly hidden, doubly exposed: master-narratives, counter-narratives, and the ethics of “passing” in The Human Stain
. Frontiers of Narrative Studies 11:1 ► pp. 87 ff.
Sklar, Howard
2025. “Why are you hiding here?”: Counter-Narrating Antisemitic Master-Narratives in Bernard Malamud’s The Fixer. Narrative Works 13:1 ► pp. 108 ff.
This list is based on CrossRef data as of 24 february 2026. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.