Article published In: Sexuality and the discursive construction of the digital self in the Global South
Edited by Nell Haynes and Baird Campbell
[Journal of Language and Sexuality 9:1] 2020
► pp. 14–47
Sutura 2.0
Queer biocommunicability and digital self-making in Senegalese eHealth activism
Published online: 24 February 2020
https://doi.org/10.1075/jls.19006.fri
https://doi.org/10.1075/jls.19006.fri
Abstract
Wolof ethics of sutura “discretion” have historically conflated perceived communicative excess
with bodily contagion and associated both with queer subjects. For health non-governmental organizations (NGOs), online dating
among gay Senegalese men presents two risks to sutura: contagious sex and contagious discourse. A Senegalese
eHealth NGO hires gay men to send HIV/AIDS prevention messages through Facebook and online dating websites in order to contain
HIV and, invoking sutura, contain queer communication and bodies. This NGO projects a heteronormative
metapragmatic model of health communication, casting information as instrument of containment, and a unitary, de-eroticized
digital self as informational messenger. In what I call queer biocommunicability, eHealth activists create erotically seductive
digital personae incongruous with offline characteristics. Construed as communicative-bodily excess, digital seductions actually
facilitate information exchange. NGOs instrumentalize queer biocommunicability to bolster a care framework that marginalizes queer
subjects. This paper traces historical underpinnings and ethical-political implications of heteronormative biocommunicability’s
dependence on queer transgression.
Keywords: biocommunicability, queer theory, digital media, metapragmatics, intimacy, care, Senegal
Article outline
- 1.Introduction
- 2.The emergence of MSM eHealth
- 3.Histories of queer biocommunicability
- 4.Digital sutura and eHealth
- 5.Instrumentalizing queer biocommunicability
- 6.Potentialities of queer biocommunicability
- 7.Conclusion
- Acknowledgements
- Notes
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Cited by (4)
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Wolf, Lisa Adams & Lynette Arnold
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