Article published In: Asian Perspectives on Queer Discourse
Edited by Ke Zhang and Chao Lu
[Journal of Asian Pacific Communication 33:2] 2023
► pp. 179–203
Queering gender in Indonesian Instagram
Case Study of Mimi Peri
Published online: 15 November 2022
https://doi.org/10.1075/japc.00096.sub
https://doi.org/10.1075/japc.00096.sub
Abstract
The popularity of Mimi Peri as a queer micro-celebrity on Instagram shows a paradox in the Indonesian digital society, widely known for being very heteronormative towards gender and sexual identities. Despite the controversy over their queer performance and identity, Mimi Peri’s positive image as a “kind-hearted” and funny micro-celebrity managed to attract the attention of 1.9 million followers on Instagram. By using a virtual ethnographic paradigm within the framework of queer studies, this research examines how queer performativity in the @mimi.peri Instagram account during the periode between 2017 and 2018 presented and related to the Camp strategy. Switching their virtual identity, playing a role as a “female fairy”, parodying, and representing it as a comic figure have been identified as Mimi Peri’s practice and strategy to effectively gain the attention and acceptance of their followers. While there are established assumptions of queer subjects as fun and funny, we also argue that the strategy to commodify their comical performance can be seen as a form of negotiation to the predominant gender norms on Instagram.
Keywords: Indonesian queer, Instagram, Micro-celebrity, performativity, Mimi Peri
Article outline
- Introduction
- Queer performativity and identity on Instagram
- Queer practice in Indonesia
- Methodology
- Analysis
- Mimi Peri as a queer micro-celebrity on Instagram
- Mimi Peri’s parody and performance: Comedy as negotiation
- Negotiating digital heterosexism
- Conclusion
References
References (54)
[URL] (2017a, November 8, 2017). CUMA @emak.ratu HARTA SAYA PENINGGALAN BAPAK [Instagram Photo]. Retrieved March 20, 2022 from [URL]
(2017b, June 17, 2017). Mohon maf lahir dan batin kmi sekeluarga mengucapkn minal aidin walfaidzin. Retrieved March 15, 2022 from [URL]
(2017c, 14 May 2017). S Kuliner ku untk siang ini. [Instagram video]. Retrieved 25 August 2021 from [URL]
(2018a, august 31, 2018). AK MAU JUM AT DIBUMI…PASTI BANYAK PARA LELAKI YG [Instagram Photo]. Retrieved July 10, 2021 from [URL]
(2018b, 6 October 2018). CLARIFIKASIH SAYA INI BUKAN TITISAN DAJAL [Instagram video]. Retrieved 20 January 2022 from [URL]
(2018c, May 4 2018). Ini rekwesan yg minta ak ngaji di dm …maf kalo ak baru balajar yaaa…. [Instagram video]. Retrieved 1 October 2021 from [URL]
(2018d, January 25 2018,). JANGAN DM A TRUS DGN KATA KASAAAR….☹ [Instagram video]. Retrieved 28 August 2021 from [URL]
(2018e, March 4, 2018). MIMI PERI TUH BEGINI YG SYANTIK NYA 17X SYANTIK…. [Instagram Photo]. Retrieved July 10, 2022 from [URL]
(2018f, 13 June 2018). Selain kompak dalm mendidik anak ..dari hasil pernikhan kami…aq dan kakang @oohsehun juga kompak dalm berpenampilan…. [Instagram photo]. Retrieved 2 Octobre 2021 from [URL]
(n.d). Instagram [Instagram Profile]. Retrieved 31 January 2022 from [URL]
Ardi, Z., Yendi, F., & Febriani, R. (2018). Fenomena LGBTQ dalam perspektif konseling dan psikoterapi: realitas dan tantangan konselor. Jurnal EDUCATIO: Jurnal Pendidikan Indonesia, 4(2), 77–82.
Babuscio, J. (2022). 7 ‘The Cinema of Camp (aka Camp and the Gay Sensibility). In Camp: Queer Aesthetics and the Performing Subject: A Reader (pp. 117–135). Edinburgh: Edinburgh University Press.
Blackwood, E. (2005). Gender Transgression in Colonial and Postcolonial Indonesia. The Journal of Asian Studies, 64 (4), 849–879.
Boellstorff, T. (2005). The Gay Archipelago: Seksualitas dan Bangsa di Indonesia. Princeton, NJ: Princeton University Press.
(2020). Om toleran Om: four Indonesian reflections on digital heterosexism. Media, Culture and society, 421, 7–24.
Davies, G. S. (2010). Gender Diversity in Indonesia: Sexuality, Islam and queer slaves. London: Routledge.
Effendi, A. (2015). Gimmick Tak Bisa Dirancang, Syahrini Bukan Seniman Settingan, celebrity. Kapanlagi.com. Retrieved from [URL]
Jaelani, A. (2016, 26 August 2016). WAWANCARA EXKLUSIPE……. [Facebook Video]. Retrieved from [URL]
Komara, I. (2019). Instagram Blokir Akun Komik Muslim Gay. Detik.com. Retrieved from [URL]
Krell, E. (2016). Queer Performance. In The Wiley Blackwell Encyclopedia of Gender and Sexuality Studies.
Maimunah, M. (2016). Understanding Queer Theory in Indonesian Popular Culture: Problems and Possibilities. Lakon: Jurnal Kajian Sastra dan Budaya, 3 (1), 43–69.
Marciano, A. (2014). Living the VistualReal: Negotiating Transgender Identity in Cyberspace. Journal of Computer-Mediated Communication, 19(4), 824–838.
Marendra, P. (2021). Pemotretan Nyeleneh Mimi Peri di Alam Bebas ini Bikin Ngakak. Liputan6.com. Retrieved from [URL]
Mefita, S., & Yulianto, M. (2018). Fenomena Gaya Hidup Selebgram (Studi Fenomenologi Selebgram Awkarin). Interaksi Online Vol 6 no 4, 567–573.
Murtagh, B. (2013). Gender and Sexualities in Indonesia Cinema-Contruction gay, lesbian, waria identities on screen. New York: Routledge.
(2017). Double Identities in Dorce’s Comedies: Negotiating Gender and Class in New Order Indonesian Cinema.’ Bijdragen tot de Taal-, Land- en Volkenkunde, 173 (2–3), 181–207.
Nabila, D. P. (2017). Silahkan Waria Tapi Buat Kami Tertawa. Kumparan.com. Retrieved from [URL]
Noviandi, F. (2017). Mimi Peri, Selebgram yang Pernah Jadi Kuli Bangunan. Liputan6.com. Retrieved from [URL]
O’Riordan, K. (2020). Queer Digital Culture. In S. Somerville (Ed.), Queer Studies (pp. 185–198). Cambridge: Cambridge University Press.
Peri, M. (2018, 6 Juli 2018). Mimpi Mimi Peri dari Kahyangan ke Hollywood-Asumsi Mono/Interviewer: Asumsi.co.
Pradhuka, B. N., Utari, P., & Sudarmo. (2020). Digital queer: identitas komunikasi genderqueer selebgram Mimi Peri. Jurnal Studi Komunikasi, Page 143 – 157.
Priyatna, A. (2015). ‘ “I am a woman”: Portraying womanhood in the auto/biography of an Indonesian transsexual celebrity’. MetaSastra, 8–21, 211–224.
(2018). Normative Femininity and Motherhood as Redemption: The Life Writing of Indonesian [ex] Nude Model Tiara Lestari. Forum for World Literature Studies, 101, 509
Priyatna, A., Rahayu, L. M., Subekti, M. (2019). Mothering Celebrities: Feminine/Feminist Agency and Subjectivity in The Auto/Biographies of An Indonesian Female Celebrity. Kritika Kultura, 33–34, 198–225.
Putri, S. A. R., Prihandari, S., A. A. I, Mohamad, B., & Abu Bakar, H. (2017). A Critical Discourse Analysis Study of Cyberbullying in LGBTQ’s Instagram Account. SHS Web of Conferences, 33(), 00071–. doi:. SHS Web Conf., 331 (International Conference on Communication and Media: An International Communication Association Regional Conference (i-COME’16)), 73–81.
Rachmawati, D., Salmiyah, D., & Ali, F. (2018). Analisis Kriteria Personal Branding Selebgram Non Selebriti (Studi Deskriptif Kualitatif Akun Instagram @lippielust). Vol No Komunikasi, XIII1, 23–30.
Senft, T. M. (2008). Camgirls: Celebrity and Community in the Age of Social Networks. New York: Peter Lang.
Tudor, M. (2018). Desire Lines Towards a Queer Digital Media Phenomenology. Stockholm: Södertörn University.
Wenjuan, X. (2014). Queer[ing] Performativity, Queer[ing] Subversion: A critique of Judith Butler’s Theory of Performativity. Comparative Literature: East &West Series, 201, 18–39.
Wijaya, H. (2019). Localising Queer Identities: Queer Activism and National Belonging in Indonesia. In G. F. R. Ricci (Ed.), Contentious Belonging: The Place of Minorities in Indonesia (pp. 133–152): ISEAS-Yusof Ishak Institute.
(2020). Intimate assemblages: the politics of queer identities and sexualities in Indonesia. Singapore: Palgrave Macmillan.
WowKeren. (2018a). Mimi Peri Dengan Mata Berkaca-Kaca Memberikan Klarifikasi Dan Dan Meminta Maaf Kepada Publik. wowkeren.com. Retrieved from [URL]
. (2018b). Mimi Peri Pamer Suara Merdu Saat Baca Alquran, Netter Salfok Dengan Benda Ini. wowkeren.com. Retrieved from [URL]
Yuwono, H. (2016). Ngaku Sebagai Peri Kayangan, Video Wawancara Mimi Peri Rafunzel ini Viral di Facebook. TribunSolo.com. Retrieved from [URL]
Zapkin, P. (2011). “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. 341. [URL]
Cited by (1)
Cited by one other publication
This list is based on CrossRef data as of 12 november 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
