In:Playing by Ear and the Tip of the Tongue: Precategorial information in poetry
Reuven Tsur †
[Linguistic Approaches to Literature 14] 2012
► pp. v–x
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Published online: 7 November 2012
https://doi.org/10.1075/lal.14.toc
https://doi.org/10.1075/lal.14.toc
Table of contents
Preface
Chapter 1. Introduction
Chapter 2. The poetic mode of speech perception revisited: What our ear tells our mind
Chapter 3. The tot phenomenon: A psycholinguistic model of poetry
Chapter 4. “Oceanic” dedifferentiation and poetic metaphor
Chapter 5. Deixis and abstractions: Adventures in space and time
Chapter 6. Three case studies – Keats, Spenser, Baudelaire
Chapter 7. Linguistic devices and ecstatic poetry: “The Windhover” – tongue-twisters and cognitive processes
Chapter 8. Defamiliarization revisited
Chapter 9. Aesthetic qualities as structural resemblance: Divergence and perceptual forces in poetry
Chapter 10. Metaphor and figure–ground relationship: Comparisons from poetry, music, and the visual arts
Chapter 11. Size–sound symbolism revisited
Chapter 12. Issues in literary synaesthesia: A brief glance
Chapter 13. The place of nonconceptual information in university education
Chapter 14. Points and counterpoints
References
