Article published In: Theme: Pictograms
[Information Design Journal 10:2] 2001
► pp. 176–187
A semiotic perspective on aesthetic preferences, visual literacy, and information design
Published online: 17 January 2003
https://doi.org/10.1075/idj.10.2.15kaz
https://doi.org/10.1075/idj.10.2.15kaz
To indicate that the world out there is what we, as humans, conceive it to be, and not as it is in and for itself, I will consider the image-making process as a process of visual modeling of concepts. As such, visual modeling is equivalent to the meaning-making process, since a graphic model is the conceptual model of structural and conceptual relations. I will discuss functional differences between images and diagrams, as categories fulfilling different expectations, the former being tools of art-making, and the latter being tools of information design. In order to facilitate the goal of advancing the level of visual literacy, I will examine the factors contributing to the shaping of the boundaries of visual literacy and aesthetic preferences. In doing so, I will relate the evolutionary process of form development to the development of its semantic dimension, using examples from the art of children. I argue that the rules of constructing images at the early stages of form development are identical with the rules of designing diagrams.
Cited by (10)
Cited by ten other publications
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Harrington, Lalenja & Karen Cox
Shoemark, Helen, Debbie Bates, Elizabeth Collier, Ann Hannan, Elizabeth Harman, Jeanette Kennelly, David Knott, Amy Thomas & Amy P. Troyano
Hartel, Jenna, Rebecca Noone, Christie Oh, Stephanie Power, Pavel Danzanov & Bridgette Kelly
Havemo, Emelie
León-Garzón, Rosmery & Castañeda-Peña, Harold
Hartel, Jenna
Buckley, Charles A & Michael J Waring
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