Article published In: Journal of Language and Sexuality
Vol. 11:1 (2022) ► pp.101–124
Sinful wives and queens
The medieval concept of sodomy in Dante’s Comedy
Published online: 11 February 2022
https://doi.org/10.1075/jls.19010.alf
https://doi.org/10.1075/jls.19010.alf
Abstract
The author of the Divine Comedy, Dante Alighieri (1265–1321), dealt with “sodomites” twice in his
masterpiece, once in Inferno and again in Purgatorio. In their examinations of the passage in
Inferno, literary critics have typically conflated the modern-day definition of “homosexual” with the
medieval “sodomite.” In order to see how Dante viewed non-normative sexuality accurately, however, it is necessary first to
uncouple the medieval term “sodomite” from today’s term, “homosexual,” and to apply instead the medieval definition of the
former. Numerous sources of Dante’s time indicate that “sodomy” did not mean, strictly speaking, same sex practices between men,
but rather it encompassed a wide array of sexual activities. The same is probably true of the sodomites in Dante’s
Inferno, some of whom might not have bedded other men. Examination of the passage in
Purgatorio, moreover, indicates a greater degree of subtlety in Dante’s thought regarding non-normative
sexual attraction.
Keywords: Dante Alighieri, Divine Comedy, Inferno, Purgatorio, medieval, sodomite, sodomy
Article outline
- 1.Introduction
- 2.Sodomy in Dante’s Hell and in the Middle Ages
- 3.Blaming the wife in Inferno
- 4.Same-sex lust in Dante’s Purgatorio
- 5.Conclusion
- Acknowledgements
- Notes
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