Book review
. Musical gestures: sound, movement, and meaning. New York and London:: Routledge, (2010).
Reviewed by
Published online: 11 October 2010
https://doi.org/10.1075/gest.10.1.10rah
https://doi.org/10.1075/gest.10.1.10rah
References (6)
Brinner, Benjamin (1993). Freedom and formulaity in the “Suling” playing of Bapak Tarnopangrawit. Asian Music 24 (2), 1–37.
Feld, Steven (1988). Aesthetics as iconicity of style, or ‘lift-up-over sounding’: Getting into the Kaluli groove. Yearbook for Traditional Music 201, 74–113.
Keil, Charles (1987). Participatory discrepancies and the power of music. Cultural Anthropology 2 (3), 275–283.
Massumi, Brian (2002). Parables for the virtual: movement, affect, sensation. Duke University Press.
Cited by (3)
Cited by three other publications
Brezas, Spyros, Stella Paschalidou, Chrisoula Alexandraki, Makis Bakarezos, Christine Georgatou, Konstantinos Kaleris, Maximos Kaliakatsos-Papakostas, Emmanouil Kaniolakis-Kaloudis, Evaggelos Kaselouris, Yannis Orphanos, Helen Papadaki, Nektarios A. Papadogiannis, Katerina Tzedaki, Nikolas Valsamakis & Vasilis Dimitriou
Fuentealba, Juan-Francisco & Sebastián Michea
This list is based on CrossRef data as of 9 december 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
