Article published In: Naming and Labelling Contexts of Cultural Importance in Africa
Edited by Nico Nassenstein, Sambulo Ndlovu and Svenja Völkel
[International Journal of Language and Culture 10:2] 2023
► pp. 255–268
Performances of transparency
Published online: 3 May 2024
https://doi.org/10.1075/ijolc.00054.sto
https://doi.org/10.1075/ijolc.00054.sto
Abstract
The names by which luxury items are marketed are often interpreted as names that trigger forms of mimesis. By considering the connections made through naming, products such as perfumes seem to be powerful metaphors for a particular lifestyle, wealth, and specific identity constructions, thereby obviously suggesting the possibility that through owning and using such products, clients can – for a while – become what is promised on the package. The names of perfumes and fragrances in postcolonial contexts, however, are semantically more complex. They refer to various locations, languages, and narratives, serving different purposes. This contribution examines the meanings of names in African perfumery practices in order to shed light on the different connections and relations they symbolize, the ritual contexts in which they are used, and the memory-making associated with both language and sensory experience.
Keywords: ergonyms, perfume labels, African perfumery, hospitality, colonial onomastics
Article outline
- 1.Clarity and crossing
- 2.Luxury journeys
- 3.Extractions of the Other
- 4.Crossings
- 5.A small insignificant bottle
- Notes
References
References (20)
Abdallah, H., H. Ibrahim, K. I. Ishaq, M. H. Shaddad & N. al-Tayib. 2018 [1976]. The Crystalist manifesto. In A. Lenssen, S. Rogers & N. Shabout (eds.), Modern art in the Arab world. Primary documents, 393–401. New York: MOMA.
Boisserie, B., É. de Bonneval, O. R. P. David, J. Doré, A.-S. Hojlo & D. de Swardt. 2019. Jasmine Sambac. Paris: Nez & LMR.
Gaskins, N. 2018. Mami Wata remixed: The mermaid in contemporary African-American culture. In P. Hayward (ed.), Scaled for success. The internationalisation of the Mermaid, 195–208. East Barnet: John Libbey.
Köler, H. 1848. Einige Notizen über Bonny an der Küste von Guinea, seine Sprache und seine Bewohner, mit einem Glossarium. Göttingen: Dietrische Verlagsbuchhandlung.
Lenssen, A. 2018. We painted the crystal, we thought about the crystal – The Crystalist Manifesto (Khartoum, 1976) in context. Post, Notes on Art in a Global Context. [URL] (accessed 20/11/2020).
Lichtenstein, A. 2019. The scent of revolution: The story behind Sudan’s legendary perfume label remix. Global Voices. [URL] (accessed 20/11/2020).
Mahenya, O. & M. S. M. Aslam. 2014. Rediscovering spice farms as tourism attraction in Zanzibar, a spice archipelago. In L. Joliffe (ed.), Spices and tourism, 97–108. Bristol: Channel View.
Nübling, D., F. Fahlbusch & R. Heuser. 2012. Namen. Eine Einführung in die Onomastik. Tübingen: Narr.
Ochieng’-Odhiambo, F. 2013. What’s in a name? Four levels of naming among the Luo people. In C. Jeffers (ed.), Listening to ourselves, 52–89. Albany: State University of New York Press.
Storch, A. 2019. Games with names. Naming practices and deliberate language change. In J. Good & B. Jacobs (eds.), Deliberate language change. (Special issue of Language Dynamics and Change), 162–191. Leiden: Brill.
