Cover not available

Article published In: Interaction Studies
Vol. 26:1 (2025) ► pp.123

Get fulltext from our e-platform
References (40)
References
Abramo, J. (2014). Music education that resonates: An epistemology and pedagogy of sound. Philosophy of Music Education Review, 22(1), 78–95. Google Scholar logo with link to Google Scholar
Anderson, I. (2019). Soundmapping beyond the grid: Alternative cartographies of sound. Journal of Sonic Studies, 111, 1. [URL]
Avanzini, F., Baratè, A., Haus, G., Ludovico, L. A., Ntalampiras, S., & Presti, G. (2018). Perspectives in education for sound and music computing. In M. Della Ventura (Ed.), Proceedings of the 5th International Conference on New Music Concepts (ICNMC 2018) (pp. 11–27). ABEditore. [URL]
Baker, D., & Green, L. (2019). Ear playing and aural development in the instrumental lesson: Results from a “case-control” experiment. Research Studies in Music Education, 35(2), 141–159. Google Scholar logo with link to Google Scholar
Bizami, N. A., Tasir, Z., & Kew, S. N. (2023). Innovative pedagogical principles and technological tools capabilities for immersive blended learning: A systematic literature review. Education and Information Technologies, 28(2), 1373–1425. Google Scholar logo with link to Google Scholar
Bouchrika, I., Harrati, N., Wanick, V., & Wills, G. (2021). Exploring the impact of gamification on student engagement and involvement with e-learning systems. Interactive Learning Environments, 29(8), 1244–1257. Google Scholar logo with link to Google Scholar
Burgess, R. J. (2019). The art of music production: The theory and practice. Oxford University Press.Google Scholar logo with link to Google Scholar
Carvallo, A. F., Requena, S. O., & Rubio, A. M. (2018). La estación de Trabajo de Audio Digital y su contribución en el desarrollo de competencias en la educación secundaria [Digital Audio Workstation and its contribution to skills development in secondary education]. In E. Vaquero, E. Brescó, J. L. Coiduras, & X. Carrera (Eds.), EDUcación con TECnología: Un Compromiso Social. Iniciativas y Resultados de Investigaciones y Experiencias de Innovación Educativa (pp. 889–899). Edicions de la Universitat de Lleida. [URL]
Crawford, R., & Southcott, J. (2017). Curriculum stasis the disconnect between music and technology in the Australian curriculum. Technology Pedagogy and Education, 26(3), 347–366. Google Scholar logo with link to Google Scholar
Danielsen, A. (2017). Music, media and technological creativity in the digital age. Nordic Research in Music Education, 181, 9–22. [URL]
Dunbar, L. (2017). Enhancing content understanding through animated listening map development. General Music Today, 30(2), 25–28. Google Scholar logo with link to Google Scholar
Faure, A., Calderón, D., & Gustems, J. (2020). Modelos sonoros en la adolescencia: Preferencias musicales, identidades e industria discográfica [Sound models in adolescence: Musical preferences, identities and the record industry]. Musica Hodie, 201, e63134. Google Scholar logo with link to Google Scholar
Fink, R., Latour, M., & Wallmark, Z. (2018). The relentless pursuit of tone: Timbre in popular music. Oxford University Press. Google Scholar logo with link to Google Scholar
Fortuna, S. (2017). Embodiment, sound and visualization: A multimodal perspective in music education. Zbornik Radova Akademije Umetnosti, 51, 120–131. Google Scholar logo with link to Google Scholar
Hein, E. (2017). Playing (in) the digital studio. In S. A. Ruthmann, & R. Mantie (Eds.), The Oxford Handbook of Technology and Music Education (pp. 383–398). Oxford University Press. Google Scholar logo with link to Google Scholar
Hess, J. (2021). Cultural competence or the mapping of racialized space: Cartographies of music education. Bulletin of the Council for Research in Music Education, 2271, 7–28. Google Scholar logo with link to Google Scholar
Juan de Dios, M. A., & Roquer, J. (2020). La producción musical: Un reto para la musicología del siglo XXI [Musical production: A challenge for 21st century musicology]. Cuadernos de Etnomusicología, 15(2), 43–56. [URL]
Levykh, M. G. (2008). The affective establishment and maintenance of Vygotsky’s zone of proximal development. Educational Theory, 58(1), 83–101. Google Scholar logo with link to Google Scholar
Liu, X., & Shao, X. (2022). Modern mobile learning technologies in online piano education: Online educational course design and impact on learning. Interactive Learning Environments, 32(4), 1279–1290. Google Scholar logo with link to Google Scholar
Liu, Y., & Liu, Z. (2017). Teaching strategy and instructional system construction of Chinese national instrumental technology education. Eurasia Journal of Mathematics Science and Technology Education, 13(8), 5645–5653. Google Scholar logo with link to Google Scholar
Ma, R., & Ma, R. (2023). Piano education online: Challenges and solutions. Education and Information Technologies, 28(2), 1359–1372. Google Scholar logo with link to Google Scholar
Melchiorre, A. B., & Schedl, M. (2020). Personality correlates of music audio preferences for modelling music listeners. In T. Kuflik, I. Torre, R. Burke, & C. Gena (Eds.), Proceedings of the 28th ACM Conference on User Modeling, Adaptation and Personalization (pp. 313–317). ACM. Google Scholar logo with link to Google Scholar
Miranda, E. R., Kirke, A., Braund, E., & Antoine, A. (2017). On unconventional computing for sound and music. In E. Miranda (Ed.), Guide to Unconventional Computing for Music (pp. 23–61). Springer International Publishing. Google Scholar logo with link to Google Scholar
O’Keeffe, L. (2015). Thinking through new methodologies: Sounding out the city with teenagers. Qualitative Sociology Review, 11(1), 6–32. Google Scholar logo with link to Google Scholar
Ouzounian, G. (2019). Acoustic mapping: Notes from the interface. In M. Gandy, & B. Nilsen (Eds.), The Acoustic City (pp. 164–173). Jovis. [URL]
Pandey, P., & Pandey, M. M. (2015). Research methodology: Tools and techniques. Bridge Centre. [URL]
Peng, F. (2021). Optimization of music teaching in colleges and universities based on multimedia technology. Advances in Educational Technology and Psychology, 5(5), 47–57. Google Scholar logo with link to Google Scholar
Powell, B., Smith, G. D., West, C., & Kratus, J. (2019). Popular music education: A call to action. Music Educators Journal, 106(1), 21–24. Google Scholar logo with link to Google Scholar
Roels, J. M., & Van Petegem, P. (2014). The integration of visual expression in music education for children. British Journal of Music Education, 31(3), 297–317. Google Scholar logo with link to Google Scholar
Shamsuzzoha, A., Toshev, R., Vu Tuan, V., Kankaanpaa, T., & Helo, P. (2021). Digital factory–virtual reality environments for industrial training and maintenance. Interactive Learning Environments, 29(8), 1339–1362. Google Scholar logo with link to Google Scholar
Shanti, B. M., & Shashi, A. (2017). Handbook of research methodology. Educreation.Google Scholar logo with link to Google Scholar
Siljamäki, E., & Kanellopoulos, P. A. (2020). Mapping visions of improvisation pedagogy in music education research. Research Studies in Music Education, 42(1), 113–139. Google Scholar logo with link to Google Scholar
Springer, D. G. (2016). Teaching popular music: Investigating music educators’ perceptions and preparation. International Journal of Music Education, 34(4), 403–415. Google Scholar logo with link to Google Scholar
Stefanakis, M. (2005). How music might impact on us and the implications for music education. Action, Criticism & Theory for Music Education, 4(2), 1–26. [URL]
Sun, J., Ma, H., Zeng, Y., Han, D., & Jin, Y. (2023). Promoting the AI teaching competency of K-12 computer science teachers: A TPACK-based professional development approach. Education and Information Technologies, 28(2), 1509–1533. Google Scholar logo with link to Google Scholar
Tang, M. M. (2022). College vocal music teaching design based on internet platform. Wireless Communications and Mobile Computing, 2022(1), 3590597. Google Scholar logo with link to Google Scholar
Walzer, D. A. (2017). Independent music production: how individuality, technology and creative entrepreneurship influence contemporary music industry practices. Creative Industries Journal, 10(1), 21–39. Google Scholar logo with link to Google Scholar
Widén, S. E., Möller, C., & Kähäri, K. (2018). Headphone listening habits, hearing thresholds and listening levels in Swedish adolescents with severe to profound HL and adolescents with normal hearing. International Journal of Audiology, 57(10), 730–736. Google Scholar logo with link to Google Scholar
Williams, M. L., Geringer, J. M., & Brittin, R. V. (2019). Music listening habits and music behaviors of Middle and high school musicians. Update Applications of Research in Music Education, 37(2), 38–45. Google Scholar logo with link to Google Scholar
Zhang, H. L., & Yu, P. J. (2021). Design of multimedia vocal music education data integration system based on adaptive genetic algorithm. Security and Communication Networks, 2021(1), 3897696. Google Scholar logo with link to Google Scholar
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue