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In:Time Representations in the Perspective of Human Creativity
Edited by Anna Piata, Adriana Gordejuela and Daniel Alcaraz Carrión
[Human Cognitive Processing 75] 2022
► pp. 243–245

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Index

Published online: 10 November 2022
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https://doi.org/10.1075/hcp.75.index

A

  • aesthetic 42, 44, 52–53, 55, 74, 148, 153, 155, 164
  • affective 22, 42–43, 47
  • auditory 148–153, 169–170

B

  • Bender, Andrea 15, 210
  • blending 4, 42, 46, 69, 134, 148–149, 191, 238
    • blend 71–72, 106, 110, 148, 150, 154–160, 238
    • Blending theory 42, 148 ; see also Conceptual integration theory
  • Bordwell, David 126, 132–133, 147–149
  • Boroditsky, Lera 3, 15–16, 42–43, 62, 105, 125, 168, 209–210, 214–215, 224

C

  • Casasanto, Daniel 3, 42–43, 62, 104, 125, 168, 188–189, 200, 209, 212–213, 215, 222, 225
  • chrono-work 81–89, 92–95
  • Cienki, Alan 3, 9, 187–192, 212, 222, 234–236
  • cinematic creativity 125, 137
  • chronological time 81–84, 86, 96
  • Clark, Herbert 3, 15, 43, 62, 234
  • clock time 4, 84, 106, 110, 112
  • comics 102–103, 105–108, 117, 119 ; see also graphic memoirs
  • combinational creativity42
  • compressed timesee time compression
  • conceptual autonomy64
  • conceptual dependence64
  • conceptual integration 41–43, 55, 147–149, 238
    • conceptual integration network 4, 43, 53, 62
    • Conceptual integration theory 4, 75, 148–149 ; see also Blending theory
  • conceptual metaphorsee Ego-moving metaphor of time, Time-moving metaphor
  • Conceptual metaphor theory 2, 75, 101–102
  • constructions 5, 17–18, 33–34, 53–54, 63–65, 67, 72, 74–75, 77
    • copula constructions 63–67, 72–77
  • container schema 127–128, 138, 143
  • corpus 15–19, 48–53, 63, 66–67, 166, 210–211, 218–219
  • creativitysee cinematic creativity, combinational creativity, lexical creativity, metaphorical creativity, verbal creativity

D

  • Dancygier, Barbara 147, 149–150, 156
  • decompression of identity 156, 158–160 ; see also identity connection
  • depression 101–104, 106, 108–110, 112–115, 117, 119, 121
  • diegetic 106–107, 110, 115, 117, 119–120, 130–131, 151 ; see also extradiegetic, non-diegetic
  • duration 46, 103, 105, 108, 117, 119–120, 147–148, 169, 174, 179, 181, 190–191, 209

E

  • Ego-moving metaphor of time 3, 21, 43-45, 62, 104, 120
  • embodiment 8, 41–42, 47, 75, 163, 222
    • embodied cognition 44, 143, 212
    • embodied semantics 7, 61, 76 ; see also simulation semantics
  • emotion 22, 27, 41, 44, 46, 53–54, 69, 103–105, 110, 112, 116–117, 125, 148, 153, 155, 165, 187, 200–202, 235, 238–239
  • equations 61, 63–68, 73–75, 77
    • predicational equations 65, 68, 77
    • specificational equations65
  • Evans, Vyvyan 4, 15, 62, 104, 125, 189, 226
  • extradiegetic 120, 131, 148 ; see also diegetic, non-diegetic
  • explicit time 103–104, 106, 110 ; see also implicit time

F

  • Fauconnier, Gilles 4, 42–44, 46, 62, 71, 103, 105, 148–150, 153, 238
  • figurative language 42, 44-45, 47, 62-63, 74, 76-77
  • Figure 16, 22, 25, 27, 29 ; see also Theme
  • film 126, 128, 130, 132, 134, 136–143, 147–151, 153, 156–158, 161, 233–235, 237–238
  • flashback 130–131, 133, 134–136, 139, 141, 147–151, 153–161, 237–238
  • frame (of a film or panel) 110, 119, 128, 140–142, 154
  • frame (semantic frame) 15–16, 27, 34, 54, 68, 70–71, 74, 76, 154–155, 160, 233–234, 238–239
  • frozen time 104, 108, 119-120
  • future 16, 67, 81–96, 104–105, 127, 139–140, 159, 189–190, 194, 197–199, 202, 210–215, 218–223, 225–226

G

  • gesture 2–3, 5, 105–106, 131, 136, 179–180, 187–202, 209–210, 212–222, 224–226, 234–237
  • Gibbs, Raymond 41, 65, 74, 76, 125
  • Goal 16, 20, 22–24, 26, 42–48 ; see also Path, Source
  • graphic memoirs 101–102, 108, 112, 114, 119–120 ; see also comics

I

  • identity connection 150, 160 ; see also decompression of identity
  • image metaphors 61, 65, 66, 68, 75
  • image schema 8, 22, 24, 76, 163, 171–174, 178-179, 181
  • imagery 5, 61, 63, 68, 70, 72–76, 169–170, 174
  • implicit time 103, 178 ; see also explicit time

J

  • joint attention153

L

  • Lakoff, George 1, 3–4, 15, 20, 41, 43, 62, 102, 104, 120, 125, 127, 133, 214–215
  • Langacker, Ronald Wayne 64–65, 170, 239
  • lateral axis 15, 190, 194, 197, 199, 202, 212, 219–221, 225 ; see also sagittal axis, vertical axis
  • lexical creativity31

M

  • manner of motion 15-16, 21, 27–31, 43, 47, 239 ; see also motion
  • mapping 3–5, 15, 20–21, 26–27, 33, 41–42, 44–46, 52–54, 61–62, 65–66, 68–69, 74–75, 103, 105, 120, 127, 131, 150, 174, 189, 210–215, 218–226
  • material anchor 172, 187, 191–192, 199
  • mental simulation 30, 61, 76
  • mental spaces 148–149, 160, 222–223
  • metaphorsee image metaphors, pictorial metaphors, poetic metaphors, spatial metaphors (in comics), spatial metaphors (of time), visual metaphors
  • metaphorical creativity 61, 75
  • metaphorical mapping 3, 61, 65
  • metonymy 69, 76, 130, 191, 196
  • motion 3, 5–7, 15–33, 37–39, 41–54, 57, 62, 85, 107, 119, 127, 168, 170–172, 174, 178, 189, 193–196, 214, 239 see also manner of motion
    • motion verbs 5–7, 15–21, 24, 27, 28–33, 37, 41, 44–46, 48–51, 53, 57
  • multimodal 5–6, 18, 34, 103, 147–148, 156, 166, 170, 179, 182, 191
  • music 2, 5–7, 49, 133, 148, 163–168, 170, 172, 174, 176–179, 181–182, 233–234, 237, 239
    • musical temporality 163–165, 182
  • Moore, Kevin 3, 15, 62, 105, 188, 210

N

  • narrative space 149-156, 158-160
  • narrative time 5, 8, 147
  • non-diegetic 148, 151 ; see also diegetic, extradiegetic
  • Núñez, Rafael 3, 15–16, 20, 41, 62, 125–127, 188–189, 210, 212, 222

P

  • past 3, 7–8, 16, 21, 24, 72, 81–86, 89–96, 104–105, 127, 130–131, 133–137, 139–141, 147–161, 189–190, 194, 197, 199, 201–202, 209, 211–214, 218–223, 225, 237–238
  • Path 3, 7, 15–16, 20–22, 25–26, 33, 42, 46–47, 83, 89–91, 94, 106–107, 159, 211 ; see also Goal, Source
  • perspective 9, 21, 53, 104–105, 107, 114, 120, 155, 158, 170, 233–234, 238–239 ; see also viewpoint
  • pictorial metaphors 101, 103, 106, 108, 110, 112, 114, 120 ; see also spatial metaphors (in comics)
  • poetic metaphors 4, 61–63, 70
  • PoetiCog 7, 48–54, 59–61, 63, 66
  • poetry 2, 5–7, 41, 44, 47–48, 50, 52–55, 62–63, 65–67, 73, 75, 239
  • political discourse 2, 5–7, 81–82
  • present 7–8, 81–87, 89–93, 95–96, 127, 130–131, 133–136, 139–141, 147–161, 218, 238
  • protracted time 103, 108, 119-120

R

  • Radden, Günter 3, 15, 62, 126
  • Ricoeur, Paul 82–83, 98

S

  • sagittal axis 16, 199, 212–213, 219, 221, 223 ; see also lateral axis, vertical axis
  • Santiago, Julio 42, 44, 105, 189, 225
  • sign language 187-188, 209–210, 217–218, 220–221, 223
  • simulation semantics76see also embodied semantics
  • sound 117, 129–132, 136–139, 148–149, 151, 153, 166, 234
  • Source 16, 20-22, 24, 26, 42 ; see also Goal, Path
  • source domain 3, 7, 31, 63–64, 66, 75, 77 ; see also target domain
  • space 3-5, 15, 21, 26, 33, 43, 45–47, 51–53, 55–56, 62, 101–103, 105–106, 120, 125, 127, 138–139, 176, 181, 188–190, 192, 209–215, 217, 219, 222–226
  • space-to-time mappings 15, 46, 51-52
  • spatial metaphors (in comics) 106-108, 110, 114-120 ; see also pictorial metaphors
  • spatial metaphors (of time) 45-46, 101, 107, 110, 114–116, 181, 187, 209–211, 213–217, 224
    • spatio-temporal metaphors 62, 126, 137, 142 ; see also spatialization (of time), Time-as-space metaphor
  • spatialization (of time) 3, 41–45, 50–53, 55, 62, 125, 209, 212
    • spatialized time 43–44, 46 ; see also spatial metaphors (of time), Time-as-space metaphor
  • speech 2, 64, 164-165, 179, 187-188, 191, 193-194, 199-200, 202, 210, 219-220, 224-225, 235
  • story time 132, 147
  • subjective time 4, 43, 47, 101, 103, 106
  • Sweetser, Eve 3, 16, 20, 30, 62, 126–127, 188–189, 191, 210, 222

T

  • Talmy, Leonard 16, 20, 171
  • target domain 3, 63–64, 77, 102, 106 ; see also source domain
  • Theme16see also Figure
  • time compression 8, 147, 153, 158–159
  • time perception 4, 6, 43, 47, 101–102, 106, 121
  • timeline 3, 8, 26, 43, 91, 94, 105, 107, 120, 171-172, 187, 189, 191-199, 202, 210, 214, 217-219, 221, 223, 225-226
  • time units 4, 7, 17–18, 43–52
  • time measurement unitssee time units
  • Time-as-space metaphor 45-47, 60 ; see also spatialization (of time), spatial metaphors (of time)
  • Time-moving metaphor 3, 17, 43, 62, 104
  • Traugott, Elizabeth Closs 3, 15, 43, 62
  • Turner, Mark 4, 42–44, 46, 62, 71, 102–103, 105, 120, 148–150, 153, 191, 238–239

V

  • verbal creativity 61–63, 66
  • vertical axis 16, 197, 212, 219, 225, 237 ; see also lateral axis, sagittal axis
  • viewpoint 5, 43, 153, 155–159, 160, 164, 166, 169, 194
    • viewpoint compression 8, 147, 150, 156–157
  • visual metaphors 101–102, 106 ; see also pictorial metaphors, spatial metaphors (in comics)
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